Amir ElSaffar has been having a good year. After launching his label, Maqam Records (named after the Middle Eastern musical language that employs a microtonal tuning system), the trumpeter released an album by legendary Iraqi Maqam vocalist Hamid Al-Saadi, and, for the imprint’s second album, ElSaffar teamed up with three other musicians for a stunning new live album that places Maqam in a modern jazz setting.
New Quartet Live at Pierre Boulez Saal features ElSaffar, drummer Tomas Fujiwara, saxophonist Ole Mathisen, and pianist Tania Giannouli, performing as part of a mini-residency of two rehearsal days, a concert, and an all-day recording session at the Pierre Boulez Saal in Berlin. What ended up on the record is not the studio…
Category: *editions*
Undergoing an experience not unlike how Brian Eno came to his own experiments with ambient music, finding himself deaf in one ear and now hearing sound differently before, not to mention suffering auditory hallucinations, Jon DeRosa experimented with making music in an attempt to make sense of these disconcerting experiences. In that creative and therapeutic place No Solace in Sleep was born. Twenty-five years on from this extraordinary, in the very real sense of the word, debut album, it has been remastered by ambient/electronic pioneer Taylor Deupree a process which has unlocked an even brighter, deeper, broader, and stunning sonic experience.
As the name he chose for the project suggests, this this is an album that creates a tonal…
…featuring the 2024 remix by Mike Kennerty as well as the original mix (remastered).
My Brain Hurts is the third studio album by the Chicago-based punk rock band Screeching Weasel originally released in September 1991 through Lookout Records. It was the group’s first album on Lookout as well as the only release with bassist Dave Naked and the first with drummer Dan Panic, the latter of which would go on to appear on several of the band’s albums.
The album marked a very distinct stylistic shift for the group, fully moving toward a Ramones-inspired sound and completely abandoning their previous hardcore punk influences as a condition made by vocalist Ben Weasel when reforming the band after a brief break-up.
For The Unutterable, Mark E. Smith settled in with the (mostly) new lineup that debuted on 1999’s The Marshall Suite and recorded yet another gorgeous, rambunctious, only occasionally scrutable masterpiece. Though it’s not overly chocked with new ideas (especially for those already well-versed in the Fall canon), The Unutterable benefits from excellent songwriting and the crisp production of soundman extraordinaire Grant Showbiz, on loan from Billy Bragg.
The far-too-short opener “Cyber Insekt” immediately launches the listener into a dense, chaotic sound world that’s only amplified throughout the album. The heavy rockabilly guitars and pummeling drums heard on The Marshall Suite are practically overwhelmed…
Tomasz Stańko, Poland’s most famous jazz musician and world-renowned trumpet virtuoso, had been a regular guest at Polish Radio recording studios for years. During longer and shorter sessions he was accompanied by leading improvising artists. The desire to present an unknown part of the legendary Desperado’s oeuvre to jazz lovers turned to the idea of releasing a unique collection – a radio portfolio of the artist from the 1970s, 1980s and 1990s. The entire collection comprises of six records.
Considering needs of the listeners, box-sets come out in several formats. Next to the regular black-vinyl edition we have a limited white vinyl box edition for collectors. For digital enthusiasts, there is a CD box-set.
If you’re into roots reggae or dub, you’ve probably heard the names The Revolutionaries and Roots Radics tossed around more than once. These two bands shaped the sound of Jamaican music in ways that still echo today.
The Revolutionaries, sometimes called the Mighty Revolutionaries, came together in 1975 as Channel One Studio’s in-house band. The Hoo Kim brothers ran that studio, and it became a serious hub for creativity. The group helped define the tight, driving rockers style riddims that gave reggae a fresh, energetic edge. Sly Dunbar’s crisp drumming and Ranchie McLean’s heavy basslines set the pace, while also players like Robbie Shakespeare, Dougie Bryan, Robbie Lyn, and Ansel Collins added their own spice. Between 1975 and…
…includes seven bonus tracks.
South London sound system owner Lloyd Coxsone ably assisted in raising the Royals’ profile in the U.K., eagerly spinning dub plates of the group’s Ten Years After album. The attention helped Royals’ frontman/producer Roy Cousins land a deal with United Artists, whose Ballistic imprint eventually picked up both that vocal set and Israel Be Wise, as well as Freedom Fighters Dub (a set Cousins dedicated to Coxsone in gratitude) and Liberated Dub. The latter set was Israel‘s counterpart, and what it lacked in imagination for track titles (did someone leave a map of Kingston and its environs on the mixing desk?), was more than made up for the music within. Israel was produced by Cousins himself, with the riddims…
Singer and songwriter Morgan Wade has extended her celebrated recent album ‘The Party Is Over (recovered)’, adding five new tracks for a Deluxe version.
The Party Is Over (recovered) follows Wade’s recent album, “Obsessed”, which was released in August 2024. In a time of self-reflection, Wade revisited her earlier writing sessions to revitalise past songs that still spoke to the person she is today. She has also been playing some of its tracks on the road to sold-out shows across the US, UK and Europe. These songs, which so many fans have gravitated to live, will, for the first time ever, be made available, connecting Wade’s past and present and breathing new life into her earlier songs.
