Category: americana


Five decades into a career that has seen Ed Snodderly as a songwriter, performer, actor, and owner of the legendary Down Home club in East Tennessee, comes perhaps his most personal release to date. ES Pearl Presents Baggage Flies Free not only continues the family name; his grandma was Pearlie Bell, his mom Willie Pearl, but offers a glimpse into his life in East Tennessee. Surrounded by a stellar cast that includes Tim O’Brien, Amythyst Kiah, Verlon Thompson and Brother Boy Eugene Wolf, the mainly acoustic songs still have a contemporary feel thanks to some pin-sharp production.
The opener, ‘Coming Down This Road’, picks up pace as it travels, leading into the melodic ‘Willow Green’, which sees Snodderly admiring…

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The colorful combination of names on this collaboration is indicative of the vibrant music they create together. Americana singer/songwriter Grey DeLisle, who has been releasing rootsy country/folk/rocking albums for over 20 years, heard young soul singer Greene and was so impressed, she suggested they combine their talents. The effervescent, soulful and instantly loveable Grey & Greene, is the result.
The two initially dueted on 2025’s frisky Christmas single “I Don’t Want Nothing,” then decided to expand that to a (short) album-length project touching on retro-tinged upbeat soul, classic pop, rockabilly and even some gospel. Their secret weapon is producer/multi-instrumentalist James Intveld; a veteran of roots-oriented…

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When Twisted Teens broke through with their second album, Blame the Clown, only five months ago, the New Orleans duo’s southern-fried mix of garage rock, early punk, rockabilly, and country screamed both “First thought is absolutely best thought” and “Wait until I show you what else I can do.” But if their last album presented the band at their most gleeful and cocky, ready to call the world as they saw it, then Florida Water Blues takes place the morning after: a touch more vulnerable now that the liquid courage has subsided and the hangover is setting in. Blame the Clown may be where the makeup was first put on, but Florida Water Blues is where the tears start to show.
That’s not to say that Twisted Teens have suddenly upended their approach.

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Trever M. Keith, frontman for the Southern California pop-punk band Face to Face, has released an homage to country music, We Drank from a Poisoned Well. This isn’t as unlikely as it sounds.
Keith grew up in the high desert, Southern California town of Victorville, where Face to Face was formed. Country music was the go-to music in the area and an inescapable part of Keith’s childhood, shaping him in ways he didn’t fully realize at the time. To some extent, this may be true for other members of Face to Face. Put together, guitarist Dennis Hill and bassist Scott Shiflett have a handful of co-writing credits on this record, and Hill arranged the backing vocals, performed by Mykele and Jagger Hill.

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The Story of Michael and Tanya is the fifth album by the award-winning the War and Treaty, and their debut on Atlantic Outpost. Wounded Iraq war veteran Michael Trotter, Jr. and gospel/R&B singer Tanya Blount met at a music festival in 2010. They married in 2014, moved from Albion, Michigan to Nashville and released debut album The Healing Tide in 2018. Their music covers vast stylistic and lyric territory; it embraces Black gospel, soul, country, blues, Americana, R&B, and adult contemporary pop with searing emotional honesty, spiritual sophistication, and hooks.
The Story of Michael and Tanya offers fingerpopping truth about their marriage, relationship, personal triumphs, contradictions, and trials in ten songs.

