Category: rock


…Recorded between 1988 and 1989 in a small 8-track home studio in Amman, Jordan, Pieces of a Dream captures a side of the Arab music scene rarely documented: a group of musicians deeply inspired by jazz, soul, yacht rock and city pop, creating music that sounds closer to late-night LA or London than what most would associate with Jordan at the time.
Nechazz was formed by Palestinian-Jordanian musician Basim Said & Khaldoon Nasser and Iraqi singer and guitarist Kassim Sabounchi. While the trio became locally known for their live shows at the iconic Amman club Rumours, the music they wrote and recorded together was never officially released and remained unheard even among friends and family of the band.

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On September 12, 1966, television audiences first met The Monkees. Under the auspices of creators Bob Rafelson and Bert Schneider, the zany foursome of Micky Dolenz, Davy Jones, Michael Nesmith, and Peter Tork pushed the boundaries of the American sitcom format with their musical misadventures.
The Emmy Award-winning comedy only lasted two seasons and 58 episodes on NBC but endured thanks to Saturday morning repeats, syndication, cable, DVD, Blu-ray, and – most notably – the albums recorded by the four young men cast as The Monkees who went on to assume the roles in a real-life group.
On August 14, Rhino celebrate Season 1 of The Monkees just in time for its 60th anniversary.

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As unlikely as it sounds, Carly Simon’s first paid gig was singing jingles for her uncle’s company: one of the pre-eminent singer-songwriters of a generation not short on pre-eminent singer-songwriters cutting her teeth on adverts for cold cream, household mops and local banks. Fast forward a few years and she’s winning her first Grammy for Best New Artist with a debut single, “That’s The Way I’ve Always Heard It Should Be”, which dared to question the preferred currency of popular music: love and romance. Jac Holzman, initially her sole cheerleader at Elektra Records, was vindicated: Simon staked her place in the slipstream, but not the shadow, of Carole King and Joni Mitchell, her seductive alto honey-dripping lyrical scepticism, wit, rapture and realism…

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Named after the 1970s celebrity drinking club of which Alice Cooper was a ringleader, the latter-day Hollywood Vampires are a supergroup comprising Cooper, Aerosmith guitarist Joe Perry, silver-screen superstar Johnny Depp, and Cooper/Crossbone Skully bassist Tommy Henriksen.
…In 2018, the Hollywood Vampires took to the prestigious Montreux stage, bringing their unique blend of theatrical rock, reverence for their fallen heroes, and unapologetic energy to one of the most renowned festivals in the world. What unfolded was more than a concert. A celebration of the music, the excess, the camaraderie and the legacy that continues to shape generations.
Rooted in the spirit of the original Hollywood Vampires, a legendary collective of musicians…

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Omnivore Recordings and The International Pop Overthrow Music Festival present International Pop Overthrow: Volume 27, a three-disc compilation featuring 68 tracks by artists from all over the world who have played the International Pop Overthrow (IPO) festival, along with some who haven’t — at least, not yet! The IPO compilations go back as far as the festival, to 1998 when Volume 1 was a single disc. Since then, the collection expanded to two discs the following year, and then three discs in 2002 for Volume 5, and it has remained a three-disc set since. International Pop Overthrow: Volume 27 showcases artists from across the globe, doing just about every sub-genre of pop music, including power pop, pop/rock, folk/pop, psychedelic pop, garage,…

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…this new deluxe edition contains two additional discs inclusive of rare remixes and a complete previously unreleased live show recorded on the Meso-America tour in 1982.
In 1982, the B-52’s teamed up with David Byrne for an album and ended up putting out the Mesopotamia EP instead. Rumors swirled that the band didn’t like working with the Talking Heads frontman, but Kate Pierson told us a few years ago that their manager had been “pushing us, pushing us, to get the next record out” and they “felt rushed.” The deluxe edition arranges the tracklist as originally intended, pairing newly remastered versions of the original six songs with three outtakes: unreleased recordings of “Big Bird” and “Adios Desconocida,” plus…

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Multi-track recording of a King Crimson set from June 29th, 1974, at Penn State University, featuring the Bruford, Cross, Fripp and Wetton incarnation of the band on brilliantly brutal form. Contains material from ‘Larks’ Tongues in Aspic’ and ‘Starless and Bible Black’ plus ‘Is There Life Out There?’ and ‘It Is for You But Not for Us’, two of the finest improvs from this tour.
Though this particular line-up were edging closer to oblivion, listening to this full show 30 years after the event, the energy levels are astounding.[endtease] In his journal from the time RF described the show as “Tired. Lifeless. Lacklustre” Maybe Fripp’s estimation of the gig was informed by his recovering from mild food poisoning, the cumulative effect of prunes and a boil in his ear!

