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From the moment he started making music over two decades ago, Shutaro Noguchi has been in constant motion. Born in Japan, Noguchi has been based in the United States for 20 years, primarily in Louisville, where he became a player in the local music community, releasing solo psych-rock epics while participating in experimental groups like Equipment Pointed Ankh and the alt-country collective The Roadhouse Band (where he contributed to contemporary Americana breakout Ryan Davis’ latest album). Noguchi recently relocated to his home country, but not before recording On the Run with that latter outfit.
His latest album, On the Run, plays out like a reflective road trip and a bittersweet farewell tour rolled into one, an atlas of all the sonic…

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This work consists of sound and a collection of AI-generated images. The image collection is a compilation of AI-generated images used in a projection at the Merzbow Free Noise concert held on January 6, 2025, at WWW in Shibuya, Tokyo. The use of such visuals in Merzbow is rare in recent years, and of course, the use of AI-generated images in a live performance is a first.
The concert was divided into two parts, and one of the rehearsal recordings of the songs performed in the first part is the first track on the CD, “Peacock Analogy.” This track mixes live recordings of computer sounds from Sonicware’s TextureLab, Oscillator, and CD. The second track, “Tenbyo Caterpillar 1,” is one of Merzbow’s most recent studio recordings.

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Over the past few years Acid Jazz has been the proud custodian of the legendary Albarika Store label, which produced some of the finest, deepest West African cuts of the last century. The mainstay of the Albarika sound was the mighty T.P. Orchestre Poly-Rythmo, who were prolific throughout the label’s activity from the late ‘60s to the early ’80s.
When they reformed for their first-ever European tour in 2009, Benin’s T.P. Orchestre Poly-Rythmo underscored their status as one of the all-time greats of West African music.
Formed in 1968 by bandleader Clément Mélomé, their rare alchemy of scorched funk and driving Afrobeat didn’t just defy a repressive political system; across fifty studio albums, it revealed a group infinitely worthy of the world stage.

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At some point, one might ask which veteran jazz musicians did not play in the “university of jazz” called Art Blakey & The Jazz Messengers. Familiar names abound through this review, but so many more go unmentioned. Here we present a short-lived version of a group deep into Blakey’s fourth decade. We associate Blakey’s great records mostly with the ‘50s and ‘60s, but Strasbourg ‘82 (Gearbox) is as worthy as any. These nine tracks comprise around 85 minutes of straight-ahead, glorious jazz.
Branford and Wynton Marsalis arrived in 1980 but were gone by 1982. In their place, also from New Orleans came teenage trumpeter Terence Blanchard upon Wynton’s recommendation. Blanchard’s slightly older buddy, the 25-year-old…

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A 20th anniversary edition of the album, pair the original album (featuring favorites “She’s Hearing Voices,” “Helicopter,” “So Here We Are” and “Banquet”) with 23 B-sides and rarities, including nine unreleased demos and live cuts.
Silent Alarm was the culmination of several years of work by the London-based band, founded by singer/rhythm guitarist Kele Okereke and lead guitarist Russell Lissack in 1999. The band’s initial line-up featured bassist/keyboardist Gordon Moakes and drummer Matt Tong; their combination of nervy, danceable approach to post-punk and lyrical existentialism aligned perfectly with what rock radio listeners on both sides of the Atlantic were craving at the time. Positive feedback from BBC Radio 1 programmers transcended…

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At this point, rock legends Cheap Trick have nothing left to prove. From fan-favorite rockers releasing acclaimed albums at breakneck speed, to becoming an overseas sensation, and landing themselves in the Rock and Roll Hall of Fame, the band has achieved something most bands can only hope for. Not only did Cheap Trick emerge from the underground with an undeniable buzz that mainstream rock couldn’t help but take notice of, but the band has never let go of that opportunity to captivate, achieving a longevity that keeps Cheap Trick in the spotlight decade after decade. A band with this much of a legacy comes to a crossroads. After several decades of cultural dominance, Cheap Trick is forced to choose between falling in line with expectations or pushing…

