Category: *editions*



1. Tobacco City – Buffalo
2. Florist – Have Heaven
3. Nico Georis – Geological Observations
4. Dean Wareham – Yesterday’s Hero
5. Eiko Ishibashi – October
6. Brown Horse – Dog Rose
7. Black Country, New Road – Besties
8. The Waterboys – Hopper’s On Top (Genius)
9. Songs Of Green Pheasant – Dark
10. Valerie June – Sweet Things Just for You
11. Index For Working Musik – Sister
12. Jason Isbell – Foxes in the Snow
13. Sam Akpro – Evenfall
14. Snapped Ankles – Pay the Rent
15. Butler, Blake & Grant – Bring an End

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The descending refrain opening the song isn’t unusual but attention is instantly attracted as it’s played on a harpsichord. Equally instantly, an elegiac atmosphere is set. The voice, coming in just-short of the 10-second mark, is similarly yearning in tone. The song’s opening lyrics convey dislocation: “You and I travel to the beat of a different drum.”
“Different Drum,” the September 1967 single by an outfit dubbed Stone Poneys Featuring Linda Ronstadt, was immediate, had a country edge and was written by Mike Nesmith – then best known as a member of The Monkees. The band had already issued a couple of folk-pop singles simply credited as Stone Poneys, neither of which had clicked with record buyers. Third time out on 45,…

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Get Ready for the Countdown: Mod, Brit Soul, R&B & Freakbeat Nuggets includes exactly what it says on the box and does it in exciting fashion. Trawling through the dozens of tracks on offer is likely to give even the most hardcore devotees of the sounds of mid- to late British pop enough thrills to make the nominal entrance fee well worth it. Apart from a few tracks by big names of the era like the Small Faces, the Moody Blues and the Pretty Things, and oft-compiled bands like the Action, John’s Children, and the Creation, the bulk of the collection is populated by off-the-main tracks, artists, and songs. Most of the bands are familiar to the members of that group and a handful of trainspotters, though judging by how good most of their tracks sound, they should have…

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Few bands come out of the gate sounding as genuinely unique and beholden to little that came before as Camper Van Beethoven did when their debut album, Telephone Free Landslide Victory, first appeared in 1985. They also managed to do so with a loose-limbed amiability suggesting it happened by mistake, or at least without too much conscious effort.
Camper Van Beethoven’s easygoing fusion of folk-rock, ska, indie rock, world music, psychedelia, and punk (the latter more in attitude than attack, though “Club Med Sucks” builds up an impressive head of steam) is smart, but also playful, as if some guys with really good record collections threw all they loved at a wall and it not only stuck, but managed to be funny at the same time.

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A seminal moment in modern acoustic guitar music is being revisited as Drag City released the 10th-anniversary reissue of Land of Plenty, the spellbinding 2015 debut from duo Bill MacKay & Ryley Walker.
To put things in perspective, 2015 was the same year Walker released his debut follow-up, Primrose Green. MacKay had yet to sign to Drag City (this would happen in 2017 with Esker), but released an album of John Hulburt tunes on Tompkins Square – Sunrise: Bill MacKay Plays the Songs of John Hulburt. Walker was also a Hulburt fan, having co-produced Hulburt’s 1972 private press LP, Opus III, the same year.
…The story of Land of Plenty is one of immediate artistic connection. After first…

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After a yearlong hiatus, Light in the Attic’s Nancy Sinatra Archival Series is continuing with an expanded and remastered reissue of 1969’s Nancy on both CD and LP. Her 6th and final studio album for the label, the Billy Strange-helmed LP offered a cross-section of rock, pop, soul, and country tunes as only Sinatra could have delivered them.
Nancy arrived in the wake of producer-songwriter Lee Hazlewood’s unexpected move to Sweden.  Hazlewood had produced all of Nancy’s Reprise albums to that point (including the soundtrack to her television special Movin’ with Nancy, not yet a part of the Archival Series) but with his departure, arranger-guitarist Strange would move up into the producer’s chair.  Billy also appeared on Nancy as co-writer of “Memories.”

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…This 15th anniversary remaster of ‘Gateway’ includes a bonus disc with eight additional unreleased tracks mostly from the 2010 era.
On Gateway, Erik Wøllo presents the kind of travelog predicted by Joe Meek with I Hear a New World, a soundtrack of a visit to an alien world. The roots of the release are more readily placed in late-’70s space rock and ’80s new age, though, and while Gateway is an enjoyable listen, it’s not very inspiring in feeling like a new launching point for both sound and style. The elegant blend of dreamy synth loops, deep bass tones, soft electric guitar parts, and more simply doesn’t break through into a new, striking synthesis. There’s no question that Gateway is both well-performed and arranged; it’s a lovely sounding effort…

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Gekidan Buraiha was a theater company, a part of the so-called Angura scene that included notable troupes such as Tenjō Sajiki, led by Shūji Terayama; Jōkyō Gekijo, led by Jūrō Kara, Black Tent Theater (originally known as Theater Center 68), led by Makoto Satō; and Waseda Little Theater, led by Tadashi Suzuki.
Gekidan Buraiha began through the efforts of its main actor Kanna Ten (Minoru Takahashi) and his friends, who were all members of the same theater workshop at Kokugakuin University. It was the early ’70s, and the crew would frequently drop in at the rehearsal space occupied by Jūrō Kara’s Jōkyō Gekidan, essentially becoming part of the group’s support crew, and appearing on occasion as extras in their performances.