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…Includes rare mono version of third album, ‘Ma Kelly’s Greasy Spoon’, various singles and B-sides, outtakes and alternative versions, plus a version of The Doors’ ‘Roadhouse Blues’.
On August 23, 2024, this much-loved British rock institution played what is likely to be their last ever show. In a career that goes back to 1962, after several name changes, they settled on Status Quo in 1968. Signing to Pye Records for their breakthrough hit single, ‘Pictures of Matchstick Men’, Francis Rossi (guitar and vocals), Rick Parfitt (guitar and vocals), Alan Lancaster (bass and vocals) and John Coghlan (drums and percussion), had a psychedelic sound and image in keeping with the fashion of the time.
Quo eventually found their signature,…

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These days, Alfie Agnew is a Maths professor at California State University Fullerton. Back in the 1980s, however, he was singer and guitarist with US punks the Adolescents, as well as DI along with Sean Elliot. However, while academia might provide a more regular income than playing music, it clearly isn’t anything like as much fun. So, for the last decade, the pair of them have been scratching that itch in their side hustle, Professor and the Madman, along with Rat Scabies and Paul Gray of the Damned.
Dreamworld is far from a group of punk veterans revisiting old glories though. In fact, its inspirations reach far further back than that. Indeed, its cover art, which takes a significant cue from the Beatles’ Revolver gives more than…

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In the 1970s, The Hollywood Stars were a band that was supposed to hit it big but didn’t quite connect with the masses, thanks to a variety of record company foul-ups and the wrong-headed production of their self-titled 1977 debut album. The band was lucky enough to have a small but committed cult following who kept the tales of their powerful live shows alive, and a pair of archival releases — 2013’s Shine Like a Radio: The Great Lost 1974 Album and 2019’s Sound City — allowed fans of ’70s glam and power pop to at long last hear how they were meant to sound. The albums generated enough buzz that the group reunited, and 2026’s Hey! L.A.! is their second studio LP since returning to duty. As the title suggests, Hey! L.A.! is a loose concept album,…

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On their third LP, Celestial, the Brazilian progressive metal band Papangu cracks open a universe of possibility by foregoing digital shortcuts in favor of ecstatic analog craftsmanship. Following their blistering 2021 debut Holoceno and the percussive fables of Lampião Rei three years later, Celestial showcases the band’s exploratory techniques with spacey jazz and textured folk instruments, harkening back to the experimental prog of the ‘60s and ‘70s without overrelying on retro nostalgia. Their music has traces of King Crimson and Magma’s stardust, sure — but the band, who hail from João Pessoa, are ultimately aligned with the psychedelic canon of the country’s Northeast; a bridge between acoustic tradition and electronic innovation constructed…

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…features an instrumental versions bonus disc on CD2.
Legacy bands must straddle a line between the musical approach that originally brought them to fame and trying something new. With some fans, either choice – if made outright – dooms the latest release. But what of bands that undergo radical lineup changes over the years? Are they still beholden to what came before? And what of those that emerge with no remaining original members? Are they doomed to a life of caricature?
That’s Yes’ basic conundrum. They never had a lineup for longer than two consecutive albums. Well, until now. The current grouping of Steve Howe, Geoff Downes, Jon Davison, Billy Sherwood and Jay Schellen has lasted longer…

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A 6-show 2025 residency at the Teragram in Los Angeles turned into something special. To shake things up, Brigid Dawson joined the fold, bringing a vital spark back to this middle-era garage punk run.
Drawn from the final 3 shows, this set gathers what OSEES call the creme de la creme: some long bloated fliers, some short sweet friers, and plenty of grease. It’s a sharp snapshot of a band clearly having a very good time.
That chemistry stuck. This is the version of the band touring this year: 6-piece OSEES, with newer material and surprise crypt-crackers added to keep it up to snuff.
“Tried to mix it up for the kiddos so I brought on the big guns…Brigid Dawson.

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Much like scene counterparts Turnover and Basement, Citizen budded in the haze of early 2010s emo and grew to ripen in the radiance of alternative rock. The raucousness of formative releases like Youth matured on 2017’s As You Please, blooming on 2021’s Life In Your Glass World onwards, where huge hooks and electronic experimentation entered proceedings. Calling The Dogs stuck to that formula in solid, if perhaps unspectacular, fashion, and Halcyon Blues sits as a significant brick in the band’s road towards a strengthened sonic identity.
Reflective of life’s sudden changes and need for catharsis amongst the chaos, the record encapsulates its theme across 11 dynamic tracks that veer between Citizen’s…

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In June 2026, the Bruce Springsteen Center for American Music opened its doors in Long Branch, NJ and became a must-visit for any fan.
Hundreds of fascinating artifacts (e.g., the radically different alternate cover mock-up for Nebraska) and curated displays tracing the roots of American music up through the present day appear, and in the James F. Allen In Concert Gallery, you can watch videos of live performances. One particularly striking clip captures Springsteen at Max’s Kansas City in 1972 performing “Lost in the Flood” on piano.
Springsteen graced small stages in New York City and elsewhere as a solo performer between his formative years in bands like The Castiles and Steel Mill and the start of touring with…

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Few bands from the original psychedelic era can return nearly six decades later with a new studio album that feels driven by artistic curiosity rather than nostalgia. Strawberry Alarm Clock accomplishes exactly that with Where’s One?, an album that embraces the group’s unmistakable musical identity while continuing to expand its creative boundaries.
The opening track, “Feel The Love,” immediately recalls the band’s signature sound. Rich vocal harmonies, swirling organ, flute, and electric sitar evoke the colorful spirit of late-’60s psychedelia without sounding like a museum piece. However, the album quickly makes it clear that revisiting the past is not its primary objective. “Monsters” introduces a darker…

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