Category: americana


On Langeleik, two pioneers of alternative pedal-steel meet across oceans, time, and temperament. Norwegian multi-instrumentalist Geir Sundstøl and London-based pedal-steel player Joe Harvey-Whyte merge the instrument’s ghostly resonance with field recordings, ambient drones and vintage synths to create a sound that feels as fluid and alive as the rivers that inspired it.
Geir and Joe got in touch in 2016 when Joe, exploring beyond his usual listening habits, stumbled upon Geir’s debut Furulund. Struck by its hypnotic slide melodies, he reached out. A musical friendship grew through years of conversation, sharing curiosities and visiting each other’s studios in Oslo and London.
In August 2024, during a break from touring…

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Singer-songwriter Henry Grace is a purveyor of warmth and easy comfort, through music that sorts through a trove of personal experiences, isolating gems of learning and sharing them generously. His second album, Things Are Moving All Around Me, sets out to capture a wide-ranging chapter of his life, a period of time which involved movement and transition. Grace spent some of his formative years in California, performing solo in small city clubs and – perhaps subconsciously – soaking up those times and places. He now finds himself in London again. This movement has resulted in a fascinating blend of ingredients, which Henry adeptly uses in his songs.
Grace’s style as displayed on this album is a kind of London country folk. He has clearly been…

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“Anyone can come up with a story… you just need a few lies and a few loose wires upstairs and enough time alone to tie them all together”. So says Gene, a character created by Rick Maddocks for his story in ‘Sputnik Diner’. Common threads weave their way through the five stories in the book, all centred around tobacco-belt Ontario.
…Blue Horse Opera started off as a novel idea. But time spent in Southern Spain over a decade ago provoked childhood memories of old, familiar spaghetti western soundtracks. Maddocks’s wiring and musical creativity enabled him to take the narrative (dusty deserts replaced by the Canadian oil sands) and compose a 17-track song cycle, and an endoscopic glimpse into the colourful mind of this writer and musician.

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Johnny Delaware describes his latest record as a nomadic affair.
“I recorded it in studios in Mexico and the United States and in hotel rooms all across Latin America, and if you listen closely, you can hear bits and pieces of all those places and the people I met along the way. They’re all a part of me now.” As a result, Para Llevar is a swirl of indie rock, Americana and psychedelic folk making for a dreamy, atmospheric listen.
The co-founder of the South Carolina-based Susto, Delaware’s solo work is not a big step away from that band’s work, despite being a little more subdued. Para Llevar opens on “Jungle Full Of Ghosts,” a slightly ominous track inspired by the rain in Mexico and a little help from…

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Lucinda Williams’s built a body of work that thrives on autobiography and the confessional, fearless vignettes of broken love affairs and men going off the rails. But as she explained in her 2023 memoir, Don’t Tell Anybody the Secrets I Told You, she comes from a family who “understood and taught me the power of language and music to create a more just world”. Williams may be bloodied but she’s unbowed: if anything, she’s as mad as hell and she aint’ going to take it anymore.
There’s an air of apocalypse, of last things about World Gone Wrong, the same cocktail of impending doom, rock ‘n roll swagger and gospel intensity that infuses the Stones’ Gimme Shelter. We are in the hour of darkness from the opening title track, a companion piece to…

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Justin Townes Earle, the deeply talented but sadly troubled folk/Americana musician, succumbed to an accidental overdose just over five years ago. Yet within the span of just weeks, an authorized biography — What Do You Do When You’re Lonesome — has been released, and musician Sammy Brue is issuing an album largely drawn from Earle’s journals. Aptly titled The Journals and released with the blessing of Earle’s widow, the record stands as both a work of sadness and a celebration of Earle’s remarkable gift as a songwriter.
The striking opening track, “Lonely Mornings,” sets the tone of the record early on with a stripped-down sound – little more than an acoustic guitar and vocals, putting the lyrics at…

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When you ponder Belgium, you wouldn’t immediately consider it a hotbed of americana music. You would most likely think of their excellent footballers, chocolates, and even a fictional detective. Lucky Came to Town is a six-piece band from the hills around Leuven in Belgium, and their debut album, The River Knows My Name, dispels any preconceptions you may have. Songwriter Kim Van Weyenbergh and bass player Joost Buttiens met in 2015, driven by their mutual respect for country music and started playing tunes together. Although this collection has enough twang, it leans away from traditional country, and fans of American Aquarium will find similarities between this offering and the band’s music. Formed deep in the Hageland Hills,…

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…features three new tracks.
Like John Prine and Jerry Jeff Walker before him, Hayes Carll has made a career out of blending mellow, infectious acoustic folk with sharp, often humorous portraits of everyday people. But on We’re Only Human, his 10th studio album, one of the first things you’ll notice is that Carll has turned that same wit inward, making himself the subject of his own storytelling.
“The record was inspired by a desire to start listening to my inner voice rather than running from it. The songs are my way of solidifying the lessons I’ve learned, not because I have all the answers, but because I need the reminder that we’re all only human.” And he doesn’t go easy on himself, aiming his humorous takes on his own…

