Latest Entries »

Bees in the Bonnet kicks off with powerful riffing reminiscent of ’70s/’80s hard rock and metal. Veteran guitarist Hedvig Mollestad has always had one foot in the world of these no-nonsense grooves as well as European free improv and progressive rock.
This, her latest album, leans equally toward the former and the latter, with catchy tunes, creative yet tasteful soloing, and a few surprises.
Joined by Ellen Brekken on bass and Ivar Loe Bjornstad on drums, Mollestad plows through 37 minutes of mostly-accessible themes centering around the expected power chords. But, at least to these ears, the album shines brightest when the trio heads outside. This can be heard in the staccato rhythms and unusual chording of itta.

You need to be logged in to view the rest of the content. Please .

20 years on from their first appearance on record, the seventh long-player from Canadian indie-art-rock behemoths Arcade Fire comes off the back of four consecutive UK album chart-toppers.
Also lurking in the background are the 2022 sexual misconduct allegations against mainstay Win Butler. He seems to have weathered them better than most, supported by his wife and bandmate Régine Chassagne. This review is not the place for an investigative deep-dive. Make your own mind up. But Pink Elephant, especially its first half, contains some impressive songs.
Working with Daniel Lanois, Butler and Chassagne produce the best material on the album so that it balances huge arena heft, synth throb and an ear-pleasingly smeary murk, also bringing it…

You need to be logged in to view the rest of the content. Please .

Nobody, including the members of Little Feat, expected the band to still be an active entity 55 years after releasing their 1970 debut. But through the decades and with more ups, downs and personnel changes than Fleetwood Mac, they have persevered in one form or another.
Over the past few years Feat have been as productive on the road as in their mid-’70s Lowell George/Paul Barrere/Richie Hayward (all since passed), heyday. Two recent studio releases — adding to 16 previous ones (there are also 10 live discs) — likewise display renewed vigor.
Strike Up the Band, the second of those, follows the GRAMMY nominated ‘Sam’s Place,’ last year’s vibrant exploration of blues covers sung by longtime percussionist Sam Clayton.

You need to be logged in to view the rest of the content. Please .

It’s a real decision to do an album of tunes on the alto-violin, an instrument similar to the viola in size but played vertically, like a cello.
Fiddle player and composer Ultan O’Brien, who hails from the ‘wilds of County Clare in the West of Ireland’ has done just that with Dancing the Line and the lower notes of the alto breathe rustic life into these fourteen songs, six traditional and eight composed by Ultan.
An engaging artist with a keen interest in the improvisational side of Irish music, Ultan’s playing is muscular, with the growl of the alto-violin a point of difference. You can hear it straight off on ‘Iron Mountain Foothills’, an original piece (perhaps improvised?) that has echoes of a war lament and plays out with thick, metallic…

You need to be logged in to view the rest of the content. Please .

…Recently, there has been an evolution towards a more immersive and holistic brand of ecological music. Artists have been increasingly keen to engage with specific locations, encouraging deep listening utilising field recordings and local narratives to embellish their connection with a landscape. Jenny Sturgeon is one of the most successful recent advocates of this approach; her 2024 album paths.made.walking was a triumphant celebration of the Scottish landscape. It comes as no surprise to see Sturgeon listed as a backing vocalist on Iona Lane’s new album, Swilkie.
Lane is a songwriter based in the Highlands, and her practice revolves around the conservation and ecology of her native wild places. She set out her stall on her sparkling, assured debut…

You need to be logged in to view the rest of the content. Please .

It’s fair to describe Peggy Seeger as folk music royalty by now. Just a glance at her family tree reveals a plethora of star-studded names.
She’s the half-sister of folk legend (and Bob Dylan mentor) Pete Seeger, while musician Mike Seeger is another sibling. She is also, of course, the widow of Scottish singer Ewan MacColl, which makes her the stepmother to the late Kirsty MacColl and grandmother to Bombay Bicycle Club‘s Jamie MacColl.
Seeger though has been a prolific artist in her own right over the last 70 years or so. She’s been a prolific feminist, with the seminal I’m Gonna Be An Engineer amongst her credits, and was a visitor to the Greenham Common Women’s Peace Camp during the 1980s.

You need to be logged in to view the rest of the content. Please .

