Category: americana


Getting so obsessed with a band that you book a local show just to see them play — we need more freaks like that in the world, and that’s what Merge Records’ Mike Krol did this spring when he put together a bill featuring himself, Shannon Shaw’s new group Voilà!, and this not-so-known New Orleans duo Twisted Teens, Krol’s recent fixation, here in Los Angeles. “I blasted it in the car at night with the windows down, tracked down records, mailordered merch like I was 16, and all of a sudden I felt excited about THE CREATION OF MUSIC again,” he wrote on Instagram. “I couldn’t believe a band I didn’t even know existed at the beginning of this year made — quite possibly — my favorite record of the past 2 decades.” Amen, Mike. This shit tears.

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The guys who make up the country group the Mavericks began their professional music career performing together at rock clubs in Florida. Now you might think that’s a long ride from Nashville, but they found their way easy enough. Once they did, they didn’t leave everything they learned in those rock clubs behind though, and listeners won’t miss the rock & roll flavor that the Mavericks stir into a number of the songs on this 1998 album, It’s Now! It’s Live!
As the title foretells, this is a live album. It was made during a couple of shows the group did in Canada. This is great country-rock music done the way the Mavericks do it best, but the album is a little short with only seven tracks. The songs are fan favorites though, like…

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The second album of collaboration between former journalist and current label owner Eric Brace and talented wandering guitarist Thomm Jutz, Circle and Square is a comforting mix of harmonies and carefully constructed acoustic tunes. The duos’ guitars are here fleshed out as required by bass, drums and piano, adding colour and sonic range where required. This is not music to challenge the listener, but to provide a tasteful and thoughtful frame for the ten songs which make up Circle and Square. Looking at the world around them, the two singers share leads and harmonies over stories of art, of neighbours, of memories, of lost friends. But the tone is also upbeat, finding the positive of creation amidst the destruction of all we once held sane around us.

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Subtle and sleepy, gentle and resonant, Eric Thompson’s shimmering take on country-rock takes Nashville’s emotive vocal style, throws in a pedal steel and rootsy rock riffs, and turns out a dusty, feel-good – if slightly too slick – album called Manic + Organic. Whether on the shuffling rock anthem “Get Back to It” or the humorous, old-school country of “It’s a Guy Thing,” Thompson’s band uses simple arrangements to evoke a true down-home feeling. The songwriting isn’t as gritty and powerful as that of Whiskeytown, Ryan Adams, or Kasey Chambers, but Eric Thompson is cut from the same thread – patterned by Gram Parsons, the Allman Brothers, Johnny Cash, and Willie Nelson – and Manic + Organic shows his potential to one day make a really spectacular record.

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Not quite a new album and not quite a compilation, Bobby Charles‘ 2004 release Last Train to Memphis is closer to a clearing-house for little-heard recordings than a proper album. Billed as a single-disc release paired with a bonus disc, the two-CD set contains a total of 34 songs, and since there is no distinct difference between the two discs, it only seems appropriate to treat it all as a sprawling double album. Jim Bateman says in his perfunctory, largely biographical liner notes that this album “fills in the years between his critically acclaimed 1972 Bearsville release and today,” which is certainly true, since all 34 songs on the two discs were recorded sometime between 1971 and 2001. The liners do detail the individual recording dates and lineups for the tracks, but it’s hard to tell when and where…

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Acclaimed country troubadour Ward Davis steps into a new chapter with the release of his latest studio album, Here I Am, via MNRK Music Group. The 11-song collection arrives alongside the official lyric video for the focus track, “Downright Awful Stupid Beautiful Lie,” offering fans an intimate window into what may be Davis’ most revealing work yet.
Raw, reflective and unflinchingly honest, Here I Am captures Davis at a turning point. Written largely in the aftermath of a hard divorce and a season of personal reckoning, the album finds the singer-songwriter confronting his past while emerging with clarity and hard-earned wisdom. Long celebrated for his gritty delivery and sharp storytelling, Davis leans fully into those…

