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With the release of his first-ever live album, Daniel Donato is experiencing a genuine full-circle moment. What began as a fledgling music career busking around his hometown of Nashville, TN, Donato quickly found his footing as a regular performer among the litany of legendary Music City venues. Most notably, Donato became a fixture at Robert’s Western World, an intimate space that abuts Nashville’s iconic Ryman Auditorium, where the prodigious guitarist honed his generational musical talent over the course of nearly 500 performances and spent countless hours after those shows dreamily staring up at the Mother Church of Country Music.
Fast forward to August 22, 2025, exactly ten years to the date of his final show at Robert’s,…

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Cherry Red previously anthologized shoegaze and dream pop with the expansive multi-disc sets Still in a Dream: A Story of Shoegaze 1988-1995 and Cherry Stars Collide: Dream Pop, Shoegaze & Ethereal Rock 1986-1995, neither of which included anything by My Bloody Valentine, presumably due to licensing restrictions.
In both cases, the compilations started near the beginning of when the genres were beginning to crystallize, then firmly stopped in the mid-’90s, after the music press stopped giving shoegaze attention, and most of the genre’s big names either disappeared or changed their sound. With We Are the Beautiful: Two Decades of Shoegaze 1991-2011, the compilers start right when shoegaze’s definitive releases were…

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In recent years, Gerry Beckley, co-founder of the group America, known for his Top 40 hit compositions “I Need You,” “Sister Golden Hair,” and “Daisy Jane,” has stopped touring with the group in order to focus his time on family and friends on two continents, and on his solo career.
…Produced by Beckley with frequent collaborator and lyricist Jeff Larson, his new solo album Merciful finds the America co-founder looking at where he’s been and where he is now, with ‘All the Wounded Cowboys’ serving as the album’s focus track. Recorded largely in Beckley’s home studios in Sydney, Australia and Venice, California, the 13-song collection brings together new songs, material rediscovered in his archives and a few unexpected turns. Beckley plays virtually all…

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Yumi Zouma are breaking up with dream pop. After a decade together, the New Zealand four-piece have honed an airy, lush, lightly melancholic sound – but now they want change. “More extreme everything, more boldness,” guitarist Charlie Ryder has said of fifth record No Love Lost to Kindness, written during the band’s “most friction-filled creative period” to date. While it’s true that their latest singles are faster, louder and more distorted, these bright, pretty tracks will rattle only their longest-serving fans.
‘Bashville on the Sugar’ locks eyes with an ex on the subway and rushes with Olivia Campion’s breathless drumming, while ‘Blister’ flips the band’s knack for whistleable melodies into pogoing, enjoyably predictable pop punk…

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4CD sequel to Heaven Sent: The Rise of New Pop 1979-1983, documenting the influence of jazz and ’50s/’60s black American music (including retro soul) on modern pop in the UK between 1982 and 1987. Featuring Everything But the Girl, Robert Wyatt, Working Week, Joe Jackson, Blue Rondo A La Turk, Matt Bianco, Carmel, Fine Young Cannibals, The Blow Monkeys, The Style Council and Swing Out Sister.
…In 1982 a new jazz era was dawning and Soho, a hotbed since the ’50s, was where the renaissance began. Blue Rondo A La Turk, who had the first ‘New Jazz’ hit, were led by Chris Sullivan who opened The Wag Club in Wardour Street in April 1982, a vital catalyst for the ‘New Jazz’ scene.
Vic Godard, singer with Subway Sect,…

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Many bands play early jazz these days, but few make it sound as if the ink is still wet on the page. The Oliver-Smith Incomparables accomplish exactly that on Stomp Your Stuff, a recording that salutes the musical language of Jelly Roll Morton without ever treating it as a historical artifact. Pianist Andrew Oliver and drummer Hal Smith lead an exceptional ensemble featuring Colin Hancock on cornet, Andy Schumm on clarinet-cornet, T.J. Muller on trombone-cornet-vocal, Jacob Alspach on guitar-banjo, and Dan Anderson on string bass-tuba. These musicians know this repertoire inside and out, yet perform it with such vitality that each chorus feels newly created.
The title track “Stomp Your Stuff” bursts out of the gate with buoyant brass interplay, playful…