Based in Spain with two Irishmen (frontman Garrett Wall and bassist Dave Mooney), an Englishman (trumpeter Howard Brown) and an American (Robbie K. Jones on cajon and banjo) and named for workers on the New York subway system, the quartet came together in 2006 since which time they’ve released eight albums of generally lively and upbeat songs built around the core instrumentation of acoustic guitar, electric bass, trumpet and cajon with smatterings of banjo, uke and mandolin. So Tracks Laid, Tracks Covered is a sort of taking stock retrospective and looking ahead, a double set that pulls together back catalogue material from their first six albums and numbers only previously released on EPs alongside new songs and a collection of covers…

You need to be logged in to view the rest of the content. Please .

Rizwan and Muazzam Ali Khan were never meant to be musicians. Although they are the nephews of the Qawwali great Nusrat Fateh Ali Khan, their father was keen for them to focus on their education. It was only when a local Sufi shrine in Lahore invited them to perform that he discovered that the boys had been winning singing competitions at school and regionally.
The brothers were then taken under the wing of their uncle. Like him, they made a mixture of traditional albums and collaborations with western producers and musicians — Jah Wobble adds dubby bass to 2001’s People’s Colony No 1, their most sonically innovative recording.
At the Feet of the Beloved sees the brothers return to Real World after several decades, and revives…

You need to be logged in to view the rest of the content. Please .

What happens when you bring together familiar faces at London experimental music venue Café OTO, Charles Hayward (drummer Abstract Concrete, This Heat) and John Edwards (double bass), and the Total Refreshment Centre (hub of new london jazz scene recording studio) like Alabaster DePlume (singer and saxophonist) and Danalogue (synths from Soccer96, The Comet is Coming), and the learning disability autism art scene like singers/spoken word artists Sebastian Golgiri and Dean Rodney Jnr (Fish Police), on a magic carpet with space trumpeter Robyn Rocket? The answer materialises in the groundbreaking collaboration Robyn Rocket and People You May of Heard of.
…The album was recorded over three days, in…

You need to be logged in to view the rest of the content. Please .

With the release of Perfect Happiness, composer Nils Vigeland celebrates his seventy-fifth year on the planet and adds one more noteworthy achievement to an already illustrious career. While the fifty-minute set features solo piano pieces performed by Steinway Artist Jing Yang, Vigeland’s output encompasses orchestral works, chamber material, and concertos extending from his first orchestral piece conducted by Lukas Foss and the Buffalo Philharmonic Orchestra in 1970 to his ninety-minute solo piano work, Pale Fire, based, of course, on the Nabokov work, which received its first performance in November 2023.
Born in Buffalo in 1950, Vigeland actually made his professional debut as a pianist the year before that 1970 concert, though again it was with…

You need to be logged in to view the rest of the content. Please .

“What is techno to you?” This is a question frequently asked of Midlands-born techno producer Anthony Child. One that, by his own admission, he frequently fails to answer with words. Like any genre, techno is many things to many people: a soundtrack to hedonistic good times, a boundary-pushing platform for modernist experimentation, a lifelong obsession. On this, his latest Surgeon album for the celebrated, Berlin-based Tresor label, Child presents the listener with a definitive sonic response. It’s one that may feel familiar to fans of his hard, unfussy, crisp-but-rugged production style but this vision of techno is deceptively idiosyncratic and contains within it a number of important clues to uncovering Child’s true relationship to the music that’s been his…

You need to be logged in to view the rest of the content. Please .

Laura Glipin’s powerful poem “Two-Headed Calf” inspired Rodeo Boys’ first single from Junior, a raucous heartbreaker of an album that has staked a claim for one of my favorite albums of the year. The Lansing, Michigan-based band self-describes as “the sound of a quiet rebellion of a queer, blue-collar heart” and “what happens when the Miller High Life gets legs and starts walking around”, and this is apt. Junior‘s bending of blue-collar rock to its own will is fresh and thrilling. Fans of Mannequin Pussy, Wednesday, Destroy Boys, and the Hold Steady take note. Junior could be your new favorite record.
Lead singer Tiff Hannay’s got a classic rock front-person voice. Their vocals tie this collection of songs together beautifully. Every crack of…

You need to be logged in to view the rest of the content. Please .

