There are albums that sell by the truckload and albums that quietly reroute a career, and Accident Of Birth belongs firmly in the second camp.
Released in May 1997, Bruce Dickinson’s fourth solo record arrived at the lowest commercial ebb heavy metal had known in a generation, with grunge having flattened half the genre and the other half still picking itself out of the rubble. Dickinson himself was four years out of Iron Maiden, his last outing Skunkworks had confused as many fans as it converted, and the bookies would have offered long odds on him ever standing on a stage alongside Steve Harris again. Then came this: twelve tracks of unapologetic, gloriously overblown heavy metal, made with Roy Z behind the desk and Adrian Smith…
Category: rock
“Who Do You Want Me to Be” asked singer/songwriter Joanne Shaw Taylor on her 2009 debut, White Sugar. 11 studio albums and 17 years later she takes a more direct stance with “This Is Who I Am.” That tune is the lone cover from The Trouble with Love. The ten-song set further defines who she has become as a veteran roots artist who has gradually coalesced her approach and strengths. Taylor’s blues roots have always been on display, specifically through guitar solos like she and guest Joe Bonamassa ignite on the opening title track. For the following Bad Company-styled “Hell or High Water” she sings about her career with “I’m just a soul/trying to exist/All on my own/And I’ve given it my best.”
That’s just one of the truths expressed on…
Since Britpop began, there have been endless arguments about the best Britpop band, the best Britpop album, the defining Britpop image. Choices vary, but it feels inarguable that Elastica – and Elastica – remain the coolest in all the above categories. The four-piece were cemented as elegant, eternal stars on their self-titled 1995 debut album: a collection of short, sharp songs, with equally short, sharp haircuts on the cover. Like the supernatural pop ideal immortalised in 1998’s Velvet Goldmine – a film they cameoed in – Elastica came from London but also seemingly arrived fully formed from another, sexier, less effortful dimension. Untouchable louche perfection. Exacting boy-girl androgynous tension. Post punk guitars arrived encased in…
Hootie & the Blowfish mark the 30th anniversary of their multi-platinum sophomore album, Fairweather Johnson, with a digital deluxe edition via Rhino/Atlantic Records. The release includes the band’s MTV Unplugged concert.
Released in 1996, multi-platinum Fairweather Johnson was Hootie & the Blowfish’s second studio album. The album, which followed Cracked Rear View, the best-selling debut album in U.S. history and one of the top 10 best-selling albums of all time, debuted at No. 1 on the Billboard 200 and featured fan favorites including “Old Man & Me,” “Tucker’s Town” and “Sad Caper.”
The digital deluxe edition expands the album with rare archival material. A centerpiece of the release is the band’s April 19, 1996…
The Sheepdogs have now been in an amazing groove of producing upbeat, West Coast-leaning blues-rock for over twenty years. Their trademark sound manages to embrace the paradox of being both nostalgic and contemporary. Keep Out of the Storm fits in perfectly to their catalogue: it feels both familiar yet fresh. It’s a great listen. The songs are plainspoken, melodic, emotionally direct and more concerned with feeling authentic than being literary. Where there’s grit, there’s also an underlying optimism.
The album begins with Nobody But You, a song about romantic commitment, two people simply being, no plan, just mutual dependence. The expression of love is simple and affecting: “Every time I see your face / I get a smile that I can’t…
Flatlands is a new John Zorn project for rock power trio, in the tradition of Simulacrum, Naked City and Insurrection: twelve short pieces that turn on a dime, built on infectious riffs, atonal melodies, shifting rhythms and virtuoso solos, intense, quirky and ecstatic.
The trio is made of three of Zorn’s closest collaborators of recent years: Matt Hollenberg (Shardik, Secret Chiefs 3) on electric guitar, Simon Hanes (Gargantua, Tredici Bacci, Tsons of Tsunami) on electric bass and Ches Smith (Clone Row, We All Break, Laugh Ash) on drums.
