Witch Fever weave doom, punk, goth and noise into the fabric of their second album, FEVEREATEN. Alongside Chris W. Ryan’s production, the four-piece band sounds balanced and unified. Continuing on from their debut, Congregation, FEVEREATEN unpacks religious (and other) trauma through allegory and personal narrative.
Amy Walpole’s raw, nearly feral vocals anchor the album in its emotional core. At the centre of it all is a steady, driving heartbeat: great for screaming into the void about our disenfranchisement. The album builds a familiar sense of otherness, underwritten by experiences coming of age – and now living as adults – under authoritarianism. At the midway point, SAFE features a haunting and ethereal cello theme.
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When Chicago drummer Makaya McCraven released his album In the Moment a decade ago few could have foreseen its prescience, not just as a grand statement representing the aesthetic tendencies of International Anthem, the influential label that released it, but as a sonic blueprint for the leader. That album was famously culled from 48 hours of recordings made during a weekly residency at a club in Chicago in 2013, with the drummer subsequently building compositions in the studio from groove-oriented live improvisations played by an ever-changing cast of local heavies, including guitarist Jeff Parker, trumpeter Marquis Hill, and bassist Junius Paul, all of whom remain frequent collaborators. Although McCraven’s last studio album—the orchestrally sumptuous…
Radioactivity took ten years to follow up their 2015 album Silent Kill, but the wait was worth it. 2025’s 
Two years after he first appeared on Balmat with 
This 12-track companion album to the documentary about the band features 2023 remasters of such songs as “Whip It,” “Girl U Want,” and “Beautiful World” plus covers of “Working in the Coal Mine” and “(I Can’t Get No) Satisfaction.”
Collaborative albums are a tricky undertaking that can often result in clunky material that tries too hard to appeal to two separate audiences.
Shortly following the noisy ambient Americana of 
British composer and multi-instrumentalist Roger Eno’s releases his 3rd album for DG 
On Virtue Falters, 
On “Radio Seance,” 
The first time we hear Bob Dylan on this fabulous 8CD, 165-track boxset, it’s Christmas Eve 1956. Dylan’s high school trio, The Jokers – Bob Zimmerman (vocals and piano), Larry Keegan and Howard Rutman (vocals) – are whomping through Shirley and Lee’s “Let the Good Times Roll” in a version recorded on a 78rpm acetate at the Terlinde Music Store in St Paul, a bus ride from the 15-year-old Dylan’s home in Hibbing, Minnesota.
Recorded and filmed October 5, 2024, before a sold-out crowd at London, England’s historic Islington Assembly Hall, 
After a five-year break, Magic 8-Ball marks Gazpacho’s return with eight new tracks built around the idea of fate-how it moves without warning, and how the choices we make can slowly strip away who we thought we were.
Twenty-five years ago this Halloween, three Kalamazoo, Michigan-area college students got together for an impromptu house party-gig that would forever change the course of progressive bluegrass. Inspired by a handful of informal performances at some bluegrass open mic nights hosted by a Kalamazoo-area rustic Greek bar & restaurant, The Blue Dolphin, Michael Arlen Bont (banjo), Dave Bruzza (guitar) and Paul Hoffman (mandolin) performed for the first time as Greensky Bluegrass, delivering an intimate set of bluegrass standards in a living room surrounded by a few small handfuls of their closest costume-laden friends and acquaintances.
California’s 
This fifth studio album from