The Clay Street Unit may have formed in Colorado, but you can hear the influence of Appalachia throughout their debut, Sin & Squalor. Blending bluegrass with folk, country, and Americana, echoes of everyone from Doc Watson and Earl Scruggs to more modern musicians like Chris Stapleton and Sierra Ferrell can be heard throughout the 11-track collection.
Building on the foundation that was laid with their EP — 2022’s A Mighty Fine Evening — this full-length finds the band expanding both their sound and their themes, delving into some weightier topics here and there. The album starts off modestly with two of their mellower offerings. “Nothing Else Matters,” the song that introduces the record, is a relatable and sweet…
Category: americana
On their 2013 debut and 2015’s Then Came the Morning, The Lone Bellow sounded like the new darlings of the Americana movement, blending blues, country, bluegrass, and roots rock with energy, smarts, and unpretentious sophistication. With 2020’s Half Moon Light and 2022’s Love Songs for Losers, they shifted gears, adopting more ambitious production and aiming for a sound that was more strongly informed by indie rock and adult alternative acts.
Clearly this is a group with no fear of changing lanes, and for 2026’s What a Time to Be Alive, the Lone Bellow take another detour, only this time they’ve split the difference between their rootsy and indie inclinations. The recording of the album was unexpectedly eventful — the band’s…
Cowboy hats and colorful shirts can be a deceiving thing for musicians. For a general set of listeners that rely on musical snippets it would immediately indicate that who they have in front of them is your regular cow poking country singer whose life dream is to end up in some Nashville studio leading her/him to Billboard country charts.
Yet in these modern times, classic country (and western) is just one stream, and country pop, roots, Americana, and Canadiana are not only the terms in vogue, but very real genres or sub-genres, however you want to play it, and cowboy hats and colorful shirts are just a prop and a reference that can mean quite a few things.
That brings us to Boy Golden and his latest album, Best of Our Possible Lives. For many…
With two decades under their collective belts, The Infamous Stringdusters are suddenly finding themselves with plenty of reasons to celebrate. Twenty of them, to be exact.
20/20, the Nashville-based quintet’s tenth full-length LP, and third to be released on their own record label, Americana Vibes, perfectly encapsulates what the Dusters do best.
Clean harmonies, tight instrumentation, and uniquely accessible melodies that define the group’s sound. The twenty-track LP, the group’s first full-length studio effort since 2022’s Toward the Fray, consists of all entirely new and original songs, something of an anomaly for a band known for littering its live setlists with an array of cover material.
It’s safe to say that back in 2009 when punk rockers The Bronx released their self-titled debut by their mariachi alter-egos, no-one would have thought this enterprise would still be going 17 years later. What started as a playful experiment in paying tribute to the thriving mariachi tradition that has suffused their native Los Angeles, has become an identity all its own – vibrant and intoxicating.
And while this fourth Mariachi El Bronx record isn’t a huge leap from its predecessors, musically speaking, that’s not the point of this. Even if you’re unfamiliar with the music being celebrated here, it’s impossible not to be swept up in the sheer exuberance of ‘Forgive Or Forget’ and ‘El Borracho’, songs that take you somewhere else entirely, emotionally and geographically.
Have you ever wondered what would have happened if Lou Reed became interested in Americana and recorded with Gram Parsons? Well, if that unlikely combination seems intriguing, then The Nude Party’s Look Who’s Back is for you.
Of course, that oversimplifies the group’s sound, but those two touchpoints are the chocolate-and-peanut combo that makes this record such a tasty listen. The septet is Patton Magee – Vocals, Harmonica, Guitars, Shaun Couture – Vocals, Guitars, Connor Mikita – Drums, Backing Vocals, Alec Castillo – Bass, Backing Vocals, Zachary Merrill – Keyboards, Piano, Backing Vocals, Austin Brose – Percussion, Backing Vocals, Jon “Catfish” Delorme – Pedal steel, Dobro who have been together for over twelve years now.
In the early 1990s, Stephen McCarthy and Kevin Pittman holed up together for a year in a 100-year-old bungalow. McCarthy is well known as a guitarist and vocalist for The Long Ryders, but has also played for The Jayhawks on tour and on some tracks on their latest album Xoxo. Pittman, originally from Reedville, on the coast of Virginia, toured up and down the East Coast with his first major band, The Dogs. This high-energy outfit had some success, for example, opening for The Kinks and Culture Club. He lived in LA for a while but then returned to Virginia, where he still lives. He formed a ’70s R&B band, NRG KRYSYS, which lasted for seven years, but never released an album. In recent years, he has released solo albums “Victrola Mouth” (2019) and “Sundog” (2023).
Turner Cody first collaborated with Nicolas Michaux and the Soldiers of Love (Clément Nourry, Ted Clark, and Morgan Vigilante) on his album Friends in High Places. This album marked a turning point for Turner Cody, in which he started to incorporate country influences to his songwriting. But that was only the beginning, and Out For Blood is without question a country album.
