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Charismatic saxophonist and composer Joshua Redman assembles a new rhythm section of young players for his latest quartet outing, Words Fall Short, following his vocali-infused album Where Are We (2023). Superior to Redman’s previous effort, the album comprises eight carefully curated pieces, three of which are elevated by influential guest appearances.
“A Message to Unsend” has a delicate essence, shaped by pianist Paul Cornish’ arpeggiated style, consonant articulations by Redman and bassist Philip Norris, and the sensitive drumming of Nazir Ego. There’s something classical, even bolero-infused in the works, and the music flows with hymn-like, breezy tones, showcasing solos from Cornish and Redman, which unfold…

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Having garnered some of the most excited reviews of his career with last year’s trio record New Concepts in Piano Jazz, maverick pianist Matthew Shipp pivots to his other most well-known concept: an improvised solo record. Unlike, say, Keith Jarrett, Shipp prefers to record in the studio, and avoids being (overtly) influenced by piano lessons or classical training. If anything except his own shimmering imagination rules The Cosmic Piano, it’s the twin towers of Cecil Taylor and the blues.
Like Taylor, Shipp wanders all over the keyboard to seemingly directionless purpose; also like the avant-garde piano demon, deep listening reveals a method to the mania. Unlike Taylor, Shipp doesn’t try to dismantle the keyboard with hurricane speed – indeed, if anything Shipp…

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Sally Anne Morgan is an artist and naturalist in the purest senses. Raised on old time and Appalachian folk traditions, Morgan’s artistry embodies the rich life of the communities and natural world she surrounds herself with. Based in Alexander, NC in the thick of Appalachia, and edge of the Pisgah National Forest, Morgan’s blend of traditional technique and distinctly modern compositional approach are infused with the sounds of her garden, surrounding pastures, forests and mountains. The rhythms of nature, its flora and fauna, are inseparable from her work which is in constant conversation with the people and places around her. Second Circle the Horizon is a meditation on returning, uncovering the new within the familiar and recognizing…

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Art Schop is a performing name of Brooklyn-based British solo artist, songwriter and multi-instrumentalist Martin G. Walker and The Fifth Hammer is the fifth studio release under the Art Schop moniker. The name Art Schop is derived from noted German philosopher Arthur Schopenhauer, whose philosophy is based around pessimism; he’s very quotable, his notable quotes include “A pessimist is an optimist in full possession of the facts” and “Just remember, once you’re over the hill you begin to pick up speed“.
Art Schop’s music catalogue illustrates the scope of Walker’s thinking across a range of subjects. The 2012 LP Wolfswork was inspired by the effects of the financial crisis and parallels to the rise and fall of the Greek Empire.

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Duo Ruut (Square Duo) are Ann-Lisett Rebane and Katariina Kivi, two Estonian musicians who write, sing and play facing each other, their instrument being a single kannel (an Estonian zither). Playing with the texts and repetitive motifs of runo song, a form of traditional oral poetry specific to the Baltic Finnic languages, their music holds a glistening minimalism in its rhythms and a crossover sheen in its sound. Rebane and Kivi’s voices help – often sweet, but also sharp when required.
Their ambitious second album Ilmateade (Weather Report) explores the powerful yet under-sung connections between the weather and emotion. It begins with the minute-long Intro, a track that builds gorgeously on the scratchy, dying notes of their 2021 EP, Kulla Kerguseks…

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…A 3CD box set including Rock Workshop’s self-titled 1970 debut album and 1971 follow up ‘The Very Last Time’ remastered from the master tapes with bonus tracks and including single versions, previously unreleased track, demos and alternate versions. 
Rock Workshop’s debut album features legendary singer Alex Harvey as one’s of the band’s two lead vocalists alongside Alan Greed.
Harvey sings lead on ‘Wade in the Water’ and ‘Hole in Her Stocking’ and also on alternate takes of album tracks ‘You to Lose’ and ‘Ice Cold’, single B side ‘Born in the City’ and originally unreleased track ‘Let My Bluebird Sing’.
This box includes several previously unreleased tracks including the instrumentals…