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It’s been five years since Zooid, Henry Threadgill‘s longest-running ensemble, released the excellent Poof. Cut Where You Was marks his return to alto saxophone and flutes– he conducted his last two albums. This release coincides with the 25th anniversary of their debut, Up Popped the Two Lips. Cut You Where You Was differs from other Zooid albums in that Threadgill composed it with economy as the hub on which creativity turns. Given the band’s almost instinctual comfort with the leader’s compositional approach, they move out onto a ledge in these (mostly) brief pieces. Threadgill arranged them with built-in permissiveness and flexibility within the interval-based compositional system. Its distinctive musical syntax guarantees that harmonic…

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The word invictus was with us long before Prince Harry founded his Invictus Games in 2014.
As noted by Chicago-based composer Stacy Garrop (b. 1969), during his long prison stay Nelson Mandela regularly recited the same-titled poem, which William Ernest Henley wrote in the hospital after surgery saved his right leg, his left having been amputated years earlier due to tubercular bone disease.
While the Latin word stands for unconquered, it’s also associated with determination, perseverance, resolve, and resilience.
Why exactly Garrop chose Henley’s sixteen-line poem as the inspiration for her piano concerto Invictus isn’t entirely clear, though the choice does dovetail with other works…

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In 1982, British composer and tabla player Kuljit Bhamra debuted with the album Punjabi Disco, featuring his mother Mohinder Kaur Bhamra as the singer. The album was initially a commercial failure, but later developed a cult following after its rediscovery in the early 21st century, leading to a re-release in 2025.
…On DESI: The Soul of Punjab Bhamra serves as the primary mastermind and producer, uniting iconic voices and renowned lyricists across the British-Punjabi and global diaspora.
This album is a testament to, celebration of and showcase for the current talent of the Punjabi music scene in the UK. As such, it not only reminds us of the huge impact bhangra had when it arrived in Britain during the 1980s but also…

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…The album has been newly mastered for the reissue and the 2CD edition includes a selection of rarities appended to CD 1 including a newly discovered ‘Cricklewood Jam’ instrumental demo. CD 2 includes a newly mixed version of the band’s second set at the Fillmore East on 27 February 1970, which includes an 11-minute version of ‘Going Home’.
Cricklewood Green provides the best example of Ten Years After’s recorded sound. On this album, the band and engineer Andy Johns mix studio tricks and sound effects, blues-based song structures, a driving rhythm section, and Alvin Lee’s signature lightning-fast guitar licks into a unified album that flows nicely from start to finish. Cricklewood Green opens with a pair of bluesy…

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…At the BBC: The Complete Recordings 1979-1981 covers The Selecter’s glory years, from the first of two John Peel sessions in October 1979 (coinciding with their first-on-the-bill slot on the legendary first 2Tone tour, supporting Madness and The Specials) to an April 1981 performance on The Old Grey Whistle Test, recorded months before singer Pauline Black effectively called time on the band by leaving to pursue a solo career and acting ambitions (they’d officially split the year after). The 30-track set marks the first time that all the beloved 2Tone act’s BBC recordings have been released in one place. The eight live tracks taken from a December 1979 show in Paris supporting The Specials were released on 1992’s BBC Radio 1 Live in Concert CD…

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After 10 releases that have garnered Montreal’s Rishi Dhir and his band Elephant Stone a staunch cult following and collaborations with the likes of The Brian Jonestown Massacre and Beck, maybe after their latest album Asha, they will get more than they deserve.
After all, Dhir has been around for a while, covering almost a whole spectrum of psych rock known so far, not only with Elephant Stone but with The Datsons/The High Dials before, and has been one of the more forward purveyors of that branch of psych that looks to India and all things on the Eastern side of the globe.
And so far Dhir and Elephant Stone have not missed a beat in that respect, and obviously had no intention to miss it on their eleventh…

