Category: R&B


Kaytranada has always been a groove master, knowing exactly how far to push into something cerebral and spiritual, owning the space between introspection and movement. But it took him a long time to get here. Over the course of his first three feature-heavy albums, the Montreal-raised producer evolved from behind the boards as a producer to curator to full-on main act. Now, he is very much the star of the show on Ain’t No Damn Way!, his first-ever album with no original features, one that proves he can stand tall alone.
Across the 12 tracks, laid-back snare thrums, fizzing synths and a buoyant computerised xylophone lull you into a boogie. And just when you think you’ve got it, a quick fade out, stutter or pause jolts you back into motion.

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The shadow cast by Tricky is a long one. But beyond the raspy, roach toke vocals, what does a Tricky tune look like? What shape does it take? It’s hard to say. You can point to the downtempo bass and murk, but that foundation leaves you with plenty of room to roam. His spirit can be felt in Dean Blunt and Inga Copeland, Tirzah and Coby Sey, Young Echo and Space Afrika. The list goes on.
More than one of these artists show up on All Our Knives Are Always Sharp, the latest album by the British Nigerian self taught musician Tony Njoku. Indeed, Tricky himself appears on the track ‘Depleted’, connecting the sonic dots, an extended school of slouched shapeshifters.
That diffuse lineage can be heard on the record, but the textural fog is punctured by a sense…

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Fountain Baby, the second album by Amaarae, was a revelation – a sensual, funny, frank and musically dense record released in 2023 that established the 31-year-old Ghanaian American pop musician as a cultural force to match contemporaries such as Rosalía and Charli xcx.
Although the songs are hedonistic – largely oscillating between wry flexes of wealth and lyrics about trifling with, and being trifled by, women in her orbit – she is also a realist: actions have consequences in Amaarae’s world, such as on Reckless & Sweet, as she wonders whether her lovers desire her or merely her money.
Despite the ingenuity and complexity of her music, Amaarae has struggled to break into the mainstream, in the UK at least. A recent…

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Jordan Rakei releases his Live From The Royal Albert Hall album and accompanying full-length concert film – an official record of his two sold-out nights at the historic London venue. The album – recorded on the second night of the run, after the first night sold out in a matter of hours – serves as a document of the GRAMMY-nominated singer, songwriter, producer, and multi-instrumentalist’s biggest shows to date, and brings to a close the campaign for Jordan’s latest long-player, The Loop.
His campaign for The Loop saw Rakei achieve a number of career highlights, including his first Ivor Novello Award nomination, becoming Abbey Road Studios’ inaugural Artist In Residence, selling out shows across Europe, the UK, the USA, Asia, and Australia (including the Sydney Opera House…

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Call it the Picasso paradigm: to transcend the traditional confines of an art form, you have to master it first. A third-generation musician, the Los Angeles-based Qur’an Shaheed first laid hands on a piano at age four, developing technical skills under the watchful eye of a pianist mother and a father who once served as Marvin Gaye’s music director. Such intense classical training can sometimes lead to an immutable, even rote practice. But for Shaheed, it has laid the groundwork for embodied improvisation. She imbues her debut album Pulse with the polished harmonics of R&B and the free-association spirit of jazz and ambient, creating a limbic system that runs on pure instinct.
Both building on and breaking down the refined…

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This jazz-rooted, seven-piece London combo first whetted the palettes of forward-looking music connoisseurs with their 2019 self-titled EP, and became word-of-mouth sensations on the strength of their 2022 full-length debut Could We Be More. Now, in a development sure to please the thousands of new ear canals currently ingesting Kokoroko’s entrancing, groovy sounds, Tuff Times Never Last leapfrogs genres even more gracefully, weaving Fela Kuti’s Afrobeat and the larger Black music diaspora through shimmering threads of pop, R&B, and neo-soul.
The glorious highlife guitar noodlings and cresting horns of the group’s earlier work are as effective as ever on songs such as the sumptuous “Idea 5 (Call My Name)” and the yearning, slap…

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On his second album Quit to Play Chess, the singer/songwriter and producer Cola Boyy takes a step away from the shimmering retro disco and soft rock sounds that made him a sensation and instead branches out into all sorts of directions, including R&B, hip hop, retro dance music, reggae, and funk. Sadly, it’s also his final album; he passed away on the same day he approved the final mastering. There’s no sense of sadness found in the music though; it’s a buoyantly joyful expression of Matthew Urango’s musical vison and philosophy of life that is meant to move feet and stir hearts. It succeeds on both fronts. Urango recorded the album in his hometown of Oxnard with the help of a batch of collaborators including co-producer Jared Solomon and MGMT’s…

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Singer, songwriter, and producer Cautious Clay has become mysterious in the modern music pantheon. His list of songwriting/producing credits is brimming with A-listers, and each addition’s solo discography is becoming more impressive and expansive. What started as an earnest career for an R&B hopeful quickly became a colorful exploration of the human experience set to a range of pop balladry and freeing takes on modern jazz. Clay seems only to be getting started. On April 16, the artist released The Hours: Morning, a quick yet emotionally dense look at Clay’s pop prowess and his ability to craft infectious, poetic pieces of modern music.
These eight songs are a far cry from Clay’s KARPEH LP, his 2023 release that saw the artist…

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Dywayne Thomas Jr., aka MonoNeon, marches to his beat and can take any direction. We seen him burn up the stage at Newport Jazz with a decibel-breaking, raucous performance. That same MonoNeon, though, as he did on his 2024 Quilted Stereo, delivers a batch of highly accessible songs on You Had Your Chance…Bad Attitude!. In his own irreverent and thoroughly modern way, MonoNeon represents his hometown, Memphis, which has long embraced a confluence of genres. Both of these albums argue that we should take this fellow, who arrives on stage in a knit green mask and neon splattered jumpsuit, seriously. That eccentric onstage posture is amplified by the fact that he purposely plays a right-handed electric bass upside down. This flamboyant persona is…

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By day, Erika de Casier deals out soft-spoken come-ons and kiss-offs via throwback R&B. By night, she’s an incognito hitmaker. Last year de Casier lent a steely edge to Floridian producer Nick Léon’s heady summer club cut “Bikini,” and in 2023 she got in the studio with K-pop group NewJeans, co-writing several songs from their Get Up EP — among them the winningly naive “Super Shy.” The Danish singer has quietly left her fingerprints all over pop’s ongoing Y2K revival, but sometimes at the cost of Erika de Casier the solo recording artist. While her last album, 2024’s Still, could often stun and delight, a spate of unnecessary guest features diluted its creator’s singular talents. Entirely self-written, self-produced, and released on her own label, Independent Jeep Music,…

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