Royel Otis have gone from strength to strength in the past couple of years. They’ve locked in slots at festivals like Glastonbury, won over a legion of fans with their 2024 debut album, and gone viral for their cover of Sophie Ellis-Bextor’s ‘Murder on the Dancefloor’. All of which have cemented the Sydney duo as ones to watch out for, and helped inspire their sophomore record, Hickey, a sonic exploration of young adulthood.
Late summer feels like the perfect time for the record to arrive: the songs coincide with the band’s sun-drenched aesthetic and, throughout the tracklist, guitarist Royel Madden and singer Otis Pavlovic proudly lean into what they do best. Woozy guitar lines are out in full force, accentuated by shimmering synths and…
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Cherry Red Records released not one, but two brand-new studio albums from Jim Bob on the same day. One album is Automatic and one album is Stick. This is not a double album, double albums allow filler in and there is no filler on ‘Automatic’ or ‘Stick’. You won’t find any skippable Instrumentals or reprised versions on these beauties, just wall-to-wall, floor-toceiling bangers – 22 of them – 11 songs on each excellent record.
‘Automatic’ features the full band from the last three Jim Bob albums (‘Pop Up Jim Bob’, ‘Who Do We Hate Today’ and ‘Thanks For Reaching Out’ – also available on Cherry Red Records) and includes the opening sing-a-long ‘Victoria Knits The Wars’ which features on the first 7” single.
‘Stick’ is a punkier, dirty power-trio, guitar…
GUSH refers to a rapid, plentiful flow and enthusiastic affection. Kaitlyn Aurelia Smith’s new soundscapes exhibit both.
On the album’s namesake track, Smith, her spectral voice undulating, verbalises this display by building up to the mantra: “I like how you think / I like the way you see things”.
GUSH is Smith shaping her abstruse and idiosyncratic electronic textures to explore her admiration for objects often deemed innocuous and trivial. Funnelling meaning into those things through her wondrous aural world, that sentiment feels sincere, empowering, and purposeful.
As always, ordinary and metaphysical sounds are awash, contorting in multiple directions and occasionally falling into sublime cacophonies.
Anand Wilder released his solo debut album I Don’t Know My Words in 2022, and last year he teamed with Dirty Projectors’ Maia Friedman to cover Metric in honor Last Gang Records’ 20th anniversary. Now the former Yeasayer member is back with news of a sophomore solo LP.
For Psychic Lessons, Wilder teamed with co-producer Jachary, known for his work with L’Rain and Tasha. The pair also brought on board Yeasayer collaborator Walter Fancourt to create what Wilder calls a “DIY Compass Point Studios,” referring to the famed recording locale in the Bahamas. Wilder on the genre-melding project: “I just want to keep making records in a reeling music industry. This one’s about drawing inspiration anywhere I find it – myth, history…
Special 20 track 2LP is released to coincide with and celebrate the 40th Anniversary of Howard Jones’ iconic and best-selling album Dream Into Action.
Contains the 16 tracks that were previously released by Cherry Red in 2018 only on the bonus CD within the Dream Into Action Superdeluxe box set. This included what was known as ‘The Farmyard Sessions’ as they were recorded at Farmyard Studios.
The box set sold out immediately on release in 2018 and these 16 tracks have been unreleased since then both physically and digitally. Also includes 4 additional mixes and versions. 17 of these tracks are released on vinyl for the first time.
Released as a limited-edition orange coloured vinyl 2LP. Artwork contains previously unseen…
On the album Mirra, the innovative folk musician Benedicte Maurseth once again invites us to the vast Hardangervidda plateau—this time with a focus on the wild reindeer.
When Benedicte Maurseth released the album Hárr in 2022, the visionary Hardanger fiddle player was praised for creating a masterpiece. Her blend of the distinctive sound of the Hardanger fiddle and the use of concrete sounds from wildlife immersed listeners in a unique soundscape.
For Hárr, she received the prestigious Nordic Music Prize, and the album was named one of the world’s top ten folk music releases of the year by The Guardian.