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Singer-songwriter Jeremy Ivey has released his new album, Its Shape Will Reveal Itself, via Soggy Anvil Records. The record is an intimate, home-recorded collection that leans into warmth, imperfection, and raw emotion rather than polished studio sheen.
Alongside the album’s release, Ivey has shared its first single, “Edge of Darkness,” recorded live to a single microphone with his wife, Margo Price. The track premiered through Back In The Garage, a stripped-down session project founded by Luke Pelletier and his brother Tristan Pelletier. Originally not intended for public release, the album was recorded at Ivey’s home on a refurbished Tascam 388 reel-to-reel machine, giving the songs a lived-in, analog warmth.
“I recently refurbished an old Tascam 388…

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Erik Vincent Huey is an Austin-based American singer-songwriter issuing his second full-length album, Fort Defiance. He collaborates with one of the best, Eric “Roscoe” Ambel, who plays his trademark electric guitar, produces the record, and recruits high-profile guests. Huey is hailed for his 2023 debut, Appalachian Gothic, a concept album, a kind of autobiography. Fort Defiance, however, is simply a collection of songs without a unifying theme. “This record is about achieving escape velocity out of Appalachia and into the larger world. Kinda like my own journey,” says Huey. Reference points run from Dave Alvin to Willie Nile to Steve Earle to Springsteen and Dylan, all of whom possess streetwise credos and punk tinges.
Huey, the son of four generations of coal…

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The Clay Street Unit may have formed in Colorado, but you can hear the influence of Appalachia throughout their debut, Sin & Squalor. Blending bluegrass with folk, country, and Americana, echoes of everyone from Doc Watson and Earl Scruggs to more modern musicians like Chris Stapleton and Sierra Ferrell can be heard throughout the 11-track collection.
Building on the foundation that was laid with their EP — 2022’s A Mighty Fine Evening — this full-length finds the band expanding both their sound and their themes, delving into some weightier topics here and there. The album starts off modestly with two of their mellower offerings. “Nothing Else Matters,” the song that introduces the record, is a relatable and sweet…

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On their 2013 debut and 2015’s Then Came the Morning, The Lone Bellow sounded like the new darlings of the Americana movement, blending blues, country, bluegrass, and roots rock with energy, smarts, and unpretentious sophistication. With 2020’s Half Moon Light and 2022’s Love Songs for Losers, they shifted gears, adopting more ambitious production and aiming for a sound that was more strongly informed by indie rock and adult alternative acts.
Clearly this is a group with no fear of changing lanes, and for 2026’s What a Time to Be Alive, the Lone Bellow take another detour, only this time they’ve split the difference between their rootsy and indie inclinations. The recording of the album was unexpectedly eventful — the band’s…

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With two decades under their collective belts, The Infamous Stringdusters are suddenly finding themselves with plenty of reasons to celebrate. Twenty of them, to be exact.
20/20, the Nashville-based quintet’s tenth full-length LP, and third to be released on their own record label, Americana Vibes, perfectly encapsulates what the Dusters do best.
Clean harmonies, tight instrumentation, and uniquely accessible melodies that define the group’s sound. The twenty-track LP, the group’s first full-length studio effort since 2022’s Toward the Fray, consists of all entirely new and original songs, something of an anomaly for a band known for littering its live setlists with an array of cover material.

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It’s safe to say that back in 2009 when punk rockers The Bronx released their self-titled debut by their mariachi alter-egos, no-one would have thought this enterprise would still be going 17 years later. What started as a playful experiment in paying tribute to the thriving mariachi tradition that has suffused their native Los Angeles, has become an identity all its own – vibrant and intoxicating.
And while this fourth Mariachi El Bronx record isn’t a huge leap from its predecessors, musically speaking, that’s not the point of this. Even if you’re unfamiliar with the music being celebrated here, it’s impossible not to be swept up in the sheer exuberance of ‘Forgive Or Forget’ and ‘El Borracho’, songs that take you somewhere else entirely, emotionally and geographically.