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American Aquarium dropped their Live at Red Rocks album and they performed their song about Wichita Falls during the concert.
It was just over a year ago that American Aquarium performed at the Red Rock Amphitheater in Colorado. This was not the band’s first show at this venue, however this one in May of 2024 was recorded for a live album. One song that a lot of folks love here locally is ‘Wichita Falls’. We have a lot of songs that mention or are written about Wichita Falls. Pat Metheny’s album ‘As Falls Wichita, So Falls Wichita Falls’ is probably the most famous nationally. American Aquarium’s song titled Wichita Falls is probably the most famous here in town. American Aquarium front man BJ Barham wrote the song after a concert in 2013 at The Iron Horse Pub.

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Toyah’s 1994 studio album was recorded with Salisbury band Friday Forever and includes eight re-recordings of classic Toyah material and six original compositions. CD1 adds four tracks of which three are previously unreleased. This includes demos of album tracks Invisible Love and Lu$t For Love, first recorded in 1992 with Kiss Of Reality.
CD2 contains 16 rarities with seven of these previously unreleased. CD2 features the long-awaited release of original material Toyah wrote with members of Girlschool for their ‘supergroup’ project Strange Girls, who played live UK gigs and supported The Beach Boys in Germany. Long desired by fans who saw the Strange Girls live gigs; these three studio demos were recorded in 1991 but have remained unheard until their…

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Toyah’s 1991 solo album Ophelia’s Shadow is released as an expanded Deluxe 2CD Edition for the first time ever. Packaged in deluxe 7”-sized gatefold packaging, it continue the series of expanded solo Toyah albums released by Edsel.
Alongside the studio album that features Robert Fripp playing guitar on two tracks, CD1 adds six tracks Toyah recorded in 1993 with Kiss Of Reality, previously available on a very rare CD released only in Germany.
CD2 adds a full 1992 concert recording of Toyah and Kiss Of Reality in Warsaw, Poland. All 10 live tracks are previously unreleased with highlights being the otherwise unrecorded vocals for Amazon, Daydreaming and Shirt Of The Muse plus a rendition of Toyah’s 1987 album track…

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Simply Red celebrate four decades of music with Recollections, a new compilation that features entirely re-recorded versions of 40 tracks. Recollections steps through the various eras and includes all the big hits, such as ‘Money’s Too Tight To Mention’, ‘Holding Back The Years’, ‘Stars’, ‘Fairground’ and more. It has been produced by Andy Wright who has had a hand in producing every Simply Red album since 1998’s Blue.
Mick Hucknall explains: “As a way of celebrating 40 years of Simply Red, we thought it apt to release these takes. Andy Wright set about capturing the atmosphere and sonics of the originals and has done a magnificent job. This has enabled us to come full circle and celebrate our 40 years with you.” It’s not unusual for artists to re-record…

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Samuel Holden Jaffe, more likely known by the name of his indie-alternative solo project Del Water Gap, has spent the last few years in a state of uncertainty, searching rather unsuccessfully for answers. At times, pursuing a relationship that, upon its conclusion, not even he seems to have understood, or wondering about his place in the world, it seems Jaffe ultimately concluded that it all feels like pursuing an amorphous being. Or in a more allegorical sense, like chasing a chimera. The chimera is a creature from Greek mythology that’s part-lion and part-goat, its tail ending with the head of a snake. More simply, it’s a confounding and otherworldly creature made up of incongruous parts, not too dissimilar to the feelings Jaffe has toward life. This concept he’s…

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Bergen-based group Kronstad 23 are the latest trailblazers from northern Scandinavia: a creative force exploring the boundaries of musical genres, including but not limited to: psych rock, jazz, post-rock & scandinavian folk music.
The group of young players follows the footsteps of Motorpsycho, Elephant9 & El Paraiso’s own Lotus, Fra Det Onde & Kanaan, carving out their path through the musical landscape in seemingly effortless ways. One minute you’re floating on cosmic Pharoah Sanders waters, the next you’re ascending on electrified if-Tortoise-played-Allman Brothers-style jamming.
The band describes their approach as: “Sommermørket is an escape from inhumane technology and politics in search of something…