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In 2009, Nick Cave published The Death of Bunny Munro, a darkly comic novel about a sex-addicted salesman. When The Death of Bunny Munro first came out, Cave and his frequent collaborator Warren Ellis scored the audiobook. Now, The Death of Bunny Munro has been adapted into a TV show, and Cave and Ellis did a completely different soundtrack for that, too.
Imagine writing a book and then making its soundtrack twice. You must feel like you’re excelling in all kinds of fields at once. Matt Smith, star of House of the Dragon and Doctor Who, is the man behind Sky Studios’ new UK TV version of The Death of Bunny Munro. Smith is both the series’ star and its executive producer.
Nick Cave does a lot of soundtrack work.

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…includes the full live album, plus four additional tracks.
To celebrate his 2024 sold-out Luck and Strange tour, David Gilmour is releasing his third solo live album, titled The Luck and Strange Concerts. Gilmour was feeling reinvigorated this tour as he played the new album in its entirety, along with a host of his Pink Floyd classics.
The live album offers up 23 songs captured from various dates throughout the brief tour, during which Gilmour played only 21 concerts in Rome, London, Los Angeles, and New York. The compilation release is designed exactly as the show was presented with the songs played in the same order. The album’s pristine audio is part of Gilmour and company’s appeal, as every note…

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The grunge explosion that took over the world in the early ’90s exists in iceberg form, with ubiquitously popular bands like Nirvana, Alice in Chains, Soundgarden, and Pearl Jam as the most visible examples of the sound. As with any iceberg, these bands are just what’s most apparent sitting atop a mass of other active and influential but less immediately traceable players. You’re No Big Deal explores the grunge iceberg extensively, collecting over 80 tracks of heavy, ragged, and righteous noise recorded between 1984 and 1994 by some of the most- and least-known acts in and around the grunge movement. The tracks here were curated with help from Mark Arm, whose late-‘80s band Green River starts things off with the crude and metallic “Come On Down.”

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Just for a Day is the debut studio album by English rock band Slowdive, originally released on 2nd September 1991 by Creation Records.
Just for a Day is Slowdive’s first album, and it shows; when one listens to the magnificent sound of Souvlaki or the brilliant experimentation of Pygmalion, it becomes clear that Just for a Day was only a step toward the greatness they would later achieve. Its sound is quite like Souvlaki’s – swelling waves of flanged guitars, layers of wispy vocals floating in and out of the mix, and sweet lazy pop songs – but the production sometimes turns the band’s plush, sweet sound into the sort of cheap and cheesy pleasantness one might expect from a new age artist. A few tracks hint at the sound that would be fully achieved on Souvlaki…

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Iconoclassic Records is headed to the “Dark Side” with the first-ever anthology from the real-life band behind Hollywood’s Eddie and The Cruisers: John Cafferty and The Beaver Brown Band. 16-track collection from the rock-and-roll revivalists whose “On the Dark Side” reached the top ten of the Billboard Hot 100 in 1984 and spent five weeks atop the Mainstream Rock chart and the MTV video charts.
Singer-guitarist Cafferty and The Beaver Brown Band (including Gary Gramolini on lead guitar, Pat Lupo on bass, Kenny Jo Silva on drums, Bobby Cotoia on keyboards, and Michael Antunes on saxophone) had been playing up a storm in their native Rhode Island as well as up and down the Northeast Corridor – Massachusetts…

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Forgotten and supposedly ‘lost’ albums rarely remain forgotten for long in the digital age, as they eventually find their way back into the present through some wormhole in the World Wide Web. Inzovu Y’imirindi by Bizimungu Dieudonne, a Rwandan civil servant with a passion for music, was discovered by musicologist Matthew Lavoie almost by chance during research.
In the late 1980s, Dieudonne self-released the tape, achieving a degree of local popularity. He plays guitar and sings together with his wife Agnes Umbibizi, while friends and family members provide the accompanying instrumentation.
The songs are deeply shaped by traditional African rhythms and melodies, even though the musicians make use of Western instruments.

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Akashaplexia is the culmination of Merzbow and John Wiese’s decades-long partnership, offering over three hours of new music across four CDs. Recorded together in Tokyo, the album balances Merzbow’s psychedelic intensity and Wiese’s meticulous sonic architecture, presenting a vast and intricately detailed landscape of noise, improvisation, and unpredictable dynamic shifts.​
Akashaplexia stands as the first full-length studio collaboration between Merzbow and John Wiese, captured in December 2024 at Sound Studio Noah, Tokyo. This box set – designed by John Wiese and elegantly housed in a casewrap slipcase – is remarkable in both ambition and presentation, packing more than three hours of newly forged material on four separate discs.

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The Maccabees are celebrating the 10th anniversary of their fourth and final album, Marks To Prove It, with a new reissue.
All but the single vinyl features the addition of B-sides, acoustic tracks, and a new version of the title track recorded during a session for BBC Radio 6 DJ Steve Lamacq. The 3-CD and digital formats also feature The Maccabees’ career-spanning set from Glastonbury 2015, which included a guest appearance from friend and fellow indie rock artist Jamie T on “Marks To Prove It.” The single-vinyl is crafted as a zoetrope disc (designed by Drew Tetz), while artwork for the double-vinyl and 3-CD formats was created by the band’s long-term designer, Matt De Jong, who also designed the original release. The album cover displays…

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