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Most artists signed to the premier blues label, Alligator, have established careers; however, occasionally, youthful talent emerges, such as Louisiana-born D.K. Harrell, a skillful guitarist, accomplished songwriter, and powerful vocalist. The 27-year-old Harrell is already playing blues festivals globally and was a headliner at the Chicago Blues Festival this past week. This is Harrell’s second album, having debuted on Little Village with The Right Man in 2023, working with Kid Andersen and Jim Pugh’s session players. Pugh, who rose to prominence first as Robert Cray’s keyboardist and later as Executive Director of the Little Village Foundation, deserves credit for giving Harrell his first break, leading to Harrell winning the BMA for Best Emerging Artist.

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Call it moon gardening, agricultural astrology, or, if you prefer your pseudoscience complemented by an Appalachian drawl, planting by the signs. No matter what you name it, the practice of sowing crops according to the lunar phases remains in scientific method limbo.
The likelihood is low that S.G. Goodman, an essential fixture in contemporary Americana, will sway opinions in either one direction or another on the subject. (Ancient Mesopotamia, however, would like a word). Her own relationship to that old tradition cuts back to her Kentucky upbringing, though, so her choice to make it her new album’s namesake makes sense.
Fair warning to all the softies in the crowd: Planting By the Signs is a deeply mournful piece…

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There’s an unpretentious quality to Elijah Johnston’s subjects that makes his songs deeply accessible. On Stupid Soul, the Atlanta artist covers a wide swath of topics from the seemingly mundane – the feeling of excitement around football season (in the aptly titled “Football Season”) – to weightier subjects, like the guilt of teenage sexual exploration when you are raised in purity culture (“I Know What You Did Last Summer”). Not every song has to be about love/death and our place in the world, and Johnston does a laudable job of balancing some of life’s tougher emotions with more routine topics.
The album also does a solid job of dodging classification. “Ideas,” one of the catchiest songs on the record, sounds like a 1990s alternative…

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With their third album, Haress join that rare class of bands that can honestly be described as elemental. While the tangled roots of their sound can be traced back to folk, post-rock, ambient and the more literate, gently arcane fringes of indie rock (Arbouretum, Daniel Higgs, All Structures Align), Skylarks places them at a juncture that’s hard to either pinpoint or entirely fathom.
Comprising four tracks, the album stretches and sprawls in a manner that might initially be described as ‘meandering’ – until, that is, you realise just how much intensity of purpose dwells within. Motifs are half-started, seemingly forgotten and then later reclaimed, themes rippling outward like tall tales that slowly change form as they’re passed through successive generations.

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American composer Austin Wulliman is a violinist of the avant-garde-oriented JACK Quartet, and this is his second album of music where he is the composer as well as a player. All the works here are by Wulliman himself, except for the finale, John Cage’s Totem Ancestor, which he originally wrote for prepared piano. Cage is one ancestor for the music here, for some of his music, even before he entered the sphere of total randomness, explored a sense of unpredictability lurking in the essence of musical materials, and this is what Wulliman’s music is about. Wulliman provides notes himself, referring not to technical procedures but rather partly to impressions from a view of the sea. The music is wavelike, regular yet shifting constantly as it goes along, with unexpected…

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These tracks capture Sun Ra’s electronic peregrinations during the 1970s and ’80s. The Arkestra occasionally makes a cameo appearance but Ra commands the spotlight, not so much composing music as painting soundscapes with electronic keyboards.
In the collection we’ve titled Stray Voltage, Ra is not so much composing music as painting soundscapes with electronic keyboards. Ra doesn’t simply play these consoles — he attacks, cajoles, and pounds them. He upends and transports them where they weren’t built to go. Sometimes they fracture under his assault. He steers them into the zone of intimacy and combat. They emit whirrs, hums, jolts and squiggles, crowned by explosions. Ra’s repertoire includes feedback,…

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GoGo Penguin created their 2023 full-length Everything Is Going to Be OK in order to cope with loss and tragedy. By the time they started working on Necessary Fictions, they were ready to have fun again. The trio challenged their preconceived notions of who they are and what they do, incorporating different influences, more synthesizers, and working with guest musicians. While they’re essentially an acoustic, instrumental jazz trio, they’ve always played with rhythms influenced by dance music, indie rock, and minimalism, with drums sounding closer to breakbeats than traditional jazz drumming. On Necessary Fictions, they frequently use modular synthesizers, though they often create tones that sound closer to acoustic than synthetic.