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Any guitarist looking for a quality blues rocker to emulate couldn’t do better than latch onto Rory Gallagher. But Davy Knowles went one better; he hired Gallagher’s band to support him.
They share equal billing on MKO. Bassist Gerry McAvoy (M) and drummer Brendan O’Neill (O) have toured extensively with Knowles (K) as Band of Friends (they once played all Gallagher material) but this is the first time they have collaborated on a studio album of original songs. The eight tunes are penned and sung by Knowles and while they share some of Gallagher’s driving approach and the power trio lineup he favored both in his own work and that of his previous band Taste, this is no copycat outfit.
Opening track, “Fires” though could easily…

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Innovation can sometimes materialise as a sleight of hand trick. We often think of innovative art as some bold, audacious show-stopper or a head-spinningly avant-garde experiment, but it can just easily take the form of a deft work of magic whose singular brilliance incrementally dawns on you. Cultural progression is a marathon not a sprint; a gradual development that needs resonant and endearing qualities as much as it does unorthodox and iconoclastic forms. Sword II’s Electric Hour is a prime example of approachable art that intuitively pushes against its own apparent boundaries.
The Atlanta trio’s gently radical second album is a warm, emotionally-resonant brand of colourful indie rock – oscillating between dream pop, psych and even hardcore – that’s flecked…

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Strange Trip Ahead is Canadian Mariel Buckley’s third studio album, after her 2018 debut Driving in the Dark and 2022’s Everywhere I Used to Be. It is no great departure from these two, but that’s okay, as it is full of good songs with great “earworm” melodies and catchy choruses.
The music can be described as indie-alt-country, which is a bit like later Lilly Hiatt albums, but lighter and less raunchy. The rock in it is tempered by the electric guitar being pushed back a little in the mix, whether it is riffing or being played as a lead. You can’t help but be reminded of eighties and nineties pop, but with no synthesisers and with a country feel, partly coming from the gentle steel guitar added. The music complements Buckley’s vocals very well to give a sound…

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To say Pete Muller is a hugely talented guy would be an enormous understatement. Not only is he an excellent singer/songwriter, but wait for this. He is a Quantitative Trader, starting and becoming C.E.O. of a multi-billion-dollar investment firm, and a philanthropist, a founding member of Math America and a Live Music Trustee. And if that wasn’t enough, he regularly contributes Crosswords for the New York Times and has also come fourth in a World Poker Challenge.
It’s incredible to think he has the time for music, but this is his fourth studio release in the last five years. Recorded in Bath at Peter Gabriel’s studio, it is a very assured, mature collection of songs.
In describing the considerations behind One Last Dance, Muller reflects, “I’ve led…

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…John Belushi’s widow Judy Belushi Pisano recently rediscovered the live album, which features 13 previously unreleased recordings. The musicians backing up “Joliet” Jake E. Blues and Elwood J. Blues (Belushi and Dan Aykroyd, respectively) are the original band members, a who’s who of notable soul men and bluesmen: members of Booker T. and the M.G.’s, the Bar-Kays, Howlin’ Wolf’s band, and the Saturday Night Live band at the time, including Steve Cropper, Donald “Duck” Dunn, Matt Murphy, and Paul Shaffer. The set list includes songs that appeared on the group’s 1978 album, Briefcase Full of Blues.
…It’s the perfect tribute to one of Belushi and Aykroyd’s most enduring projects together: beginning as a warm-up act for tapings of…

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Guitarist Joshua Condon and bassist Eliza Weber have been leading Chicago’s Glyders for more than a decade with a revolving door of drummers, but they didn’t release their debut album until 2023 — and it wasn’t really until they linked up with drummer Joe Seger that everything clicked. A formidable power trio was born.
Forever is Glyders’ first album for Drag City, which is a perfect home for them, and not just because they share a hometown; there’s a mix of skill, tunefulness, glammy riffs, urbane wit, and rural jamminess that fits right in next to Ty Segall, Bill Callahan, David Berman et al.
The artist they have the most in common with, though, is on a different Chicago label, Touch and Go: Ripley Johnson of Wooden Shjips,…

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