…Remastered from the original tapes, this album includes four outtakes rescued from damaged session tapes.
By 1977, Bluegrass was arriving at a crossroads. Questions about whether to stay in a strict acoustic framework or to push the boundaries and include non-traditional instruments like drums, pedal steel, and electric instruments. This is where the short-lived group Boone Creek took up the mantle of experimentation and laid the foundation for what would become “Newgrass.”
Featuring future giants Ricky Skaggs, Jerry Douglas, Wes Golding, and Terry Baucom, Boone Creek was willing to push further than many of their contemporaries. Listening to it today, it is easy to hear the seeds of ideas that would…
Category: americana
It is true that the number of artists covering that currently popular ground between Americana and pop/rock. Yet the key there is how distinctive their music is – whether they separate themselves from the rest and whether they come up with enough individual elements to separate themselves from the rest. A hard task that gets even harder if you go the independent (self-releasing) way.
Singer songwriter Amelia Day can easily paste her photo along with everything that is described above – her music is right in the center of that now ever-popular sub-genre, and she is doing it all by herself with her latest 7-song EP, Ego Trip.
She knows best what the title relates to, but on the evidence of her songs here, there’s no ego trip involved on her part here – she can…
Lynn Blakey was not a name that gained a great deal of traction commercially but she was an influential figure in the indie rock and alt-country scene in her home state of North Carolina where she DJ’d on college radio in the early ’80s; this was before forming Oh Ok in Athens Georgia with Michel Stipe’s sister Lynda (driven by the inspiration of seeing REM at a small local gig). She collaborated with others such as guitarist Mitch Easter in The Royal Opposition and guitarist Michael Chumbris in Glory Fountain, but her most well-known group experience was with Tres Chicas, a band formed in the late ’90s in Raleigh, NC, with Blakey, Caitlin Cary (from Whiskeytown) and Tonya Lamm (from Hazeldine). The group sang together for a few years before releasing Sweetwater in…
10 years ago, Madrid native Juana Everett decided it was time for her to make a big change, and so, she bravely crossed the Atlantic to the US, and in 2021, she realised her dream of releasing the debut solo album she had made there, the aptly titled Move On. Now she’s back with her follow-up, Past Lives in California, this time charting the years she has spent in the state and the ups and the downs she experienced along the way.
The album unfolds much like the decade-long physical and emotional journey Everett found herself taking throughout the Golden State, trying to find the place where she felt she belonged. The opener, the smooth ‘Bring Me Back’, finds her longing for a place in time more than a location itself as she wistfully remembers…
The title of Willow Avalon’s new album, Pink Pocket Pistol, suggests she wants to have it both ways. She has a soft, feminine side as indicated by the color and small size of her gun.
However, the fact that she has a weapon reveals she’s tough and dangerous. The album cover features her pointing a chromium grey revolver at the beholder. The pink is gone, which indicates the significance of her steely power. The outward femininity is just a pretty disguise.
This works as a metaphor for Avalon herself. On the outside, she is dainty in a faux innocent manner. Inside, she is strong and determined, even treacherous if you cross her. While Avalon mostly sings in a high-pitched girly voice, somewhere between a bleat and Betty Boop,…
Celebrating 25 years, Pneumonia stands as an alt-country centerpiece, capturing Whiskeytown at their most expansive and iconic moment.
Whiskeytown had ceased to be a band in the truest sense by the time they recorded their third (and final) full-length album, Pneumonia; the group began to collapse during the touring following Strangers’ Almanac, with members coming and going at a remarkable pace, and for the Pneumonia sessions, the only musicians on hand who had appeared on Faithless Street three years earlier were lead vocalist and songwriter Ryan Adams and violinist and backing vocalist Caitlin Cary. Multi-instrumentalist Mike Daly and percussionist producer Ethan Johns dominated the sessions’ sprawling cast of players…
Grammy-nominated singer-songwriter Margo Price release a protest mixtape, Days of Unrest, a nine-track collection inspired by the causes and communities she’s championed throughout her career, ranging from prison reform and marijuana legalization to immigration, farming and labor rights.
Produced by longtime collaborator Matt Ross-Spang, the set blends original material with reimagined classics. Among the covers are Woody Guthrie’s “Deportee (Plane Wreck at Los Gatos)” featuring Joan Baez and Memphis Mariachi, Bob Dylan’s “Maggie’s Farm,” Charlie Daniels’ “Long Haired Country Girl” featuring Billy Swan and the traditional folk song “De Colores,” also with Memphis Mariachi.
Ain’t Never Movin’ On marks a new chapter for the band. It is their first album in almost a decade, and it is certainly well worth the wait. With ten new songs, it feels like a very mature album that bowls along very nicely indeed while still having a pleasantly reflective feel about it.
Having formed in Victoria. They cut their teeth in the bars across Canada with their particular brand of jangly guitar-driven, tougher americana and quickly got a reputation as ‘dive bar warriors’ with a crowd-pleasing blend of rockier songs and a number of slower ballads.
