Five years after releasing Twelve of Hearts, Daniel O’Sullivan reconvenes with Richard Youngs for another intense minimalist meditation.
On their debut collaborative album, Youngs and O’Sullivan used a single chord progression to distill various pop idioms into twelve succinct tracks. And they try something completely different on Persian Carpets, a blissful, longform experiment that’ll be more familiar to anyone who’s been keeping up with Youngs’ Black Truffle sides. Youngs plays zither here, following O’Sullivan’s trance-inducing piano repetitions that recall his collaborations with the great Charlemagne Palestine. But it’s not only repetition that drives ‘Persian Carpets I’. O’Sullivan varies his phrases by altering the dynamics as he plays, creating waves of noise…

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