Now she releases the long-awaited follow-up Mirra, which, like Hárr, is a concept album where…
Japanese legends Boris are celebrating the 20 Year Anniversary of landmark albums Pink and dronevil -example- with special deluxe reissue out on Relapse. The 20th Anniversary Edition presents the original CD track sequence on a 2xLP for the very first time, with an exclusive etching on Side D. In addition, PINK will be released as a deluxe reissue box set: a limited 6xLP collection that includes three full LPs of previously unreleased material. The deluxe box set features the original vinyl version of PINK, expanded “Forbidden Tracks” from the PINK sessions, never-before-released live material on vinyl.
dronevil will also be reissued for the first time since its original release. A work consisting of two different albums—an ambient soundscape and extreme heavy rock—designed to be played simultaneously, dronevil now returns in a brand-new edition. This version is presented as a joint 2xLP mix, under the title dronevil – example –
Sombr has New York City under his spell. The 20-year-old had jusr stepped onto a stage assembled on Canal Street to the sound of piercing screams. His debut album I Barely Know Her was scheduled for release in a few hours, but the musician wanted the first introduction of these songs to happen on the same streets that exist within them. There were people perched on fire escapes, others watching from the ledge of wide open windows. Behind the provisional stage, cars passed by and buses trudged along to their next stop while passengers glanced curiously at the impromptu rock show that shut the street down. The scene was everything that the album is — enamored, uninhibited, steeped in sonder.
I Barely Know Her strikes a balance between…
Rory Block has made a great string of acoustic albums for Stony Plain Records, which has since disappeared. She now reveals a slightly different side in her debut for M.C. Records, Heavy on the Blues. Three top-tier guitarists appear on the album – Ronnie Earl, Jimmy Vivino, and Joanna Connor. Block built her highly respected career by honoring the original male and female pioneers of the blues. While she retains some of that here, she covers the electric blues giants such as Little Milton, Buddy Guy, Koko Taylor, and even Jimi Hendrix as she continues her trademark work on acoustic and slide guitar.
Block opens with Tommy Tucker’s mega hit “High Heel Sneakers,” a song that shows the fun side of her personality. Tucker may have…
Jobber to the Stars is the debut full length of the quartet known as Jobber hailing from New York, and they are anything but lightweights when it comes to muscular power-pop nuggets. The band is fronted by Kate Meizner (guitar/vocals), who has a way with a cool, laidback, chirpy vocal style and slashing guitar technique that is both cunning and powerful. Jobber are no novices when it comes to their resumes, as each member has a long list of credits with a handful of underground notables. This works in their favor as they have learned to utilize many tricks to keep their brand of noise-making sneakily complex and fluid. To the Stars mixes early grunge and some heavy rock with quirky keyboard-focused melodies that will have you recalling Rentals and…
If Meg Duffy’s Hand Habits project has become known for two things, it’s personal, self-aware expression and shapeshifting, layered timbres and textures that span the intricate and the atmospheric. With their albums growing more and more collaborative over time, Hand Habits’ fourth album, Blue Reminder, welcomes a host of in-person contributors in sessions that were largely tracked live. As a major development from Duffy’s early, solitary bedroom recordings, it might be reasonable to expect a bit less of that meticulous complexity here, but Duffy manages to retain that sensibility and arguably bring it to new levels by including the participation of instrumentalists like Blake Mills; Daniel Aged (Frank Ocean, FKA Twigs); Tim Carr (Perfume Genius);…
September 1971 wasn’t a happy time in Who world, even by their remarkably narky standards. Pete Townshend had lost the battle to turn his abandoned Lifehouse concept album into a movie, and a filmed band meeting to discuss where The Who should go next ended testily. Mercifully, relief suddenly arrived in the form of an invitation to headline a British version of the Concert For Bangladesh, George Harrison’s all-star fundraiser staged at Madison Square Garden the previous month. So the group stopped bickering, moved their new £20,000 PA system into a Wandsworth cinema, and began rehearsing for a September 18 show at the Oval cricket ground, also set to feature the Faces, Atomic Rooster, Mott The Hoople, Lindisfarne and more.