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Have you ever wondered what would have happened if Lou Reed became interested in Americana and recorded with Gram Parsons? Well, if that unlikely combination seems intriguing, then The Nude Party’s Look Who’s Back is for you.
Of course, that oversimplifies the group’s sound, but those two touchpoints are the chocolate-and-peanut combo that makes this record such a tasty listen. The septet is Patton Magee – Vocals, Harmonica, Guitars, Shaun Couture – Vocals, Guitars, Connor Mikita – Drums, Backing Vocals, Alec Castillo – Bass, Backing Vocals, Zachary Merrill – Keyboards, Piano, Backing Vocals, Austin Brose – Percussion, Backing Vocals, Jon “Catfish” Delorme – Pedal steel, Dobro who have been together for over twelve years now.

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In the early 1990s, Stephen McCarthy and Kevin Pittman holed up together for a year in a 100-year-old bungalow. McCarthy is well known as a guitarist and vocalist for The Long Ryders, but has also played for The Jayhawks on tour and on some tracks on their latest album Xoxo. Pittman, originally from Reedville, on the coast of Virginia, toured up and down the East Coast with his first major band, The Dogs. This high-energy outfit had some success, for example, opening for The Kinks and Culture Club. He lived in LA for a while but then returned to Virginia, where he still lives. He formed a ’70s R&B band, NRG KRYSYS, which lasted for seven years, but never released an album. In recent years, he has released solo albums “Victrola Mouth” (2019) and “Sundog” (2023).

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Turner Cody first collaborated with Nicolas Michaux and the Soldiers of Love (Clément Nourry, Ted Clark, and Morgan Vigilante) on his album Friends in High Places. This album marked a turning point for Turner Cody, in which he started to incorporate country influences to his songwriting. But that was only the beginning, and Out For Blood is without question a country album.
This new album offers the perfect canvas for him to express his poetic lyricism, and to paint portraits inspired by American mythologies. The songs explore such themes as freedom, individualism, destiny, sin and redemption. Rooted in traditional narratives yet resonating with our times, these songs are to be seen as parables: imaginary characters faced with the dichotomy…

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Most of us have had enough of winter now. But wait. Shout “Taxi” – here’s a band offering a balmy chink of summery light.
vegas water taxi, led by Ben Hambro, have spliced an EP from last year and an EP from last month to form one fantastic LP. long time caller, first time listener, their second album, follows 2023 debut things are gonna be alright and offers a joyful alt-country promise of a social life. Hambro has the sardonic cultural wink of Lou Reed and the melodic ear of The Lemonheads.
The album opens with ‘brat summer’, which imagines the police rounding up folk who hadn’t participated in Charli xcx’s world with the echo of the guitar line from Five’s Keep on Movin’. Backed by some great steel guitar,…

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Jay Buchanan has spent the last seventeen years as the frontman for Rival Sons, where his booming voice, combined with Scott Holiday’s heavy guitar riffs, has created some of this era’s best old-school hard rock. Even as the band’s music over the last three albums has grown more melodic and versatile, it’s remained undeniably heavy. For Buchanan’s debut solo effort, however, he strips the music down to its barest elements. Without heavy riffs and pounding drums, the focus is solely on Buchanan’s voice and storytelling. Luckily, both are strong enough to carry the album.
Weapons of Beauty is an acoustic album that ranges from slow ballads to mid-tempo Americana shuffle, but is always soft. Buchanan’s voice, grainy and soulful, carries world-weary…

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Five days after the all-star Clifton Chenier tribute album A Tribute to the King of Zydeco won a Grammy Award for best regional roots music album, Smithsonian Folkways Recordings and Arhoolie Records are releasing a massive box set of Chenier’s original recordings.
Clifton Chenier: King of Louisiana Blues & Zydeco contains 67 tracks recorded from 1954 to 1983. The box set samples Chenier’s recordings for the Elko, Specialty, Chess and Zynn labels and, most of all, Arhoolie label. Unreleased in-concert performances also appear on the four-CD and six-LP retrospective, a project that marks last year’s 100th anniversary of the zydeco pioneer’s birth near Opelousas, Louisiana. Adam Machado, executive director of the Arhoolie…

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