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The NYC-based singer/songwriter Kendra Morris stripped down her sound for her newest record, Next. The ten-song collection delivers a cool slice of minimalist indie-soul on Colemine Records.
Morris worked with her band, guitarist Supremo “Premo” Massiv, bassist Monti Miramonti, and drummer Chauncey Yearwood, and co-produced the album with Leroi Conroy, recording in Loveland, Ohio, and NYC. Morris’s voice is front and center as she can command the song using barely a whisper before rising up to the heavens during the next verse.
The effort “Dear Buddy” is an easy grooving example of Morris’ charms as understated pleasant backing supports the slow dripping soul of her voice as lyrically Morris focuses…

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With a patchwork recording process that’s worth acknowledging because it can be heard in the final product, Golden Apples’ fifth album, Shooting Star, was captured with a variety of collaborators, at multiple locations, and with a selection of headspaces and inspirations. Consistent, however, is the welcoming, raw-and-ready delivery of bandleader Russell Edling, along with his world-weary lyrics and his melodic and jangly, college rock-informed musical sensibility. So fans need not despair, even if the resulting album is on the capricious side. Sounding something like a reverb-heavy slow dance, opener “Another Grand Offering for the Swine,” for instance, is a brief, demo-like entry having something to do with the food chain and a deliverance that sets one…

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For Johnathan Blake, music has always been a family affair. The drummer and bandleader’s previous Blue Note album, Passage (2023), was an homage to his father and chief mentor, the late jazz violinist John Blake Jr. The album cover features a sepia-toned snapshot of father and son, taken by his godfather, Eugene Wood. On his label debut Homeward Bound (2021), Blake honored the memory of Ana Grace, daughter of his longtime friends, saxophonist Jimmy Greene and flautist Nelba Marquez-Greene, on the eponymous track, who succumbed during the Sandy Hook massacre.
Now, with My Life Matters, Blake delivers what may be his most personal effort yet. For his third Blue Note album, Blake assembled a group comprising his frequent collaborators…

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…Limited Edition Digital Album includes the full album, album instrumentals, and two demos.
…Deluxe includes the bonus disc ‘Live in Paris & London’.

As its title may suggest, Neil Hannon’s 13th studio album as The Divine Comedy is a mile away from jaunty songs about woodsheds and National Express coaches. After the joy and whimsy of his soundtrack to Wonka, Rainy Sunday Afternoon finds him far more contemplative and wistful.
It’s certainly Hannon’s most personal album to date. There are songs about family, loss and grief, as well as pot shots at a world seemingly falling to pieces around us. Bolstered by some truly gorgeous orchestrations by long-term Hannon collaborator Andrew Skeet, even a simple piano…

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Sourced from the original masters, Mobile Fidelity’s hybrid SACD presents ‘Dangerous’ in audiophile-quality sound for the first time.
Despite the success of Bad, it was hard not to view it as a bit of a letdown, since it presented a cleaner, colder, calculated version of Thriller — something that delivered what it should on the surface, but wound up offering less in the long run. So, it was time for a change-up, something even a superstar as huge as Michael Jackson realized, so he left Quincy Jones behind, hired Guy mastermind Teddy Riley as the main producer, and worked with a variety of other producers, arrangers, and writers, most notably Bruce Swedien and Bill Bottrell. The end result of this is a much sharper, harder, riskier album than Bad, one that has…

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50 years together. 20 million records sold. More than 15 albums of guitar-driven Southern rock stacked high with hits like “Hold On Loosely,” “Caught Up In You,” “If I’d Been the One,” and “Second Chance.”
Milestone marks 38 Special’s first studio album in over 20 years and showcases their platinum-selling blend of muscle and melody. Featuring snarling guitars, anthemic hooks, and fresh collaborations-including duets with Pat Monahan (Train) and co-writes with Jim Peterik (Survivor) and Randy Bachman (BTO, The Guess Who)-this album is a modern Southern rock statement from one of the genre’s enduring voices. Formed in 1974, the band toured tirelessly from the start, sharpening the explosive live show that’s been 38 Special’s…