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Minneapolis-based folk rockers, The Pines, have always been led by the insightful songwriting of David Huckfelt. On I Was Born, But…, we don’t get his songwriting; instead, we get inspired interpretations of mostly lesser-known works by a wide range of North American songwriters. In some respects, the album reads much like Dylan’s Self-Portrait. In fact, both have a version of Gordon Lightfoot’s classic “Early Morning Rain.” That, along with George Jones’s “The Race Is On,’ and Bo Diddley’s “Who Do You Love?” are by far the most recognizable in this group of fifteen. And speaking of Dylan, I find similarities to the Duluth bard’s vocals with Huckfelt, which is rather interesting, considering I had never made such an observation through Huckfelt’s work with The Pines…

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For lovers of bluegrass and americana roots music unable or unwilling to visit the USA at present, a short flight to Norway provides a very serious alternative as a source of inspiration. Surprising as it may seem, there is a thriving scene, the annual Strenger I Gress festival bringing together many of the bluegrass bands that have sprung up in recent years. Names like Strengeplukk, Oystein Sunde and the Hayde Bluegrass Orchestra have been around a while, developing their own form of what might be termed ‘Scandigrass’.
The North Carolina bluegrass quartet Chatham County Line have been frequent visitors to Norway for around twenty years and their impeccable harmonies and mastery of their instruments will no doubt have inspired many…

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After Banjophony and Banjophonics comes the latest album from Damien O’Kane and Ron Block, Banjovial. If you’re paying attention, you’ll notice a pattern beginning to emerge. The release features the duo’s blending of Block’s five-string bluegrass banjo and O’Kane’s Irish tenor banjo.
As the title suggests, the result is, well… jovial. These superb musicians sound like they had enormous fun – something reflected not just in the music but in the often-quirky titles of the tracks.
…There are contributions from their world-class band, including Scotland’s leading bassist and Moog player Duncan Lyall and Ireland’s multi-talented guitarist and percussionist Steven Byrnes as well as some incredible guests including Irish button accordion…

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Few artists so consistently bare their souls with such blunt honestly as Ruston Kelly. Repeatedly he seeks some kind of release from calamitous experiences ranging from addiction to failed relationship only to find himself back in the depths of depression once again. Such candour runs through his three solo studio albums with a bellow of defiance in his 2023 release ‘Weakness’. For this album Kelly introduces what may seem a complete change of direction, namely joy. But Pale Through the Window is neither revelation nor a self-help manual. If Kelly has not exorcised his demons, he can live with them. He can find happiness alongside struggle and what really comes through is a sense of gratitude that he is alive and can experience emotions lighter than relentless darkness.

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When announcing his sixth studio album, With Heaven on Top, on Instagram earlier this week, Zach Bryan added the disclaimer, “Hope you don’t hate it.” Now that the followup to 2024’s The Great American Bar Scene has arrived.
With Heaven on Top spans 25 tracks. Bryan tends to prefer an overloaded album, as evidenced by the 19-song track list on The Great American Bar Scene and the 16-song track list on Zach Bryan (2023) — and especially by the 34 entries on 2022’s American Heartbreak.
After the rapid release of three studio albums in the span of three years, not counting a flurry of EPs and live recordings, Bryan mostly took last year off to recalibrate. He still racked up a few headlines regarding his high-profile break-up…

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When you have a look at the June Star website, a wonderfully jaundiced and witty description of the band reads – “the band was formed in 1998 by singer/songwriter Andrew Grimm, and since then they have put out 21 records, toured a bit of the US and have gone into debt“.
…After making 21 albums, for the songs on this collection to sound as refreshing and memorable as they do is nothing short of astonishing. Grimm is backed up by a stellar bunch of musicians (the line-up of the band has changed a bit over the years), Dave Hadley (pedal steel), David Bryson (drums), Chris Iseli (bass), and Michael Zepeda (guitar). Hilariously, on the publicity material, not only does Grimm say he’s the band leader and singer, but also “Manager/Publicist/Songwriter/Plumber“.

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…it is no exaggeration when Zane Mclaughlin of Oldstar, a band from Panama City Beach in Florida’s panhandle, sings, “Let’s pray for my tires / So they don’t spread like wings.” Florida tires need prayers, especially when they have to live through all the driving that happens on Oldstar’s latest project, Of the Highway, a focused, heartfelt country rock record about, mostly, the highway. Oldstar’s first few projects, while showing hints of this album’s country inflections, drew more on a kind of post-Alex G bedroom — slowcore that continues to pervade alternative music — not an uncommon breeding ground for a contemporary alt-country band. But rather than translating that genre’s songwriting norms into the sonic language of major chords, pedal steel, harmonica,…

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The distance traveled on William Prince’s new album, Further From the Country, is generational, aspirational, and metaphysical. Expansive and declarative, Further From the Country is the work of an artist who meets the challenge of putting incisive and enduring words to this age of uncertainty. William Prince’s perspective – a songwriter who carries great legacies of family and songcraft forward – is singular and significant. Further From the Country, his fifth LP, is an extraordinary work of observation, reflection and ambition, a work that will leave its mark on listeners for its humanity and its potency.
The two-time JUNO Award winning artist continues to build an exceptional body of acclaimed work, with recent accolades including…

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