Latest Entries »

To mark its 25th anniversary, The Virgin Suicides reissued as a new edition entitled The Virgin Suicides Redux. This edition features an all-analog mix of the album produced by ‘Alf’ Briat and Air in April 2025.
25 years ago, Air released their second album, The Virgin Suicides. With over two million copies sold worldwide since its release, the first soundtrack by the electronic duo of Nicolas Godin and Jean-Benoît Dunckel is as famous today as Sofia Coppola’s first feature film.
In 2001, The Virgin Suicides won a Victoire de la Musique award and was nominated for a Brit Award in the Best Film Soundtrack category. In 2014, the album was ranked 11th among the best soundtracks of all time by NME…

You need to be logged in to view the rest of the content. Please .

Forevermore is the eleventh Studio album in the career of the multi-platinum-selling group. Whitesnake are still one of the most successful rock groups of all time. Since the release of their self-titled album in 1987, which alone won several platinum awards, and the two number one hit singles “Here I Go Again” and “Is This Love”, the group has become an integral part of the rock and radio landscape. Whitesnake are an institution in the international music world and one of the few “old warhorses” who still produce credible albums today. With his eloquent, always well-groomed, British-polite manner, frontman David Coverdale is not only regarded as a rock idol, but also as an idolized gentleman in the rock business. Hardly any other musician deals with the themes…

You need to be logged in to view the rest of the content. Please .

The closer you listen to the stories Jonah Kagen tells on his debut record, Sunflowers and Leather, the clearer you see how he collected them, journeying across the United States. The process began when the 25-year-old singer-songwriter penned the lyric, “When I die I want my life to look like sunflowers and leather,” which went on to appear in the song “Matches” from 2024’s EP Black Dress. After considering what the line really meant, Kagen concluded that he hopes to leave a legacy as beautiful as sunflowers and as worn and lived-in as a leather jacket. That also meant he needed to see and experience more of the world. As Kagen recounts in the album’s accompanying Field Guide mini-documentary, he then decided to buy and renovate an Airstream trailer…

You need to be logged in to view the rest of the content. Please .

The ever-exploratory composer Henry Threadgill is more restless than ever at 81 and, thank goodness, shows no signs of slowing down. Listen Ship is his latest long-form composition and, like some of his more recent recordings, features him as a conductor and composer, not as a soloist. This 16-part suite was composed for four acoustic guitarists, two bassists, and two pianists. The lineup includes guitarists Bill Frisell, Brandon Ross, Miles Okazaki, and Gregg Belisle-Chi, with bassists Jerome Harris and Stomu Takeishi, and pianists Maya Keren and Rahul Carlberg. Ross has been working with the composer since the early 1990s, and Takeishi and Harris have worked with him sporadically for decades. Listen Ship is linked to 1994’s Song out of My Trees…

You need to be logged in to view the rest of the content. Please .

Two days of intense inspiration were as long as it took Texas-born songwriter Dallas Burrow to record his latest album, The Way the West Was Won. Experience must play some part in it. Burrow got his first guitar at age ten, inspired by both his father’s own playing and songwriting. However, his career as a musician can be said to have started some twelve years ago, a period which has brought forth a series of EPs and studio albums, as well as live recordings, music videos and plenty of live shows. Burrow is a busy man, balancing family duties, extensive touring and duties as proprietor of the Redbird Listening Room in his hometown of New Braunfels, Texas. So if experience has influenced his latest album’s confident sound, discipline must surely factor into it too.

You need to be logged in to view the rest of the content. Please .

Each album by Swedish composer Sven Wunder masterfully opens a door into a different sonic mise-en-scene, from the East-meets-West psychedelia of Eastern Flowers, to the painterly restraint of Wabi Sabi or the midnight-jazz hush of Late Again. Daybreak could be his most radiant yet: a slow-blooming, analog-toned instrumental voyage that charts the emotional arc of a single day from pre-dawn shimmer to golden hour contemplation. Throughout, recurring musical themes appear in multiple instrumental, rhythmic and textural guises, almost like sunlight refracted through the waters of Lake Vänern.
As ever, Wunder draws from a global palette of woodwinds, strings, hand drums, fingerpicked acoustic guitar and brass, and arranges…

You need to be logged in to view the rest of the content. Please .

