Following a four-year studio album silence, famed Cuban singer Raúl Paz returns with a good-natured set that leans into themes of identity and place – ruminating on his 15 years outside his homeland. The album marks his return to the French music scene and comes with his trademark blend of traditional Cuban son, European pop and singer-songwriter music. The project’s name is a playful reference to him being a guajiro, a person from rural areas of Cuba, as well as guajira music, with which he is associated.
On ‘La Mala’, Paz combines a choppy acoustic guitar line, crisp percussion, brass fanfares and an earworm chorus to great effect. He demonstrates his versatility across the record, moving from upbeat numbers like this,…
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Juan Pastor‘s Afro-Peruvian jazz outfit Chinchano has undergone personnel changes since its 2014 inception, but the iteration on its fifth album is a keeper. While pianist Stu Mindeman has been with the project from the start, the bass and horn chairs have been occupied by different players. Now, the quintet on Memorias featuring bassist Matt Ulery, tenor saxophonist Dustin Laurenzi, and percussionist Gian Luiggi Cortez Mejía feels like the most perfect realization to date of Pastor’s vision. For the drummer and cajón player, this incarnation offers a “more mature, introspective approach to blending Peruvian music with jazz,” and some of that can definitely be attributed to Laurenzi, whose attack is more smooth than abrasive.
As intimated by the title, the album’s thematic…
Lucian Ban and Mat Maneri have been playing Transylvanian-tinged music together for 15 years, the last half-decade with reeds master John Surman. The trio’s latest release, Cantica Profana – as well as a companion album, The Athenaeum Concert – shows the three improvisors at the top of their form. The collaboration began with 2020’s Transylvanian Folk Songs, a set of tunes based on field research of Bela Bartók. Bartók’s recordings include thousands of melodies, which Ban and Maneri whittled down to just a handful. Most of the ones they chose were originally played by violin, flute, and bagpipes, an orchestration not impossibly distant from the contemporary group’s combination of viola, saxophone/clarinet, and piano.
Mysterious UK-based producer U’s practice qualifies as folk music inasmuch as it is music that has folklore as its primary subject. Quantitatively speaking, though, the remit of his new album Archenfield is wider and more ambitious. U has previously embraced the jagged edges of post-punk and cold, glitchy electronics, but here he leans heavily into ambient, field recordings and plunderphonics to create a detailed folkloric map of Archenfield, a rural region in Herefordshire with a long and at times turbulent history.
Opening track Urchins employs a simple, repeated piano melody on crackling vinyl. It evokes those age-old hauntological themes of distance, time, memory and decay. But just when you think things are wandering unequivocally in…
…Working, for the first time, under her given name rather than the usual moniker of Ale Hop, Alejandra Cárdenas shapes A Body Like a Home and the book of poetry that accompanies it in the form of a memory palace, fills its rooms with generational wounds, then gives each of them their own voice, reciting poignant verses over a porous fabric of electronic timbres, electric guitar, field recordings, and Mexican musician Gibrana Cervantes’s violin drones.
“What is the point of remembering, let alone recording life?”, Cárdenas ponders on the opener ‘On Memory’. Her voice is soft but laden with weariness as she reflects on histories and the cruelty of those who get to write and erase them. “Somewhere, you and I, we met in…
The first Voices from the Lake album has taken on a mythical status, like a Selected Ambient Works 85-92 for the Berghain generation. Donato Dozzy and Neel, already masters of trippy, ambient-leaning techno (once called “headfuck techno”) on their own records, hit on some kind of flow state when they made their collaborative debut LP. This was a cerebral style of techno that sounded like it grew out of the forest floor, where rustling leaves and padding paws took the place of kick drums, and chords moved like swaying branches and trees. Since that album, as good a full-length as the genre has birthed, everything attached to the Voices from the Lake name — EPs, a live album, the occasional remix, celebrated live sets — has strengthened their reputation. With II, the duo…
Peals — the Baltimore-based ambient duo comprising William Cashion (Future Islands) and Bruce Willen (Double Dagger) — released the digital reissue of Seltzer, a rarity previously available only as a 2015 limited-edition cassette. Far removed from the high-energy bombast of their primary rock outfits, Peals focuses on intimacy, loops, and texture. Seltzer serves as a time capsule of the duo’s prolific 2013–2014 period, capturing the “fermentation of improvisation” that would eventually lead to their sophomore LP, Honey.