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Matt Jones and The Bobs formed way back in 2011 while they were studying at Radford University, all sharing a love of americana, roots, and classic rock. Their debut album Brother’s Hymn was released in 2014 to much local acclaim. It highlighted all the issues about growing up in small-town Southwest Virginia from the view of young men of a certain age. However, despite paying their dues, as with many college bands, they broke up in 2015 to concentrate on other pursuits.
However, unlike many bands, they kept in contact with each other and eventually got back together in 2024, stepping back into the world of music older and wiser, perhaps, each with ten years more experience to draw on. The result is a splendid, mature album for today’s musical…

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…featuring newly unearthed bonus tracks and unheard demos.
The overused shorthand, “retro,” can mean that a group short on their own ideas has repackaged the past. Although Israel Nash Gripka’s country-rock/Americana infused music raises immediate comparisons to a host of classic folk-rock acts, Israel Nash’s Rain Plans is hardly a slavish (or lazy) re-creation of history. Instead, he’s applied a master craftsman’s aesthetic to expanding what might have started as simple singer-songwriter tunes. The resulting album features richly layered instrumentation that draws on acoustic and electric sounds, soft-diffusion reverb to cosset the mix and, above all, a worshipful appreciation for warm analog tone. Casual listeners may…

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…Remastered from the original tapes, this album includes four outtakes rescued from damaged session tapes.
By 1977, Bluegrass was arriving at a crossroads. Questions about whether to stay in a strict acoustic framework or to push the boundaries and include non-traditional instruments like drums, pedal steel, and electric instruments. This is where the short-lived group Boone Creek took up the mantle of experimentation and laid the foundation for what would become “Newgrass.”
Featuring future giants Ricky Skaggs, Jerry Douglas, Wes Golding, and Terry Baucom, Boone Creek was willing to push further than many of their contemporaries. Listening to it today, it is easy to hear the seeds of ideas that would…

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It is true that the number of artists covering that currently popular ground between Americana and pop/rock. Yet the key there is how distinctive their music is – whether they separate themselves from the rest and whether they come up with enough individual elements to separate themselves from the rest. A hard task that gets even harder if you go the independent (self-releasing) way.
Singer songwriter Amelia Day can easily paste her photo along with everything that is described above – her music is right in the center of that now ever-popular sub-genre, and she is doing it all by herself with her latest 7-song EP, Ego Trip.
She knows best what the title relates to, but on the evidence of her songs here, there’s no ego trip involved on her part here – she can…

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Lynn Blakey was not a name that gained a great deal of traction commercially but she was an influential figure in the indie rock and alt-country scene in her home state of North Carolina where she DJ’d on college radio in the early ’80s; this was before forming Oh Ok in Athens Georgia with Michel Stipe’s sister Lynda (driven by the inspiration of seeing REM at a small local gig). She collaborated with others such as guitarist Mitch Easter in The Royal Opposition and guitarist Michael Chumbris in Glory Fountain, but her most well-known group experience was with Tres Chicas, a band formed in the late ’90s in Raleigh, NC, with Blakey, Caitlin Cary (from Whiskeytown) and Tonya Lamm (from Hazeldine). The group sang together for a few years before releasing Sweetwater in…

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10 years ago, Madrid native Juana Everett decided it was time for her to make a big change, and so, she bravely crossed the Atlantic to the US, and in 2021, she realised her dream of releasing the debut solo album she had made there, the aptly titled Move On. Now she’s back with her follow-up, Past Lives in California, this time charting the years she has spent in the state and the ups and the downs she experienced along the way.
The album unfolds much like the decade-long physical and emotional journey Everett found herself taking throughout the Golden State, trying to find the place where she felt she belonged. The opener, the smooth ‘Bring Me Back’, finds her longing for a place in time more than a location itself as she wistfully remembers…

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The title of Willow Avalon’s new album, Pink Pocket Pistol, suggests she wants to have it both ways. She has a soft, feminine side as indicated by the color and small size of her gun.
However, the fact that she has a weapon reveals she’s tough and dangerous. The album cover features her pointing a chromium grey revolver at the beholder. The pink is gone, which indicates the significance of her steely power. The outward femininity is just a pretty disguise.
This works as a metaphor for Avalon herself. On the outside, she is dainty in a faux innocent manner. Inside, she is strong and determined, even treacherous if you cross her. While Avalon mostly sings in a high-pitched girly voice, somewhere between a bleat and Betty Boop,…