Titles include ’69-68′, ‘Into the Dreamverse’, ‘Mabinogion’, ‘Priapus’, ‘Erotic Hyperbola’, ‘Almas Perdidas’, ‘The Blue Circle’, ‘Slipped Disk’ and ‘Greywacke’.
It’s hard to believe that, at this late stage, with dozens of Jimi Hendrix live discs available, there is anything decent left to discover. But Magic Boy-The Jimi Hendrix Experience Live at Berkeley (Experience Hendrix label) proves that’s not the case.
It’s odd that this “first set” appears now, especially since the second of two shows recorded at California’s Berkeley Community Center was released in 2003. There is no explanation of the two decade gap, but it’s clear that has nothing to do with the audio or performance quality.
These gigs, from Memorial Day 1970 (just three months before his passing in September) at the relatively intimate venue (only 3300 seats), were unusual because Hendrix generally played far larger stages. Riots broke out before…
The second chapter in Gong’s legendary Radio Gnome Invisible trilogy, Angel’s Egg takes the story deeper into the surreal, otherworldly universe first introduced on Flying Teapot. Originally released in 1973, the album follows the continuing adventures of Zero the Hero and the Pot Head Pixies, expanding Daevid Allen’s visionary mythology into an even more ambitious world of flying teapots, cosmic transmissions, spiritual awakening, and playful rebellion.
Musically, Angel’s Egg pushes Gong’s unique fusion of psychedelic rock, progressive experimentation, jazz improvisation, and anarchic humour into new territory. With its hypnotic grooves, swirling synthesizers, gliding guitars, saxophone excursions, and eccentric vocal…
Remastered from the original BYG Records tapes and cut for the first time ever at half-speed at the UK’s world-famous Stardelta Studios by Grammy Award–winning mastering engineer Lewis Hopkin, this exclusive RSD 2026 edition features a deluxe gatefold sleeve, archival artwork, and a 16-page booklet exploring the storytelling and mythology of the beloved Radio Gnome Invisible saga. Released under BYG Records – the original label that recorded the album before licensing it to Virgin – this definitive deluxe reissue delivers the best sound quality Flying Teapot has ever had: a true cosmic upgrade for Gong’s mind-bending masterpiece.
Originally unleashed in 1973, Flying Teapot kicked off the eccentric Radio Gnome…
Released as an exclusive covermount CD with the November 2026 issue of MOJO magazine, The Gold Rush: Neil Young Covered brings together 15 interpretations of songs by one of the most distinctive and influential figures in rock music. A songwriter whose work spans folk, country, hard-edged rock and deeply personal acoustic balladry, Neil Young has spent more than five decades creating music that continues to resonate across generations. This collection celebrates the enduring power of his songwriting through the voices and musical visions of other artists.
Covering Neil Young is no easy task. His songs are often defined by their apparent simplicity, yet beneath their melodies lie emotional subtleties, restless arrangements…
Paul McCartney’s internationally acclaimed album The Boys of Dungeon Lane receives a Special Edition this October, featuring four additional recordings, including a new version of “Home To Us,” his celebrated duet with Ringo Starr, alongside three brand-new songs.
The Special Edition announcement arrives at a landmark moment for The Boys of Dungeon Lane. Released in May 2026, Paul McCartney’s first new solo album in over five years tops the global charts, with Top 5 debuts in more than a dozen countries. It also marks Paul’s 24th UK #1 album across his extraordinary career as a solo artist, with Wings, and as a member of The Beatles.
The album has also received widespread international critical…
Originally released in March 1969, From Genesis To Revelation marked the beginning of an extraordinary journey, the first chapter in the story of a band that would go on to achieve immense success and lasting acclaim. These new editions offer the most comprehensive and revealing presentation of the album to date, revisiting this vital early work with fresh perspective and unprecedented depth.