The release is structurally fascinating. While Side B, “Before and After,” acts as a seamless mixtape of home experiments, Side A documents a unique site-specific collaboration with multimedia artist Zoe Friedman inside Baltimore’s…
Some Other Stories is the second album from South London duo Melanie Crew and Ross Palmer, who are life partners as well as musical ones, and they each supply songs written individually to this 12-song project.
Six songs are credited to Palmer and five to Crew. Palmer’s composition ‘Winning Ticket’ opens the album, setting the mood of quiescence and calm, with lyrics full of resignation: “those who are desperate to win are destined to lose”. He also penned ‘Close the Book’ (“a guilty man who takes the stand to make his last request”), which benefits from contributions on cello by Ben Handysides, and the philosophical ‘Blindly Through the World’. On that song, which is set in a minor key, Palmer ponders “bitter harvests and…
Music’s winding road sometimes takes unforeseen turns. Sam Salmon & the Grand Manan Bandits is one of those projects that seemingly appear out of nowhere, making you glad for such detours. Formed by the members of Canadian punk trio Motherhood (Brydon Crain, Penelope Stevens and Adam Sipkema) and guitarist Keith Hallett, the band share their love for alt-country with their debut album Down for Life. However, the Sam Salmon project had been in development for a long time. The opener, ‘If I Needed You’, is a song originally written in 2013 (if the pandemic also stripped you of your bearings, that’s over a decade ago!), under the telling title ‘Country No. 1’, which remained unchanged until very recently.
“Down for Life” is a fun and to-the-point love…
Well, this is a surprise. Not so much that the Sunderland band should do a Christmas album, mind. Despite their raw and spiky hardcore framework, which channelled heavyweights like Gang of Four and Fugazi, they were always capable of being gentle, dreamlike, flirting with but never tipping over into the whimsical, as on their huge breakthrough cover of Kate Bush’s “Hounds of Love”. And maybe even more relevantly, their harmony singing bordered on the choral from the start, something made explicit on their a capella reworking folk songs and their own work on their 2012 Rant album.
No, it’s not a surprise that they’d do this, or do it well. But it to be this good? For the pacing, the fit of the arrangements to the songs, the ability…
There’s a particular brand of madness that occurs when an artist gets bored of their own tricks. Jake Brooks didn’t experience some dark night of the soul; he just got sick of guitar and ran out of cassette tapes. Sometimes the most radical artistic shifts have the most mundane origins, and Factory Reset, Retail Drugs’ third full-length record in fifteen months, is what happens when rage gets funnelled through a laptop instead of a four-track: the sound of someone taking an industrial drill to a server room mid-breakdown.
The album imagines a near-future where you can erase your past self. “Which I guess you can kind of do on the internet, sort of,” Brooks notes with characteristic understatement. This dystopian premise hangs over the record’s…
Yako Trio’s eclectic instincts are fully on display on their latest album, Woven, an even-keeled exploration of genre-bending ambiences filtered through the group’s distinctive lens. The Thessaloniki-based trio — pianist Leandros Pasias, bassist Vangelis Vrachnos, and drummer Giorgos Klountzos Chrysidis — expands into a quintet here with two guest woodwind players: New Zealander saxophonist James Wylie and Athens-born flutist Harris Lambrakis.
This highly listenable session opens with “Mr. McCoy”, a tribute to pianist McCoy Tyner and the invigorating energy of his playing. Written by Pasias, the piece centers around a rich harmonic riff while Coltranean lines surge from the frontline. Swinging underneath with…
Live at Smoke is the last of the living birthday celebrations for the late, great drummer, Al Foster. These celebrations had been ongoing for more than a decade, and fortunately, the 2025 session was recorded on January 18 and 19, 2025. Foster passed away on May 28, 2025, before the music could be released, but Foster did hear the final mixes. Foster leads a top-shelf quartet for this last celebration. Saxophonist Chris Potter, who was very close to Foster, was a regular at these celebrations. Joining him were the acclaimed pianist Brad Mehldau and renowned bassist Joe Martin.
