Adrian Younge always has several projects on deck. In 2026 alone he produced and played on three releases from his and Ali Shaheed Muhammad’s Jazz Is Dead label, with one more coming. Further, his Linear Labs studio and label have issued three 2026 outings: the completely solo outing Younge, the EP Afro-Disco Makossa, and the forthcoming Proud of Me in collaboration with British singer/songwriter ALA.NI.
That’s a lot of work for one man, but Younge’s organic process makes it all possible. What’s more, he makes it look easy.
Afro-Disco Makossa was born from a single question: “What would a Ghanaian producer in ’76 have made if he set out to create an American disco record for his hometown?”…
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In Apichatpong Weerasethakul’s 2021 film Memoria, Tilda Swinton’s protagonist awakens in the middle of the night to a loud, startling sound with no clear source. The sound seems to follow her around in the days after, repeating at random intervals, but only she can hear it — a mystery that sends her on a journey deep into the Colombian jungle for answers. What she hears, a single note, is jarring and strangely physical, a sort of sonorous thud. It’s also a little musical, like industrial equipment accidentally clanking out a chord, shaking everything around it at a resonant frequency that’s more intriguing than terrifying. Similarly disruptive bass notes are all over 
The record starts with a kick drum, before a looped bass enters, slowly lulling the listener into serenity before BANG! Guitars explode all across the microphone, electrical debris falling beneath the weight of towering riffs. Opening number “Loungeside” exposes a rock band as they mean to go on: without mercy, without manners, without restraint. Some of the guitar arpeggios resurrect the spirits of shoegazers Ride for a hurrah stuffed with reverb-oriented gusto.
More than 25 years after the start of collaboration with 
Since 2012, Sam Sodomsky has quietly released lyrically elegant, musically sophisticated albums under the moniker 
The hermetic boxes that tend to get erected around traditional music can become suffocating for the people inside, and at least since Bob Dylan’s “Judas!” moment, that friction has yielded a lot of gold. 
Rush is the third outing from 
…includes the recently-shared “World’s Always Burning” featuring Mannequin Pussy along with previously unreleased songs “I’ve Said Too Much” featuring Dazy, “3 AM,” and “Thought You Were Waving [Anthony’s Version],” which is a cover by Anthony Green (Circa Survive, L.S. Dunes, Saosin).
Guitarist/composer 
When you’ve got the goods like 
…completely remastered by acclaimed audio engineer Leon Zervos at Studio 301 and features three early recordings that originally appeared on the band’s rare, self-titled Australian ”JBT’ EP.
In his 20s, when Nate Amos was uploading his every musical impulse to Bandcamp, he released a particularly out-there tranche of songs focused on “technology corrupting nature,” he told the Guardian recently. He soon came to understand this noisy spell as a symptom of anxiety and depression: “The beauty was in the unknown, because I was having such a hard time with the known.” The newer work that’s made his name as 
Since discovering John Coltrane as a teenager, saxophonist Andy Sheppard has forged a remarkable career, earning multiple British Jazz Awards, international acclaim and even a place in the UK pop charts. His musical range is equally impressive: alongside jazz giants George Russell, Gil Evans and Carla Bley, he has worked with artists as diverse as Baaba Maal, Runrig and John Martyn.
Chopping Mountain is the sixth long player from 
Remastered by Atsushi Izumi.
The expanded edition features the original 9 tracks alongside 4 brand-new songs recorded with producer John Congleton and 2 raw demos.
…The album has been newly remastered and cut directly from the analog master tapes.