Now 20 years since the start of the project, The Winter Sounds has an international sensibility and a distinct global vision. Formed by Patrick Keenan in Athens, GA, the group now includes a few European members and has Prague as its home base. The group hasn’t necessarily adopted a world music sound, but instead maintains its roots in indie pop and new wave. Despite this, the band has articulated a global outlook, drawing specifically on the ideas of the solarpunk literary movement, with a focus on grassroots movement toward a sustainable future. With The Winter Sounds’ seventh album, Jupiter, the band puts forth a positive and encouraging message supported by bright and optimistic sounds.
With single “Kaleidoscope,” the album opens…
Category: ***
H.R. Giger (1940-2014) was a surrealist artist known most for his design of the xenomorph from the Alien films and a number of album covers and related artwork for Magma, Emerson, Lake, & Palmer, Celtic Frost, and the Dead Kennedys. A Giger insert in the latter’s Frankenchrist album was the subject of a criminal lawsuit, where members of the Kennedys and several other parties were alleged to have contributed to “distribution of harmful matter to minors” due to the sexual nature of the artwork. The trial ended in acquittal, with the judge recognizing that the piece had at least some artistic merit. This publicity probably led to more people (including teenagers) becoming aware of Giger’s psychosexual works.
But Giger is mostly known for his disturbing…
Doo Dah Nean is an entirely characteristic release from La Musica records, the murky Japanese underground cassette label that’s been around since the ‘90s, occasionally putting out sonically debased bootlegs of artists’ work to make them fit with the noise aesthetic of label founder Asahito Nanjo. Nean was a mysterious trio, consisting of Naoko (vocals), Yui (bass/electronics) and Non (drums) and this was their only album, released in 1996. Few people, least of all Nean themselves, can have expected a reissue on limited-edition vinyl in a gatefold sleeve 20 years later, but here it is, and it’s so eccentric, such an acquired taste – though not an inaccessible one, by the standards of Japanese underground music – that it’s guaranteed to sell out quickly.
Czech guitarist Jakub Šimanský identifies himself with the “American Primitive” genre, evoking in his picking and sometimes in his song titles figures from Fahey and Basho to Rose and Bachmann. He does so with tongue in cheek, though; his previous releases were titled Face to Face Against American Primitivism Vol. 1 and 2. What Do You Mean by That? his third full-length solo release, demonstrates his progress as both a player and a composer. The ten taut tunes, all under five minutes in length, are rich with melody and dazzling fingerpicking. Šimanský reminds us of the inexhaustible potential of just one person and (with one exception) an acoustic guitar.
The focus here is on the six-string. “Knife Thrower,” “Cannoneer,” “Devshirme,” and…
Long-standing U.S. art rock collective Biota releases a new album every few years. Measured Not Found, its first since 2019’s Fragment for Balance, is a woozy and disorienting journey through shimmering and haunting collages that have become the group’s signature sound.
The instrumentation is broad, including clavioline, French horn, prepared music boxes, Hammond organ, guitars, ektara, Fender Rhodes, strumstick, trumpet, bass, piano, synthesizer, harmonica, flute, rubab, pump organ, accordion, kit drums, tabla, biomellowdrone, bent circuits, dumbek, and violin. The most prominent are piano, synthesizer, guitar, and the other stringed instruments. Vocals are present on a handful of tracks.
Unlike any other outfit aside from…
When Crimson Whisper emerged out of the ether in 2024, it was with an EP of synthy, metallic textures, muscular live drums, and gossamer vocals, making for a giddy version of shoegaze that incorporated some dream pop and post-punk vibes. As intangible as their sound was the lack of background on the project. That EP, Flutter, was followed the next year by a mini-album and another EP. The Shelflife label stepped in to give the band their first label release, Flutter & Beautify, a track-for-track compilation of their two EPs. Meanwhile, it was revealed that Crimson Whisper consists of San Francisco-based singer Na Lim and an unnamed member of an “established shoegaze band.” The mysteriousness extended to Beautify, which on occasion incorporated…
The music of BlankFor.ms, aka Tyler Gilmore, emphasises duality, at its core representing both the calm and chaos of everyday life. The Brooklyn-based ambient artist is known for his disruption and manipulation of degraded tape loops, taking a medium which is by definition repetitive and making it unpredictable, shadowing the beats with slow, shifting synths which are sometimes sinister, sometimes glorious.
Gilmore’s 3rd solo album contains audible elements of his 2023 jazz-electronica album Refract, released in collaboration with pianist Jason Moran and drummer Marcus Gilmore. ‘Crail Family Post Office’ is where this is most apparent, with somewhat atonal and seemingly improvised bleeps dotted in rapid succession throughout.
When I Like to Sleep first emerged, the Norwegian instrumental trio’s sound combined polar opposites. Vibraphonist Amund Storløkken Åse, six-string-bass/guitar player Nicolas Leirtrø and drummer Øyvind Leite were all schooled jazz musicians, and they all liked to rock, so they put the two together by combining vibes-forward post-bebop jazz with hammer-of-the-gods riffs.