…Featuring 6 previously unissued studio recordings and 7 previously unreleased live recordings.
Released at the dawn of the 21st Century, On the Wire marked the long awaited return of Lee ‘Scratch’ Perry’s to Trojan Records, 14 years after the company had issued his powerful come-back long-player, Battle of Armagideon.
Demonstrating The Upsetter’s eccentric and innovative approach to music-making, the 2000 album comprises a compelling blend of weird and wonderful sounds, over which he delivers typically unpredictable yet captivating lyrics that range from the profound to the absurd.
Upon its release, the Trojan collection was comprehensively praised, with many critics proclaiming Scratch was finally back to his…

You need to be logged in to view the rest of the content. Please .

The opening of Prize Hunter, the lead song and single from Emma Pollock’s first album in 9 years, is sung over a sprightly bass line that belies a rich compendium that is the songwriter’s most personal and expressive collection to date. Recorded over five years against a backdrop of personal tumult, family grief and self-revelations, Begging The Night To Take Hold documents hardships but also points to glints of light in the darkness.
Recorded during and immediately after the Covid pandemic at Chemikal Underground’s Chem19, Begging The Night To Take Hold takes the artist’s musical imagination and develops it into a baroque landscape, an invocation of physical and psychic place. With longterm collaborator Paul Savage in the producer and drummer’s chair…

You need to be logged in to view the rest of the content. Please .

There are no half-measures in the do-or-die world of VLURE, whose uncompromising first two singles (‘Shattered Faith’, ‘Show Me How to Live Again’) set this precedent back in 2021. Blurring the lines between jagged post-punk, euphoric synth melodies and an industrial heart, the intensity of the Glasgow five-piece is a product of the catharsis that shapes it, spearheaded by Hamish Hutcheson’s thick, tough vocals.
Four years later, their debut album Escalate supercharges those founding principles to the maximum. After touring non-stop until 2023, the band took most of last year off to write, a sign of their extreme dedication to this body of work. Nosediving further into electronic soundscapes, Escalate still retains the core fact…

You need to be logged in to view the rest of the content. Please .

“Recording out of various homes, not fixed to any single location (Morell from Texas, now based in Los Angeles, and Durkan in Portland, Oregon), they write the songs they want to hear, tuning from shared taste (for trip-hop, Britpop, electronica, and the canon of ‘90s alt radio), a desire for emotionality, and an instinct for when it sounds right and honest; when it means something real to them. Their full-length debut embodies their trust in one another and in their craft.
A no scope kill in the video game lexicon is achieved by shooting a sniper rifle at close range without scoping in on your target, an apt metaphor for two artists following their pop impulses, shooting from the hip with precision. “It might also mean like having no future,” jokes Morell…

You need to be logged in to view the rest of the content. Please .

For decades, Sir Richard Bishop has been a formidable force in the world of experimental guitar music. From his foundational work with the Sun City Girls to his extensive and eclectic solo career, he has consistently defied categorisation, drawing from a global well of musical traditions to create something uniquely his own. His most recent offering, 2020’s Oneiric Formulary, continued this exploration of a “spirited polytheistic” approach to the guitar; described in these pages as “a roller-coaster of a success” and a “beautiful and brilliant riot of a record.”
Now, with Hillbilly Ragas, Bishop turns his gaze inwards, towards the heart of American folk traditions, only to shatter them and rebuild them in his own image.

You need to be logged in to view the rest of the content. Please .

By now, it is well-documented that Ana Popovic claims that her Fender Stratocaster saved her life. Fighting breast cancer in 2022-2023, the singer/songwriter/guitarist contemplated giving up her career. Yet, due to the insistence of her bassist and musical director Buthel Burns, she persevered, and after multiple chemotherapy treatments, she returned to recording and touring again. Many felt that her 2023 Power was the best album of her career. While she testified to the strength of her 1964 Fender Strat, she did less blistering shredding on Power, emphasizing the songs instead. Her guitar skills are top-notch, and her voice has grown more soulful as she has returned with Dance to the Rhythm, while embracing R&B and soul more than blues rock. Yes, she has toned…

You need to be logged in to view the rest of the content. Please .