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Here’s another salvo from the power-popping, windmill chording, Nuggets-mod-turned-mildly psychedelic Smug Brothers, a four piece out of the heartland’s lo-fi capitol, Columbus, Ohio. We last ran into the band circa 2023’s In the Book of Bad Ideas, observing “Smug Brothers kick up a jangly, tuneful racket, with brash power chords and sweetly rueful lyrics, battering drums and liquid flourishes of guitar.” That’s all still in play but Stuck on Beta kicks harder and daydreams less. It’s melodic guitar pop with the lines drawn in thick black sharpie, nothing cloudy or indefinite about it.
Take the early single, “Sidewalk Champagne,” which cranks a sirening guitar lick and bumps it up with a bounce of bass.  High, not-quite-falsetto vocals keen over it all, but don’t soften the tone.

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Swiss group L’Eclair‘s music is an uncategorizable mixture of pretty much any sound that has a groove, from Krautrock and electro-disco to house and Madchester. After releasing an analog synth-heavy one-off collaboration with Klaus Johann Grobe in 2024, L’Eclair issued their most guest-heavy effort to date, Cloud Drifter.
As ever, no one influence reigns supreme on this album, but it leans a little heavier on synth-funk than the group’s past records. The brief “Run” is a sort of early-’80s mutant disco flashback, with slap bass and percolating synths backing Gelli Haha’s nonchalant vocals. “Vertigo” is a dazzling space disco odyssey impressively sequenced in 3/4 time. “Replica M001” additionally takes an unconventional approach to rhythm, opening…

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…Eric Clapton reissue an “enhanced” edition of 1992’s live album Unplugged, boasting a slightly reorganized and expanded 2CD or 2LP sequence, a brand-new mix and highlights from a never-before-heard audio interview with Clapton discussing the songs in his set shortly before playing them in that session.
…The British guitar icon – known for his work in The Yardbirds, John Mayall’s Bluesbreakers, Cream, Blind Faith, Derek & The Dominos and his own half-century-plus solo career – had little to prove when he stepped into Bray Studios at Windsor, England on January 16, 1992. Five years earlier, he’d completed a second, successful stint in rehab to overcome his alcohol addiction, releasing Clapton Crossroads in 1988 – one of the first…

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After expanding their debut album for a box set in 2023, Soft Cell revisit the next entry in their discography: the remix album Non-Stop Ecstatic Dancing. The collection comes back to two CDs with a host of bonus material, including vintage non-LP singles and remixes plus a host of rare promo remixes issued in the last decade.
…After Marc Almond and David Bell burst onto the scene with 1981’s Non-Stop Erotic Dancing – which featured a synth-forward cover of Gloria Jones’ Northern soul classic “Tainted Love” that became a worldwide No. 1 and opened the floodgates for synthpop and New Wave on the American charts – Soft Cell had intentions of recording new material for their sophomore album with a most unlikely ally: Donald Fagen of Steely Dan.

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…collects material related to the group’s short-lived American Composers Series project, including remastered and expanded editions of the albums ‘George & James’ and ‘Stars & Hank Forever!’, with additional contemporary studio and live material, and thirteen previously unreleased tracks, including a suite of Sun Ra covers, interpretations of songs by Buddy Holly and Lou Christie, and a never-before-heard Residents original, “Burning with Desire”.
Produced with The Cryptic Corporation, and digging deep into the band’s archive, this set dives into the classic mid-1980s ‘American Composers Series’, featuring material originally recorded by James Brown, George Gershwin, Hank Williams, John Philip Sousa and…

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