Foster has a history with many of the greats, from Sonny Rollins to Miles Davis. Accordingly, the set list includes compositions from Rollins and Wayne Shorter as well as a piece each…
Originating from the port city Tumaco in Colombia’s Pacific region, Bejuco‘s name comes from a jungle word for a hanging plant stem, symbolizing truth, wisdom, and evolution, reflecting their deep connection to their roots.
The second album from this dynamic outfit follows their 2021 debut, Batea, which introduced listeners to their self-styled ‘bambuco beat’ – that is, a seamless combination of the rhythms of Afrobeat with the tenor of the region’s traditional music. So, marimbas vie with drums, bass, guitar and synths, along with thrilling, fiery vocals.
Listening to the irresistible opener, ‘Me Mueve el Tambó’, tells you much of what you need to know about the album’s intensity. There’s a similar urgency to most of the other eight…
If you have never listened to or heard of Beans On Toast before, thinking of it as only an absolutely delicious evening snack, then you are not far off the mark. Beans On Toast is the stage name of Essex-born folk singer Jay McAllister. Since 2009, on the first day of December, an early Christmas present drops on the mat, and this year is no exception.
Kill Them with Kindness was recorded at the Greenmount Studios in Leeds with a full band. It’s a thoughtful collection with a host of social commentary throughout. However, it still features the humorous, playful lyrics that Beans On Toast excel at — songs about travelling, meeting new people, Tequila drinking, Cats, Shrewsbury and even Taylor Swift.
The opening salvo, ‘The Great North Road’, is…
Maxi arrives hot on the heels of 40 – a commemorative reflection of The Wedding Present’s complex and fascinating catalogue across four-vinyl and four-CD formats, with the compilation’s final track being ‘Hot Wheels’ – a track from Maxi.
Although Maxi follows the same concept as Mini, the 2025 model of The Wedding Present’s vehicle is discernibly grander, with Gedge hinting that guitarist Rachael Wood – who was new to the band at the time of writing – might be one of the reasons why. ‘Scream, If You Want To Go Faster’ – the opening track – mesmerises with a slow-building, post-rock feel before it revs up to set the EP’s tone and flows into the infectious riff of ‘Grand Prix’ – itself driven forward by the complexities of Wood’s playing.
The new live album from MC50, capturing the unrelenting energy of the 2018 world tour that reignited the spirit of MC5 – one of rock’s most radical and influential bands.
10 MORE extends MC5’s legacy with a high-voltage document of the MC50 lineup led by MC5 founding member Wayne Kramer and featuring an all‑star ensemble of rock innovators: Kim Thayil (Soundgarden), Brendan Canty (Fugazi), Billy Gould (Faith No More), Matt Cameron (Pearl Jam) and Marcus Durant (Zen Guerrilla).
Recorded live in Seattle, WA, Cincinnati, OH, and Hamburg, Germany, 10 MORE roars through MC5’s most iconic songs — including ‘The American Ruse,’ ‘Call Me Animal,’ ‘Rocket Reducer No. 62 (Rama Lama Fa‑Fa‑Fa),’ ‘Looking at You’…
The 2012-2013 Wrecking Ball tour marked the start of the current incarnation of Bruce Springsteen and the E Street Band. It was the first without late, great founding members Danny Federici and Clarence Clemons, and the tour served in part as a eulogy to those fallen heroes.
The passing of Phantom Dan and the Big Man also triggered major changes on stage: Wrecking Ball featured an exponential expansion of the E Street Band, ushering in a horn section, backing singers, and a percussionist — a blueprint still in use when Springsteen returned to the road in 2023 and retained through the last concert in Milan this past July.
Given how many new musicians were involved, it’s remarkable that the 2012-13 tour…