Kenji Kariu’s songs land oh so lightly. The lyrics (in Japanese) are barely breathed. The melodies waft through gentle arrangements like dandelion fluff. The songs refer quietly to other songs — opener “And Then There Was Light” has the ineffable bossa nova lilt of, say, “The Girl from Ipanema,” while breeze-y, beachy “Umbrella,” borrows a sing-song-y tea dance tune from 1920s Broadway — but don’t over rely on them.
Keyboards twinkle, percussion shuffles, the artist croons, and all is weightless, well-lighted and faintly unreal.
This is Kariu’s fourth album, following a stint in OWKMJ. It feels a bit less fragmentary and experimental than 2021’s Sekai, with stronger melodies and lusher (though still quiet)…

You need to be logged in to view the rest of the content. Please .

Cameron Knowler is a guitarist, composer, and educator who mines the deep veins of Americana. His Rural Guitar YouTube channel and Instagram account offer a wealth of guidance and information. As a flatpicker, he has mastered Norman Blake’s unhurried precision, and his recordings and instructional materials show his engagement with figures ranging from Riley Puckett to Tut Taylor to the fiddler James Bryant. On CRK, he weaves these strands together into an exquisite homespun tapestry.
The opening track, “Christmas in Yuma,” sets the stage with an homage to Knowler’s hometown featuring a recited poem over minimal guitar. The other tracks are instrumental, and all but one seem to be original compositions.

You need to be logged in to view the rest of the content. Please .

Eyes Like Predatory Wealth, the debut album from avant-garde drone trio Apparitions, was shaped by external constraints. Guitarist Andrew Dugas, modular synth player Igor Imbu, and drummer Grant Martin recorded their parts in isolation, deliberately walling themselves off from the racket made by their fellow musicians. The three songs on the album were to run for precisely 10, 20, and 30 minutes, respectively. The players agreed on general outlines but were otherwise left to their own improvisatory devices. The result was one of the bolder formal experiments to come out of heavy music in recent memory, a fiercely modernist collage of Sunn O)))-indebted guitars, yawning synth drones, and gnashing drums that, somehow, managed to cohere into satisfying songs.

You need to be logged in to view the rest of the content. Please .

For a dance music producer, Anthony Naples has always made albums with unusually broad appeal — the kind that even your coworker who went to a Four Tet show once might appreciate. Each LP has some kind of unifying theme or inspiration, like ’90s downtempo on Orbs, nighttime radio on Fog FM, or the surprising inclusion of live instruments on Chameleon, an experiment in writing music, rather than producing it. Scanners stands out for its lack of context or backstory. Even the accompanying note on Bandcamp merely says that it features “ten new songs.” The New York artist’s sixth album is his most straightforward yet: ten new songs indeed, exploring a subtle and spacious take on dance music with polished surfaces and just the right amount of melody.

You need to be logged in to view the rest of the content. Please .

Naarm/Melbourne four-piece Press Club evolve and expand their sound on To All the Ones That I Love while retaining their core essence.
Opening track ‘I Am Everything’ is edgy shoegaze, a more contemplative start that will be a surprise to anyone who has listened to the previous albums which are loaded with punk rock. To be clear it is no less for it. To open with to a more nuanced, considered song demonstrates a band not afraid to evolve. The vocals of Natalie Foster are given an opportunity to shine.
Press Club are a group of friends first and foremost. Formed in 2016 they started jamming a couple of times a week in Iain’s Macrae (guitar) Brunswick garage. Once they had some songs they cut their teeth in Melbourne’s vibrant live…

You need to be logged in to view the rest of the content. Please .

It’s been said that in space, no one can hear you scream; but sometimes you can feel the echo of vibration. From the outer reaches of the star Melodious, a spectral sound alchemist known as Blanc du Blanc has partnered with dub pioneer Scientist (a.k.a. Hopeton Overton Brown) to reimagine dub music as an interstellar language, a cosmic dialogue stretching from the genre’s Jamaican roots into expansive, uncharted sonic territories. The result is the deeply spiritual Scientist Meets Blanc du Blanc: Before the Beginning: equal parts otherworldly and earthbound, Zion and Babylon.
Since 2020, Blanc du Blanc has released four sets of original dub music on central New Jersey’s Soul Selects Records, led by Chris Harford.

You need to be logged in to view the rest of the content. Please .