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Celebrating 25 years, Pneumonia stands as an alt-country centerpiece, capturing Whiskeytown at their most expansive and iconic moment.
Whiskeytown had ceased to be a band in the truest sense by the time they recorded their third (and final) full-length album, Pneumonia; the group began to collapse during the touring following Strangers’ Almanac, with members coming and going at a remarkable pace, and for the Pneumonia sessions, the only musicians on hand who had appeared on Faithless Street three years earlier were lead vocalist and songwriter Ryan Adams and violinist and backing vocalist Caitlin Cary. Multi-instrumentalist Mike Daly and percussionist producer Ethan Johns dominated the sessions’ sprawling cast of players…

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Grammy-nominated singer-songwriter Margo Price release a protest mixtape, Days of Unrest, a nine-track collection inspired by the causes and communities she’s championed throughout her career, ranging from prison reform and marijuana legalization to immigration, farming and labor rights.
Produced by longtime collaborator Matt Ross-Spang, the set blends original material with reimagined classics. Among the covers are Woody Guthrie’s “Deportee (Plane Wreck at Los Gatos)” featuring Joan Baez and Memphis Mariachi, Bob Dylan’s “Maggie’s Farm,” Charlie Daniels’ “Long Haired Country Girl” featuring Billy Swan and the traditional folk song “De Colores,” also with Memphis Mariachi.

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Ain’t Never Movin’ On marks a new chapter for the band. It is their first album in almost a decade, and it is certainly well worth the wait. With ten new songs, it feels like a very mature album that bowls along very nicely indeed while still having a pleasantly reflective feel about it.
Having formed in Victoria. They cut their teeth in the bars across Canada with their particular brand of jangly guitar-driven, tougher americana and quickly got a reputation as ‘dive bar warriors’ with a crowd-pleasing blend of rockier songs and a number of slower ballads.
This collection of songs may be slightly more reflective and possibly less high-energy, but make no mistake: it rocks along very nicely indeed, especially on the numbers that…

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The late singer-songwriter revisits his roots on this 2010 set-his first unedited concert recording-from the Chicago venue where he got his start as a young musician.
When John Prine was 14 or 15 his brother Dave took him down to the Old Town School of Folk Music. John’s problem, his brother figured, was a lack of direction. He was interested in gymnastics and art but otherwise just hung around the pool hall. Little by little, Dave was getting him into folk music, teaching him a few chords and playing him Carter Family records. In the early ’60s, the Old Town School was located in a ramshackle storefront on Chicago’s North Avenue, but it had already hosted legends like Pete Seeger, Mahalia Jackson, and Big Bill Broonzy.

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After almost a decade away from releasing new albums, Tift Merritt returns with a collection of songs that feels both intimate and expansive. What has remained is Merrit’s timeless approach to music: her work feels like it could have been released in any of the last six decades; songs are cleverly crafted with instrumentation used to help frame Merrit’s voice, which remains full of beauty, clarity and power. Thematically, Sugar looks for meaning in the quieter places of life: conversations, acts of care, domestic labour, memory, kindness and the difficulty of remaining open-hearted in a world that often rewards the opposite. Across eleven songs, Merritt repeatedly returns to the idea that what sustains us is rarely what attracts the most attention.

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Thanks to steady gigging around his adopted hometown of Chicago, paired with a beautiful, hypnotic voice, Andrew Sa has been dubbed Chicago’s premier queer country crooner. His debut, American Rough, may just make that title national. With a voice that seems to channel Roy Orbison, you can also hear traces of everyone from Chris Isaak to the late Raul Malo in Sa’s swooning vocals. American Rough is a romantic’s record, delivering songs about falling in love and all of the emotions tied to it, vacillating from euphoria to sadness, all set against a beautiful folk-country soundscape.
The album opens with the title track. At just a minute and a half, it serves as a brief introduction, and Sa’s voice is so ethereal that…

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