Category: jazz


Betty Bryant‘s nothin’ better to do radiates the natural confidence of a seasoned club date, where the music speaks for itself. A pianist, singer, and composer whose artistry has been shaped by decades of experience rather than trends (at the impressive age of 96), Bryant brings a storyteller’s instinct and a deep respect for melody to this session. Producer Robert Kyle, himself a seasoned saxophonist and flautist, places her in a setting that is both intimate and expansive, featuring a group of top-tier Southern Californian musicians who know how to support a singer without overshadowing her.
The opener “You Are Not My First Love” sets the mood with a relaxed swing that feels both rueful and wry. Bryant performs the lyrics with…

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London’s Led Bib were a quintet for 22 years. During that time, they established a well-founded reputation as architects of the rather short-lived anarchic jazz movement. Keyboardist Toby McLaren was a founding member and a co-architect of the band’s sound. He left after 2017’s Umbrella Weather and was temporarily replaced by Elliott Galvin on 2019’s It’s Morning. Following a tour, drummer Mark Holub, bassist Liran Donin, and saxophonists Pete Grogan and Chris Williams, decided to tour as a four-piece. It proved difficult. Led Bib returned to Cuneiform for Hotel Pupik. It was written for quartet and plays to the group’s strengths as composers (tunes were written by three members) improvisers, arrangers, and gifted, instinctive instrumentalists.

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The groove is strong in multi-instrumentalist Adam Ben Ezra’s Heavy Drops. Mainly known as a double bass player, he has performed with the likes of Snarky Puppy, Pat Metheny, Victor Wooten, etc., and it shows in his smooth and energetic musical abilities. Joined by drummer Michael Olivera, Ezra still produces a meaty sound that morphs intriguingly throughout the release. Hints of funk, Latin and Mediterranean accentuate the individual compositions while also coalescing into an album that doesn’t feel disjointed.
Ezra is a confident musician with a willingness to pursue new musical terrain. The title track introduces the listener to the overall vibe. Double bass and drums deliver a fluid performance with brief layers of flute and…

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German alto saxophonist, composer, and improviser Angelika Niescier emerges on Chicago Tapes with a refreshed, invigorating sound shaped by an expanded ensemble that gathers some of the Midwest’s most adventurous musicians. Long engaged in collaborations with American players — among them Tyshawn Sorey, Gerald Cleaver, Chris Tordini, and Tomeka Reid — Niescier brought her compositions and open-ended sketches to Chicago for an ambitious project that yielded nine fearless originals, each brimming with sharp turns and volatile energy.
The album’s kinetic opener, “Rejoice, Disrupt, Resist”, is a furious, defiant response to the anti-immigration stance of the Trump administration. Here, Niescier joins forces with…

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…The deluxe edition adds eleven bonus tracks, including a previously unreleased song called “One Wonders Why,” as well as phone demos and alternate studio versions of existing tracks.
After releasing two fine albums for Nonesuch, swinging trad jazz and pop vocal duo Rachael Price (Lake Street Drive) and Vilray Blair Bolles release their third long-player on Concord just in time for their appearance at the 2025 Newport Jazz Festival. West of Broadway is a ten-song set that operates at the intersection of swing, warm, rounded West Coast jazz, and musicals, with stellar, unintrusive production by Dan Knobler and expertly arranged by Jacob Zimmerman. They are joined by a sextet that includes vibraphonist/xylophonist/pianist Warren Wolf, saxophonist Steve Wilson, …

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Guitars on Life is a duo offering by acoustic guitarists Jack West and Walter Strauss. Both are Californians. The recording was released in tandem with Essential Curvature, a compilation from West’s folk-jazz band who released five excellent albums between 1996 and 2003. He developed a solo style that allows him to play his trademark eight-string acoustic, slide guitars, bass, and percussion — simultaneously, which he does here. Strauss is best known for his global folk work with Malian musicians including kora masters Mamadou Diabate, Sidiki Diabate, and kamale ngoni great Mamadou Sidibe, among others. He’s also worked with multi-instrumentalist Joe Craven, Cuban violinist Tanmy Moreno, Scottish fiddler Jonny Hardie of the Old Blind Dogs,…

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Essential Curvature is a double-length compilation drawn from five albums by Bay Area folk-jazz-world fusion outfit Curvature, guitarist Jack West‘s acoustic band that existed between 1996 and 2003. Their discography includes Continuum (1996), Big Comet Headed for Earth (1998), As We Know It (1999), Big Ideas (2001), and Around About Now (2003). Otá Records signed West for Guitars On Life with guitarist Walter Strauss, to be released alongside the new disc. It contains cuts from each of their releases. The sequencing of these 16 cuts is glorious; it is structured along an aesthetic of flow rather than chronology.
The set opener is the killer title track from Big Ideas. It’s performed by West, bassist Scott Amendola, marimbist/percussionist…

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Recorded November 1957 at Van Gelder Studio, Soul Junction is an album by jazz pianist and composer Red Garland. Also featuring the legendary John Coltrane (tenor sax) and Donald Byrd (trumpet) amongst others, the album features five cuts including the Garland penned title track. This new edition of the album is released as part of the Original Jazz Classics Series on 180-gram vinyl pressed at RTI with all-analog mastering from the original tapes at Cohearent Audio and a Stoughton Tip-On Jacket.
In the early fifties, Lucky Roberts ran an after-hours club in Harlem. Lucky had been the dean of New York ragtime pianists in the early decades of the century, and had influenced James P. Johnson, Fats Waller, and Duke Ellington, among others.