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Two decades into their career, a lot has changed for Fruition, a band that initially started out busking on the streets of Portland. Across eight LPs, the group has slowly evolved from a solidly reliable Americana/roots outfit to a collective willing to expand its sound. Their latest, Something More, finds them expanding into indie territory, bringing a little more rock and pop into their familiar roots-based approach.
While the opening song, “Compass,” calls back to their folk background, “Oh Well” finds them starting to stretch a bit more with some alt-country influences. The song is affecting not only because of its message, with Jay Cobb Anderson looking back on his more reckless earlier years, but also because of his delivery, which…

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Exactly 30 years after Soul Asylum’s legendary 1993 MTV Unplugged session – recorded at the height of the band’s fame – the Minneapolis alt-rockers returned to their hometown to once again strip things down and go acoustic.
The performance captured that night wasn’t a song-for-song recreation of their early-’90s set, but it was very much conceived in the same spirit: an intimate, unvarnished look at a band and a songbook now carrying three more decades of history.
Three years later, the band is giving the album, MPLS Unplugged, captured from that Minneapolis show, a proper release. Frontman and rhythm guitarist Dave Pirner is the sole remaining member from the Grave Dancers Union era of…

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On the Boston stop of the 1995 tour promoting their second album Blonder and Blonder, the Muffs stopped off at Fort Apache studio to play a set that was broadcast on WFNX, the area’s alternative station. The band sounds energized and full of punk vim and vigor, even though the daytime session was like putting in an extra shift at work. Guitarist Kim Shattuck, in particular, is on fire, attacking her instrument like it was a six-stringed monster that needed immediate subduing. She crashes and slashes through a set of songs mostly derived from the album they were touring, and her singing is even more fiery. On record she mostly kept her howls and screams in check but on-stage she lets loose, favoring pure emotional release over melody. The band follows her…

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Wabash is the name of a river in Indiana and Illinois, an avenue in Chicago and, what is most relevant to this recording, the name of the quartet that performs on the avenue, a respectable group led by bassist Clark Sommers.
Sommers’ WaBaSH ensemble varies from the quartet norm in that two of its members, John Wojciechowski and Geof Bradfield, are saxophonists (who double on flute and bass clarinet, respectively). The group’s fourth member is drummer Dana Hall. Sommers wrote half of the album’s 10 tunes, which serve for the most part as modest launching pads for extended solos by Wojciechowski and Bradfield. Wojciechowski composed two songs, Bradfield and Hall one apiece. The remaining theme is…

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Powerhouse vocalist, Grammy-nominated, ten-time BMA winner, singer-songwriter, and bassist Danielle Nicole returns with Fireflies, following her highly acclaimed 2024 album The Love You Bleed. Once again, longstanding blues producer Tony Braunagel produces. Nicole’s effort leans as much into the soul and R&B spectrums as it does toward blues. Seven of the eleven tracks were penned by either Nicole or co-written with guitarist Brandon Miller. Her support is basically a tight quartet. Along with Miller and Nicole (bass and vocals), the backing unit includes the veteran Jim Pugh (keyboards); Braunagel (drums), and Melodye Perry and Maxayne Maraguchi on backing vocals. The album was recorded in Nicole’s hometown of Kansas City.

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For singer-songwriter Alicia Blue, Waylon Jennings isn’t so much an influence as someone she calls “a creative angel summoning her from another realm”, so to have his son, Shooter Jennings, describe her as “As rare as they come” must feel like quite the accolade.
Perhaps even more special is the fact that upon hearing the demos of the songs for her debut album Country Desire, he jumped at the chance to work as her producer, not even the fact that she had no label or budget to back her up dampening his enthusiasm: “I’m not worried about that,” Jennings said, brushing it aside like a minor inconvenience. “You’re going to have a big career.”
The steady build of Run Me Ragged opens the album, and Blue’s tone is sharp, but…

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