This new album offers the perfect canvas for him to express his poetic lyricism, and to paint portraits inspired by American mythologies. The songs explore such themes as freedom, individualism, destiny, sin and redemption. Rooted in traditional narratives yet resonating with our times, these songs are to be seen as parables: imaginary characters faced with the dichotomy…
Most of us have had enough of winter now. But wait. Shout “Taxi” – here’s a band offering a balmy chink of summery light.
vegas water taxi, led by Ben Hambro, have spliced an EP from last year and an EP from last month to form one fantastic LP. long time caller, first time listener, their second album, follows 2023 debut things are gonna be alright and offers a joyful alt-country promise of a social life. Hambro has the sardonic cultural wink of Lou Reed and the melodic ear of The Lemonheads.
The album opens with ‘brat summer’, which imagines the police rounding up folk who hadn’t participated in Charli xcx’s world with the echo of the guitar line from Five’s Keep on Movin’. Backed by some great steel guitar,…
Jay Buchanan has spent the last seventeen years as the frontman for Rival Sons, where his booming voice, combined with Scott Holiday’s heavy guitar riffs, has created some of this era’s best old-school hard rock. Even as the band’s music over the last three albums has grown more melodic and versatile, it’s remained undeniably heavy. For Buchanan’s debut solo effort, however, he strips the music down to its barest elements. Without heavy riffs and pounding drums, the focus is solely on Buchanan’s voice and storytelling. Luckily, both are strong enough to carry the album.
Weapons of Beauty is an acoustic album that ranges from slow ballads to mid-tempo Americana shuffle, but is always soft. Buchanan’s voice, grainy and soulful, carries world-weary…
Five days after the all-star Clifton Chenier tribute album A Tribute to the King of Zydeco won a Grammy Award for best regional roots music album, Smithsonian Folkways Recordings and Arhoolie Records are releasing a massive box set of Chenier’s original recordings.
Clifton Chenier: King of Louisiana Blues & Zydeco contains 67 tracks recorded from 1954 to 1983. The box set samples Chenier’s recordings for the Elko, Specialty, Chess and Zynn labels and, most of all, Arhoolie label. Unreleased in-concert performances also appear on the four-CD and six-LP retrospective, a project that marks last year’s 100th anniversary of the zydeco pioneer’s birth near Opelousas, Louisiana. Adam Machado, executive director of the Arhoolie…
Following a 2025 Record Store Day Black Friday release, Linda Ronstadt’s The Early Years compilation comes to general retail on 2LP vinyl and single CD. The set from Irving Azoff’s Iconic Artists label brings together 15 songs from Ronstadt’s 1967-1974 Capitol Records period (with some surprising omissions, such as “Desperado”). Selections include “Different Drum,” “Faithless Love,” “You’re No Good,” “Long, Long Time,” and “When Will I Be Loved.”
The Early Years is a stunning new compilation that celebrates the formative era of one of music’s most powerful and pioneering voices — Linda Ronstadt.
Featuring breakout hits like “Different Drum” and the Grammy-nominated “Long, Long Time,” The Early Years traces Ronstadt’s artistic…
Cordovas are an Americana rock band out of Nashville whose sound, equal parts soulful harmony, poetic craft, and cosmic improvisation, has long earned comparisons to The Band, Grateful Dead, and Crosby, Stills & Nash. But with their fifth studio album, Back to Life, the group sharpens the edges of its identity: road-tested, deeply traditional in the ways that matter, and determined to be respected on its own terms.
The band’s heartbeat lies between two places. In Todos Santos, Mexico, where Cordovas have lived, written, and built a small community of artists, the songs take shape in their most relaxed state, often amongst a circle of friends. Then it’s back to Nashville, where rehearsal, touring, and recording hammer those ideas into their…
Veteran troubadour Steve Poltz is the epitome of one who doesn’t take himself too seriously. It’s so refreshing. He describes his approach to making a record as “chaos, caffeine, and accidental poetry – art colliding with microphones and commerce in a glorious mess.” Inevitably, the resulting music makes us laugh, and, oddly, raises a few serious thoughts. Poltz has one of the happiest demeanors of any songwriter. Yet, Poltz is not to be underestimated. His observations on life’s details ring with sarcasm and underlying truth.
We find those qualities on his 14th solo album, JoyRide, recorded in East Nashville, and featuring co-writing with greats such as Gary Nicholson and Jim Lauderdale. Many of the tracks had the backing of Emmylou Harris’s Red Dirt Boys,…
When it was time to record her new album — the follow-up to 2021’s excellent American Siren — country-folk singer-songwriter Emily Scott Robinson chose to do so at Dreamland Recording Studios, housed in a 130-year-old church sanctuary hidden in the trees outside of Kingston, New York. But the setting and the spiritual center of her work can be found hundreds of miles to the southwest of that location: “Oh, my heart for Appalachia/ Oh, my heart for these blue hills,” Robinson sings in “Appalachia,” the album’s bluegrass-y title track. “Oh, my heart forever captured, beating still.”
The song is both an ode to that magical, mountainous region in the eastern United States and a celebration of resilience,…

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