At the heart of all formats is a powerful new stereo mix by Stephen W Tayler, created with a renewed focus on the band’s performances and with less emphasis on the orchestral elements that shaped the original release. The result is both revelatory and immersive, bringing new clarity and immediacy to the album while preserving…
Two decades have passed in the land of Gnod, yet the psychic travelogue only becomes more enthralling as it goes on. And whilst this band has flourished via dauntless conviction, hive-mind magic and a fierce and uncompromising spirit, one ingredient has served as a crucial fuel for the fire – the monolithic singularity of the riff.
This second chapter of Gnod’s sort-of-anniversary trilogy also originates in the same six day sessions as the first, at Hellfire studios near Dublin with producer Spud Murphy. Yet the focus this time is on the transcendental heaviness and repetition that the band have often used as a primary fulcrum of their approach. This volume captures the sound of strings flayed, throats shredded, skins punished by the organic chemistry of this…
On their sixteenth studio album, Far and Wide, The Pineapple Thief feel more like a rock band than ever. Still progressive. Still masters of spine-tingling atmosphere. Still attuned to the strange, troubled world around us. And now, a decade and seven albums on from the arrival of Gavin Harrison on drums, they capture the chemistry, road miles and bigger stages of the last few years. You can hear that real-time heat in these songs. From the moody tones of opener New World Order, this music punches hard, all teeth and commanding shadows, without sacrificing the subtle twists and lightness’s that come to them so naturally. Rock songs of real class and nuance, in other words. Far And Wide is about shared ground. An abstract collection of feelings about…
Greta Van Fleet remain the most consistently successful standard bearers for The New Rock’N’Roll. While the mania that greeted them at the tail end of the 2010s has abated, the Michigan band’s three albums to date have still all breached the US Top 10, a feat that Rival Sons, The Struts, Dirty Honey and the rest can only dream of.
Palace for the People – named after North London venue Alexandra Palace, of all places – keeps their end up. Tear It Down and Into The Beginning shake their arena-rock tail feathers splendidly, defined instantly by Josh Kiszka’s rafter-rattling screech, which once again overshadows brother Jake’s impressively protean guitar playing. The whole thing is overseen by A-list producer Mike Elizondo, whose credits span everyone…
On her previous album, 2024’s Evolution, Sheryl Crow set out to make a 21st-century statement about her career and the state of the world for her first album since turning 60 in 2022. It was also her first release since COVID-19 and the announcement that 2019’s country-rock Threads would be her final album. It became her first album not to chart on the Billboard 200.
Rebounding with her 12th LP, Pick You Up, Crow returns to a more comfortable environment. Originally intended to be a six-song EP, the project expanded to album length with an additional track, “Freedom Bus,” that continues the discussion about the U.S. and its relation to the rest of the world in 2026: “If all you can come up with is hate / Then turn around and march…
It started with Jerry Garcia. More specifically, on a tribute show to the deceased Grateful Dead icon with a band playing his songs accompanied by a full orchestra.
As Gov’t Mule’s originator, member of the Allman Brothers Band and someone who contributed to both the Dead and offshoot bassist Phil Lesh’s group, Warren Haynes guested on that 2015 concert. It got him thinking about how to create something similar; a summation of sorts with key songs associated with acts he contributed to over his extensive career.
That became reality when in 2019, Haynes, with handpicked backing musicians and supporting singers, employed the 64-piece Asheville Symphony Orchestra to support him for two…
Americana/folk musician Cory Branan is a couple of decades removed from his start in punk and metal bands, but it’s clear that the outsider swagger stayed long after he took off the Doc Martens. On his seventh album You’ll Live, the Memphis native may sing about fatherhood (“Me and Your Mom and Them”) now and then, but he’s still rocking a strong independent streak.
The album is further proof – as if it was needed – that the Branan deserves a much wider audience. “Teeny Says,” his opening salvo here, is an amped-up pop rock track with steady guitars and even steadier drumming, punctuated with organ. With “The Price and the Cost,” he shifts into moodier territory, with a slower, more ominous cautionary tale about getting mixed up with…