As Delicate Steve, Steve Marion is the kind of person who names a covers album on which he does not utter a single word Delicate Steve Sings. He is the source of the primary sample on “Slave Name,” an unreleased Kanye West track that the rapper-slash-hmmm’s last remaining holdouts still discuss with wistful reverence in YouTube comment sections. He once released a Christmas album titled The Christmas Album that concludes with a blistering 15-minute desert rock rendition of “Frosty the Snowman.” When asked about his inspirations on a Reddit AMA — which he opened with, “Yes it is I, Delicate Steve” — he named celebrity chef Marco Pierre White and no one else. To that end, the only record he names as a direct influence on Luke’s Garage, his…
Machina/The Machines Of God, the fifth album from The Smashing Pumpkins, is finally getting the release the band had always hoped for. The album, which celebrates its 25th anniversary this year, and its follow-up Machina II/The Friends & Enemies Of Modern Music will be reissued and reimagined together into one, 80-song collection.
Released in 2000, Machina is often thought of as The Smashing Pumpkins’ masterpiece. Lead guitarist Billy Corgan’s tea shop Madame Zuzu’s will be offering the 80-song box set exclusively, which will include a 48-track Machina as well as 32 tracks of bonus demos, outtakes, and live performances. Though the box set is the only way to hear all 80 tracks, The Smashing Pumpkins are also celebrating Machina’s 25th anniversary…
Previously unreleased in full, this celebrated live performance recorded live in 1977 for WCOZ that originally appeared on “The Name of This Band Is Talking Heads” is available as a 2LP collection. Cut at 45rpm and featuring fourteen tracks (seven are previously unheard from the original two-track tapes) recorded at Northern Studios on November 17, 1977, this blistering performances includes “Psycho Killer”, “Pulled Up”, “Uh-Oh, Love Comes to Town”, “A Clean Break (Let’s Work)” and more.
Recorded on November 17, 1977, at Northern Studio near Boston and broadcast on WCOZ, this seminal performance took place just two months after the band released its debut, Talking Heads ’77. At the show, David Byrne, Chris Frantz, Jerry Harrison, and Tina Weymouth played more…
Like many great songwriters, Dean Johnson’s voice is universal, even if he’s only writing about what he knows. His music, rooted in country and Americana, sounds uncoupled from any one time or place, even if he’s a Seattleite through and through. On I Hope We Can Still Be Friends, Johnson’s second LP and first for storied indie label Saddle Creek, he’s drawing from the same well as writers like John Prine or Tom Waits, filtering the light of daily life through the grimy windows of a barroom. (In Johnson’s case, it’s the Wallingford tavern he tended for over a decade, absorbing the plights of boozers drowning their sorrows.) Everything is framed through the wreckage of unrequited love: depression (“Painted Smile”), rampant consumption habits (“Carol”), the sinister bliss…
Following their self-released fourth album, I Feel Alive, which, ironically, arrived a couple weeks into COVID-19 shutdowns in 2020, Montreal experimental pop darlings TOPS self-released a follow-up EP, then two of their members embarked on solo efforts. When the band reconvened for another album, they worked more collaboratively than in the past, eventually ending up with a conflicted group of songs with a dark side, touching on everything from the pursuit of happiness to self-destruction and from intimacy to toxic relationships and existential dread.
The quartet signed with Ghostly International for the release of the resulting Bury the Key, an album that also finds them slightly expanding their oddball sophisti-pop sound. After opening…
For Daniel Donato, the term “Cosmic Country” accounts for much more than just his quartet’s moniker. It also represents a musical and personal ethos. The journey and the destination. As the affable guitarist explained to Glide in a 2023 interview, “Cosmic Country is kind of like this tale as old as time. It’s the duality of things…You have this contrast of what is unknown with what is known…and it’s me trying to create a dance between those two things.” In truth, it is everything.
Using this mindset as a guide post of sorts, Donato and his immensely talented ensemble, consisting of William “Mustang” McGee (bass), Nathan “Sugarleg” Aronowitz (keys) and most recent addition William “Bronco” Clark (drums), have quickly garnered a well-deserved reputation…