Ten years and five albums down the road, they’ve filled in that middle space with studio sound manipulation and additional instrumentation. Amplification and effects have transformed the sounds that roll away from Storløkken Åse’s vibraphone from pure waves to sodium-vapor bursts. And he spends as much time playing Mellotron as mallets, a move that’s…
Bliss is the kind of record AI would make if it were actually what its most delusional adherents say it is: Not a pathetic, thought-terminating, and uncanny imitation of human creation but a beguiling alien intelligence capable of wringing new forms out of a near-bottomless archive.
Listening to it, it’s easy to imagine its maker (Alice Gerlach, erstwhile cellist for claire rousay and Tomberlin) as a strange cyborg locked inside a spacious chamber, worming their way through clusters of instruments with preternatural curiosity and mathematical precision. Across four tracks, each clocking in at exactly ten minutes, Gerlach assembles soundscapes from witchy ambient tones, buzzy drones, field recordings of birds chirping and muffled conversations, and…
Marc Sabat is a Canadian composer who was born in Kitchener, Ontario, Canada in September 1965. He went to the University of Toronto, where he studied violin, composition and mathematics, completing a BA in 1986. He followed this with a Master’s at the Juilliard School in New York and then two years of string quartet playing in Banff and St. John’s Newfoundland. He has been based in Berlin, Germany, since 1999. Despite that, in 2017, as part of Another Timbres’ Canadian Composers Series, Sabat’s album Harmony was released on the label alongside Linda Catlin Smith, Cassandra Miller and the like.
Sabat is a pioneer of instrumental music written and performed in Just Intonation (JI) and one of a few composers who compose for…
The Nakibembe Embaire Group’s self-titled debut album was one of the highlights of 2023. Nyege Nyege Tapes captured the disappearing East African tradition of the embaire, a giant wooden xylophone designed to be played by as many as eight musicians at a time. The instrument can be the social center of a village, placed in a deep pit to amplify what is already a powerful sound.
On its own, the embaire ensemble generates a huge amount of energy. Repeating, overlapping figures are a kind of proto-minimalism, Steve Reich without the precise, bookish glaze.
…The result is their live collaboration with Japanese live-sound engineer Naoyuki Uchida, Phantom Keys. Six men do their thing on the embaire, while Uchida applies his live-dub…
Described in the press materials as “an outstanding visual artist, a righteous community member, and a kind soul”, Chad Kouri has been absorbing and meditating on music in Chicago and Detroit for decades. His full-length debut album, Mixed, brings together an abundance of inspiration filtered through his lyrical saxophone, combined with field recordings, percussion, and synthesizers to create a unique, deeply felt musical experience.
For Kouri, 15 years of visual art and community work – including commissions from the Museum of Contemporary Art Chicago, Museum of Art and Design New York, and Adidas, in addition to solo exhibitions and performances in Los Angeles, New York, and Italy – were followed by five years of returning to music practice as…
After a loved one dies, might part of their essence be inscribed in the objects they owned? When the object is as personal as a beloved accordion, the case grows stronger. When a member of Arigto happened upon such an instrument, memories came flooding back: not only of the relative playing but breathing, an act performed not only by the artist, but the instrument. When one hears the lungs of this accordion – the only instrument used here – the impression of breath is so strong that we wrote to receive confirmation. Is this really Arigto (Noah Haußmann and Sebastian Stauß) or a communication from the great beyond? There’s no reason why it cannot be both.
The cover photo is haunting; black-and-white lends itself to such moods, and has been…
“Hypnagogic” is a word that refers to the unique space between sleeping and dreaming, and it’s not surprising that the term has been used to describe the music of Greg Jamie. Hailing from Portland, Maine, Jamie’s music is often an odd, woozy, and unsettling place, but his songs also contain warmth and comfort, as if he’s your guide through a dark place just before dawn. His debut album, Crazy Time, was a seductive, lo-fi gem, and the follow-up, Across a Violet Pasture, covers much of the same territory, but with a broader scope and greater ambition.
Jamie, who sings and plays guitar and synth, is joined primarily by Colby Nathan, who produced the album and also contributes bass, synth, guitar, and vocals (and was also a crucial….
Two years on from the hedonistic rush of their debut, Eades return with a record that trades chaos for clarity.
On Final Sirens Call, their long-anticipated second album, they shed the last remnants of their scrappy post-punk adolescence and step firmly into a more refined, expansive sound – one steeped in Americana-tinged melancholy, mid-90s indie grit and the restless introspection of artists coming to terms with their place in a fractured world. Growth is placed front and centre, as the quintet dive ever deeper into their roots, finding rare solace amidst the shifting earth.
Following 2022’s Delusion Spree – an album that ricocheted through the anxious energies of early adulthood – and 2024’s Fight Or Flight…
Drueling is a first for each of its participants, and quite possibly the world. It is a sequence of improvised duets between two shahi baaja players, Turner Williams Jr. and Derek Monypeny. Neither had jammed with a like-equipped player before, and if there’s another record of one, it’s flying below the radar of readily available search engines. So, let’s just say that this LP is the first, and if a genre is to ensue, it’s off to a good start.
Monypeny is based in California, where he’s carved out a solo career playing desert-kissed electric music on guitar and shahi baaja following early involvement with the groups Alto and Oaxacan, as well as membership in Sir Richard Bishop’s Freak of Araby band. Williams is an Alabama-born visual and musical artist who has played…