The list of releases for Record Store Day 2025 includes a standout item: a new Rage Against the Machine concert album titled Live On Tour 1993. The 2-LP vinyl release compiles 10 “completely untouched and unmixed live recordings” from various cities on RATM’s 1993 tour. In addition to three sides of music, the double vinyl includes one side with an artistic etching.
Among the 10 live tracks are such classics as “Bombtrack” (Washington, D.C.), “Killing in the Name” (Orlando), “Bullet in the Head” (Paris), and “Know Your Enemy” (Toronto).
All told, the collection includes live performances of all 10 songs on Rage Against the Machine’s 1992 self-titled debut album. It’s limited to 15,000 copies and will initially only be…

You need to be logged in to view the rest of the content. Please .

Originally released in the UK on September 19th, 2005, KC Rules OK quickly became a fan favourite, solidifying King Creosote (aka Kenny Anderson) as a unique voice in British indie folk. The album spawned several notable singles, including “Bootprints,” “Favourite Girl,” and “678,” all of which showcased Anderson’s distinctive songwriting.
The deluxe album pulls together a collection of B sides, songs and remixes, many from the fabled Chorlton And the Wh’Earlies unreleased promo CD including four songs that are completely commercially unreleased and are currently unavailable digitally..
KC Rules OK was King Creosote’s debut album for warner Music, and in December 2009, ranked #6 in The Skinny’s “Scottish Albums of the Decade” poll.

You need to be logged in to view the rest of the content. Please .

Kate Bush release a new compilation called Best of The Other Sides.
The Other Sides originally consisted of 12-inch mixes, B-sides and cover versions and took up the entirety of the Remastered in Vinyl IV box set in 2018. It was also available on CD in the second of the two CD box sets that were issued at the same time, and then released as a standalone 4CD set in March 2019.
What is effectively now a ‘highlights’ version doesn’t feature anything new, but there are some small changes. Kate says that ‘Experiment IV’ and ‘You Want Alchemy?’ have been remastered especially for this compilation and “both include a small edit”. Kate adds “I felt ‘Experiment IV’ would benefit from a longer intro…

You need to be logged in to view the rest of the content. Please .

Saxophonist Donny McCaslin and his band’s collaboration on David Bowie’s final album Blackstar marked a pivotal moment in McCaslin’s career. Following Bowie’s death just two days after the album’s release, McCaslin transitioned from being a well-respected jazz musician to achieving international recognition. His band’s innovative contributions helped make Bowie’s final album a critically acclaimed late-career highlight.
Since then, McCaslin’s brand of innovative, contemporary jazz fusion has continued breaking through barriers to define a distinctive sound that draws on electronica, rock, and sophisticated production techniques. He is supported in this endeavor by a rotating cast of musicians, including key Blackstar personnel keyboardist…

You need to be logged in to view the rest of the content. Please .

Piotr Kurek plays it stone-faced. His music teems with strangeness, yet even his most outré pieces have a lulling effect; it’s uneasy listening that casts a blissful spell. Make no mistake: The Warsaw composer’s music is way out there. His records are miniature worlds where the usual laws don’t hold. Kurek loves to blur the line between authentic and ersatz, natural and synthetic, cause and effect; resolutely tactile instruments like vibraphone are balanced by ethereal wisps of Auto-Tune. Drop the needle anywhere, and you might hear cybernetic bagpipes; holographic harps; voices that might be cellos, or vice versa. For someone who frequently writes for theater — an art form based on real people moving around in three-dimensional space — he’s got an uncanny knack…

You need to be logged in to view the rest of the content. Please .

Los Angeles-based trio Automatic are known for playing synth-based, danceable post-punk with dystopian lyrical themes. Is It Now?, their third album, expresses the same sort of late capitalist paranoia and dark, subtle humor as their previous efforts. However, the three bandmembers have undeniably improved as musicians, and the record is easily their best-sounding and most accomplished effort to date. While their music previously resembled stripped-down, ESG-style dance-punk with droning Suicide synths and occasional New Order-esque basslines, here they’ve streamlined their sound a bit, coming closer to ’90s alternative dance. Opener “Black Box” has shuffling bongos and buzzing, swooping synths along with coolly detached, echoing vocals.

You need to be logged in to view the rest of the content. Please .