This collection of songs may be slightly more reflective and possibly less high-energy, but make no mistake: it rocks along very nicely indeed, especially on the numbers that…
The late singer-songwriter revisits his roots on this 2010 set-his first unedited concert recording-from the Chicago venue where he got his start as a young musician.
When John Prine was 14 or 15 his brother Dave took him down to the Old Town School of Folk Music. John’s problem, his brother figured, was a lack of direction. He was interested in gymnastics and art but otherwise just hung around the pool hall. Little by little, Dave was getting him into folk music, teaching him a few chords and playing him Carter Family records. In the early ’60s, the Old Town School was located in a ramshackle storefront on Chicago’s North Avenue, but it had already hosted legends like Pete Seeger, Mahalia Jackson, and Big Bill Broonzy.
After almost a decade away from releasing new albums, Tift Merritt returns with a collection of songs that feels both intimate and expansive. What has remained is Merrit’s timeless approach to music: her work feels like it could have been released in any of the last six decades; songs are cleverly crafted with instrumentation used to help frame Merrit’s voice, which remains full of beauty, clarity and power. Thematically, Sugar looks for meaning in the quieter places of life: conversations, acts of care, domestic labour, memory, kindness and the difficulty of remaining open-hearted in a world that often rewards the opposite. Across eleven songs, Merritt repeatedly returns to the idea that what sustains us is rarely what attracts the most attention.
Thanks to steady gigging around his adopted hometown of Chicago, paired with a beautiful, hypnotic voice, Andrew Sa has been dubbed Chicago’s premier queer country crooner. His debut, American Rough, may just make that title national. With a voice that seems to channel Roy Orbison, you can also hear traces of everyone from Chris Isaak to the late Raul Malo in Sa’s swooning vocals. American Rough is a romantic’s record, delivering songs about falling in love and all of the emotions tied to it, vacillating from euphoria to sadness, all set against a beautiful folk-country soundscape.
The album opens with the title track. At just a minute and a half, it serves as a brief introduction, and Sa’s voice is so ethereal that…
For more than a decade, River Shook fronted Sarah Shook and the Disarmers, a raucous but fitfully tender country-rock unit that, for most of its run, hit the bottle as hard as it hit the pavement. In that grandest of country music traditions, the Disarmers’ songs were honest reflections of the blackout-chasing lives the members were living, but that changed when Shook got sober in 2019. The albums that followed, especially 2024’s incisive Revelations, were more clear-eyed; they also exposed the fault lines that had begun to destabilize the Disarmers. In June 2025, Shook played their final show with their longtime band. By then, they’d already begun working on the nervy, forthright songs that would become their eponymous solo debut.
Each American Aquarium album is best viewed as a slice of BJ Barham’s life. The frontman writes in the moment, and his music is a distillation of the world as he sees it, and the life he has carved for himself along with his wife, Rachael, and their 8-year-old-daughter, Pearl, in the increasingly-suburbanized Wendell, NC, a half hour east of Raleigh. In the two years since the last Aquarium record, as he wrote and recorded what became New Ways to Lose, Barham has been thriving.
Aquarium’s 12th studio album showcases the band at the top of its game and Barham at the top of his craft as a songwriter. More than a decade into sobriety, and nearly that long into parenthood, Barham has a content life in his midcentury-era home a few blocks from downtown…
Rodney Crowell’s string of 2001’s Houston Kid, 2003’s Fate’s Right Hand, and 2005’s The Outsider, a trilogy of sorts, are as strong as any three consecutive albums in Americana. He attempted to continue this momentum in 2005 by going into the studio with the same band, including Steuart Smith on guitar, and co-producing with Crowell, along with Benmont Tench joining on organ. He was attempting to vary the script somewhat, but was uncomfortable with the results, feeling it was too similar to the trilogy aesthetic. Twenty years later, he found the album in his vaults and felt it was the right time to release it.
So, we have Then Again with a couple of new, updated touches. To these ears, the album is more introspective, arguably more deeply…
Whether some genres or sub-genres are supposed to go together or not is often a moot point, and in more cases or not, depends on whether a band or an artist have the ability and inventiveness to be able to make a musical combination that actually works.
Taking that route on their debut album, The Devil You Know, is New York quintet St. Divine. As you sift through the eleven tracks here, you can encounter quite a few things this band likes, garage rock, punk art rock, Americana, and they sneak quite a few things they sneak in, sometimes in a single song.
Such an approach is always a sort of a double-edged sword – it can turn into a chaotic mess, or it could be inspired and inventive…
Kristina Stykos is a songwriter, musician, recording engineer and producer who has been a torchbearer for the music of the Green Mountain State since the ’80s. Her Pepperbox Studio is tucked away off-grid and off the beaten track at the base of Mount Abraham in Lincoln, Vermont. Stykos has released six albums under her own name, along with a collaboration with the recently deceased Montanan pianist and composer Philip Aaberg. Her Thunder Ridge Records roster, whilst not full of household names, has showcased the skills of many talented Vermonters. Stykos is also one half of The Cousins Project, the other being Steve Mayone. Up until twenty years ago, they were unaware of each other’s existence. All that changed when Stykos attended a Bow Thayer and…