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Singer, songwriter, multi-instrumentalist, composer and producer Tom Meikle – known by the moniker Mappe Of – first emerged with the highly acclaimed, self-produced debut A Northern Star, A Perfect Stone in 2017.
The album immediately captivated listeners with its sonic landscape, an ethereal avant-folk tour de force that belonged to no time or place. The high-concept full-length The Isle of Ailynn followed in 2019, showcasing Tom’s skill and talent for songwriting and production. After a long hiatus forced by the pandemic, Meikle and Mappe Of are poised to re-enter the music scene with fresh works that promise to continue his journey of musical exploration and boundary-pushing creativity.

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Black Lips return with a brand-new studio album, Season Of The Peach, a 40-minute rock and roll odyssey, tripping through DIY genres where garage rock meets new wave pop, and disgruntled country shakes hands with epic western soundtracks. The 14-track album captures the energy and spirit of early Black Lips while simultaneously applying new approaches to songwriting.
The album is a musical merry-go-round, a journey featuring road-weary tales from the underbelly of a lights-out America. It’s bookended by “The Illusion” parts one and two: a barroom quest for hope, fear, and hate, thwarted at each turn by a sense of resignation, “you reach for the sky / but it’s an illusion.” Elsewhere, “Wild One” plays out like a Morricone romp through another day in Hell.

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NewDad’s debut album Madra, released only 20 months ago, made the Galway dream-pop band’s dreams come true. In the time since that record’s release, the former NME Cover stars have toured the world and gained acclaim from across the music world – including from their hero, The Cure’s Robert Smith. So, their second album should be a pretty cheery listen… right?
Largely written before Madra was released, Altar isn’t quite bursting with joy. Instead, it finds singer and guitarist Julie Dawson deep in homesickness and trying to figure out if the band’s move to London to give them better access to opportunities to help them grow was all worth it. Here, Galway is the altar at which she’s worshipping, and the thing she’s had to sacrifice…

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When the US-raised French-Haitian singer Cécile McLorin Salvant played Ronnie Scott’s for the first time as a 25-year-old in 2014, the awestruck atmosphere recognised a young multilingual jazz artist of rare gifts – but it was soon apparent that her sublime technical skill as a singer wasn’t the half of it.
Salvant had all the jazz tools: coolly hip timing, improv quick-wittedness, the crystalline sonic clarity of her early model, Sarah Vaughan. But she could also conjure up a dream world of her own that listeners would willingly follow her into. Her new album, Oh Snap, is a set of 12 originals and one cover that she created on her own over four years, before adding her band. She experimented for the first time with…

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Help Yourself, is the second studio album from Blood Brothers, the supergroup formed by blues rock heavyweights Mike Zito and Albert Castiglia. The album was recorded with the full band live in studio to capture the raw energy of a live show, with Scot Sutherland on bass, Lewis Stephens on keys, and double drumming from Matt Johnson and Ray Hangen. The album is pure traditional blues rock excellence infused with soul and gospel elements, and it all shines. This joint ain’t no sophomore slump, that’s for sure.
Soul and gospel influences are as heavy in the instrumentation and vocals as blues and rock, making this a wholly successful fusion album. For most of the tracks, Zito and Castiglia trade off vocals, each holding their own as they bring…

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Electronic pioneers Propaganda follow up their acclaimed 2024 comeback with Remix Encounters, a broad and brilliant remix album featuring Moby, Tangerine Dream, Rhys Fulber, Schiller, and more.
After the widely praised release of their self-titled comeback album in October 2024, Düsseldorf’s legendary art-synth auteurs return with Remix Encounters, a thrilling reimagining of their latest work.
Released on Bureau B, this remix collection reflects the enthusiasm Propaganda’s return after three decades of silence has ignited among contemporary artists, who approached the project with fresh energy and creative freedom.
Since breaking new ground with their seminal 1985 debut A Secret Wish and its pioneering…