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Naive Melodies is a bold and visionary tribute to the music of Talking Heads, reinterpreted through the lens of Black musical innovation. Curated by Drew McFadden – the creative mind behind BBE’s acclaimed Modern Love (David Bowie tribute album) – this new collection dives deep into the Afro-diasporic rhythms and experimental soul roots that helped shape Talking Heads’ unmistakable New Wave sound. Inspired by artists like Fela Kuti, Parliament, and Al Green – whose influences loomed large in the band’s rhythmic DNA – Naive Melodies shines a light on the Black music traditions that underpinned their artistry.
Far from a conventional tribute, Naive Melodies reframes the band’s catalog through the voices and visions of a new generation…

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The second volume in the WaJazz Japanese Jazz Spectacle series, selected by Yusuke Ogawa.
“Japanese jazz expert Yusuke Ogawa continues the WaJazz exploration with another essential collection of music that contains something uniquely Japanese — focusing this time on the King Records catalog. Featuring timeless music by Isao Suzuki, Toshiaki Yokota, Akira Miyazawa, Takeru Muraoka, Yasuaki Shimizu, Masahiko Togashi, George Otsuka, and more.
“It is my great pleasure to introduce you to the second volume of the “Japanese Jazz Spectacle” series. Following the first compilation which focused on recordings from the Nippon Columbia catalog, this time we are digging into the King Records archives.

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With Convergence, his second solo album, Swedish-born bassist Björn Meyer further develops music on the blueprint established with his recording Provenance (2017), making use of the technical potential of the bass guitar to establish striking sonorities and grained textures while also being acutely aware of the acoustic space in which his sounds emerge. In its review of Björn’s previous solo statement, London Jazz News found the bassist demonstrating “that melodic high-jinks and emotional intensity aren’t just for those who inhabit the treble stave. Meyer’s bass sings.” Here the bass player’s atmospheric explorations conjure images in the mind. His technical innovations appear expanded in a programme of songful quality. In brief it feels complete in itself…

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Though Leo Records has previously documented Quartet (London) 1985 (1988); Quartet (Birmingham) 1985 (1991); and Quartet (Coventry) 1985 (1993), Burning Ambulance Music is proud to celebrate the 40th anniversary of the tour with this set of previously unreleased recordings from Liverpool, Sheffield, Leicester, Bristol, Southampton, Leeds, and Huddersfield.
…With a brazen logic all its own, Quartet (England) 1985 is not, by any means or definition, for those whose algorithms prescribe soothing puppy and kitten videos or languorous spa music. Maniacal, undaunted, unflinching, Quartet (England) 1985 place the brave listener in the eye of the cacophonous tornado fury that was Anthony Braxton, pianist Marilyn Crispell, bassist…

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In a late 2023 Ottawa Citizen profile by Peter Hum, jazz pianist Josh Rager declared that he’d moved on from donning styles like different sets of clothes to instead embrace his strengths and fully commit himself to his own gifts and talents.
Such wisdom comes naturally to someone who recently passed the fifty-year mark and is eager to use the time he has left in the most productive way possible. Jazz fans living in the Montreal area have long known of Rager as a figure in the city’s jazz scene, though when not playing the Ottawa native is also a dedicated professor at Concordia University.
Rager’s discography is modest, but the quality level of each release is strong, his latest no exception. The pianist has a soft spot for…

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Sax player, label and club owner and band leader Ilhan Ersahin has been making waves on the New York jazz/soul underground scene for year and with the release of Mahalle, his band’s latest (sixth) album, he confirms that combining the sounds of his Turkish origins and R&B/soul groove with jazz touches can be a winning combination.
The influence Ersahin and his band have in music circles has already been noticed as he had bee playing with The Red Hot Chilli Peppers or well-known jazzers like Bugge Wesseltoft, and that all over the world, from Sǎo Paulo to Tokyo.
And while Istanbul Sessions, the name of his band, clearly states where Ersahin’s roots lie, Mahalle is a very direct tribute to Turkey’s key city and cultural centre that Istanbul is.

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Inspired by the human experiences of living, connecting and creating, leading Danish trio Human Being Human return with Being.
The album sees the trio expanding their soundscape as they collaborate with American saxophonist Chris Cheek. He brings his style and energy to the project, aligning perfectly with the trio’s contemporary Danish explorations of the acoustic jazz trio format.
The trio’s first two albums, 2022’s Equals and 2023’s Disappearance, positioned the band as one of Europe’s most distinctive in their genre. They are led by bassist and composer Torben Bjornskov; in a country that has produced several remarkable bassists, he stands out as one of their finest. He is joined by pianist Esben Tjalve…

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New York-based composer and trumpeter Eddie Allen introduced his band Push with the critically lauded album of the same title in 2014. Allen is always busy playing R&B, pop, Latin music, jazz, and classical in small ensembles, orchestras, big bands, and Broadway pit bands.
Rhythm People, the first album by this group in 12 years, was released by the visionary indie label Origin. The sextet lineup includes Jonathan Beshay on tenor sax, Misha Tsiganov on electric keys, Tyler Bullock II on piano, Kenny Davis on bass, and E.J. Strickland on drums; trombonist Steve Turre guests as well. The album is aptly titled given that the majority of these 13 tunes are rooted in groove, R&B, and modern jazz using post-bop language while embracing contemporary…

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