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Skim through my concert bucket list and find Johnny Marr, most likely sitting between some random all-acoustic folk singer who last wrote a good song in the late Seventies and an Indie band that the NME tried to push to popularity in the mid-Noughties. A personal guitar hero and one of the few cool people to once be friends with Morrissey, Marr and his music carry this sort of indescribable presence. The intricacies of his genius fall into the seams of each song, whether that be his role as guitarist of The Smiths, as member of supergroup Electronic or amongst any one of the many musical collaborations Marr has added his musicianship to. And just over forty years later, he continues with impressive appeal, with his solo work declaring his ability to not be confined by the definition…

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Toro y Moi’s 2024 album Hole Erth was one of the more interesting albums in a long career of genre shifts and explorations. On it, Chaz Bundick looks back at his younger years lyrically while unveiling a mix of cloud rap, nocturnal trap, chillwave, shoegaze, and emo pop that encased his alternately rapped and sung vocals like tendrils of a dream. While he was working on that, he also envisioned a companion album inspired by Nirvana’s MTV Unplugged in NYC that stripped back the arrangements to something less dreamy and more grounded, while giving new context to the words. In 2025, Unerthed (Hole Erth Unplugged) was released and it definitely provided a different sonic experience. It’s still kind of dreamy – loads of swooping pedal steel guitar…

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An evocative, scene-setting project from its inception, Wilder Maker take their world-building to another level on The Streets Like Beds Still Warm, the band’s third studio album. Heavily inspired by film noir as well as by albums by Eiko Ishibashi, Mark Hollis, Oren Ambarchi, and recent demos collections by Broadcast, among others, the group’s founder and main songwriter, Gabriel Birnbaum, decided to switch up Wilder Maker’s recording process for the first of a planned concept trilogy of albums. The sessions involved the same core personnel – Birnbaum, guitarist Adam Brisbin, bassist Nick Jost, and drummer/percussionist Sean Mullins, with contributions from Katie von Schleicher – on a more experimental, improvisation-based set, which represents…

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When Icelandic ensemble Múm first appeared at the turn of the century they immediately stood out for their unique blending of organic and electronic sounds. It may not have translated into a similar level of commercial success enjoyed by fellow compatriots such as Björk and Sigur Rós but early albums like Yesterday Was Dramatic, Today Is OK and Finally We Are No One confirmed them as a proposition to watch out for.
Over the years they continued to release music that upheld their enchanting, twinkling aesthetic (on albums like Summer Make Good and Sing Along to Songs You Don’t Know). History of Silence is their first album since 2013’s Smilewound, and the time away has had a refreshing effect, giving them a chance to hone their sound while…

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In a world that incessantly pressures artists to be “productive,” Yasmine Hamdan takes her time. Considered a pioneer in Lebanon’s modern indie music scene, Hamdan first made waves in October of 1997, with the debut of her electro-pop group Soap Kills. Over a decade later, she decided to embark on her own journey, debuting with Ya Nass in 2013 and performing on NPR’s Tiny Desk a year later. In 2017 she released Al Jamilat, and fans have spent the last eight years quietly wondering if she would ever release another project. To their relief, she surfaced with new singles early last year, ahead of her latest album, I Remember I Forget, orبنسى وبتذكر.
In the near decade of her absence, the world endured a global pandemic, dozens of…

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Even by Lebanon’s standards, the period from 2019 to 2021 was a turbulent period in the country’s history. In October 2019 protests against political corruption and the government’s poor handling of the stagnating economy erupted across the country. A new government was formed, yet this too crumbled in the wake of the huge explosion that rocked Beirut’s port area in August 2020. Rolling blackouts, shortages of fuel and medicines and general economic woe kept the protests – many of which were driven as much by women as men – continuing well into 2021.
If the problems are still very much present, the turmoil did have one unexpected result. Previously keeping to their own districts of Beirut, the musicians in the city’s underground…

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