“The Party Is Over (recovered)” sees Wade…
In 2025 Dave Matthews Band hit the road for their 34th year of bringing their infectious energy to the stage. Live Trax Vol. 72 is from the second night of the bands two night stand in Chicago and captures a spotless and emotional performance from The Stones first notes to Pigs big finish. The creative and varied setlist includes songs like the powerful What You Are and Madmans Eyes as well as Daves haunting vocal deliveries on Gravedigger and Rye Whiskey.
Night two kicked off even bigger than the first, as “The Stone” worked the crowd into a frenzy and was immediately followed by “So Right”. The band leaned more into its newer material on Saturday, but still brought plenty of staples like “What You Are”, “You Might Die Trying”, “Blackjack”…
For the very first time, the complete studio recordings made by the iconic conductor Carlo Maria Giulini for Columbia and HMV (plus the two for Pathé and Electrola) have been remastered in high definition from original tapes and put together in a 60-CD box. Some recordings never published before are also included in the box: a Freischütz Overture from 1969, the stereo version of ‘Spring’ and ‘Summer’ Concertos from the 4 Seasons, plus a rehearsal of ‘Winter’ (1955), and excerpts from Tchaikovsky’s 5th Symphony (1962).
This wide-ranging collection provides a comprehensive testimony of Carlo Maria Giulini’s collaborations with London’s most distinguished orchestras, his beloved Philharmonia Orchestra, and the London Philharmonic, later recordings…
Enigmatic, prolific singer/songwriter and author known for his genre-defying work and contrary personality.
Julian Cope welcomes you to the new age of the New Age with this brand new deeply sonic magical trip-out album. The three tracks invoke three different experiences: the 29-minute ’Star Garden’ emerges through the cosmic ooze like a grand ancient river gradually descending to meet its final coastal destiny; the shattered radio communications of ‘Who Put All Of This In Motion?’ perplex listeners through its veil of sonic mystery; the final epic ‘Psalm Zero’ is an incantation to the cosmos in which Cope duets with himself like some minimal avant-garde barbershop quartet. This CD is part of Head Heritage’s 2025 Ambient Autumn.
The Studio Albums 1992-2016 brings together nearly 25 years of groundbreaking music. It unites 12 of the band’s core studio works for the first time across 14CDs. The boxed set charts more than two decades of Dream Theater’s musical growth-a career that helped define the sound of modern progressive metal while selling more than 12 million albums worldwide.
It begins with the band’s gold-certified 1992 breakthrough, Images and Words, featuring the Top 10 hit “Pull Me Under,” then navigates a prolific decade as the band scaled new creative heights on albums like Metropolis Pt. 2: Scenes From A Memory, one of the greatest concept albums in progressive-rock history.
The band continued adding to its legacy…
Germany’s Bear Family Records deserves plaudits for compiling and releasing exhaustive box sets from some of the best-known figures in early country and rock music. But the reissue label warrants at least as much praise for unearthing and taking a chance on superlative material that most listeners have never even heard of, much less heard.
A perfect example of this is the new Rich-R-Tone Folk Star Story, which fills 12 CDs and has a playing time of more than 14 hours. It collects records released between 1946 and 1954 by Rich-R-Tone, a small, independent Johnson City, Tennessee, label, and its Folk Star subsidiary. The box comes with a coffee table–sized, 144-page hardcover…
An expanded CD reissue of Black Rain’s Obliteration Bliss, originally released on cassette via Downwards in 2023.
Degraded, faded cities now empty of people. You can hear household appliances in the kitchens still talking, but only to each other.
The phrases are distorted, unclear; broken English, Japanese and a few Korean and Chinese automated voices, syllables, shopping lists, play lists for dinner and recipes.
Somewhere one of the machines is dialled in on an isolated pre Buddhist monk chant, distant like from a high cliff meditation cell. The flow of the wide, long Black Mother River Kali Gandaki below them. Here is Obliteration Bliss A world in a flash of light. The world running faster and faster.
The National brings an abundance of energy for a brooding, middle-aged indie rock band, as evidenced on their new live album, Rome.
The 21-track, two-LP album — recorded in concert at the Parco della Musica auditorium in Italy’s capital in June — is a fan-friendly sing-along that strings together some of the best sounds of their 25-year career.
Eight of the band’s 10 studio albums are represented in Rome, releasing Friday from this Ohio-born and New York-based quintet fronted by the gravel-voiced Matt Berninger and fueled by two sets of brothers: Aaron and Bryce Dessner and Bryan and Scott Devendorf.
The opener, “Runaway,” is one of a handful of deeper cuts, this one from the lyrically dreary…
‘Cerulean R’ is the expanded 15th anniversary reissue of first Baths record, ‘Cerulean’.
The “R” in the title refers to the tagline “Reissue, Remix, Resurface, Remaster”. The Release itself is split into 3 constituent parts: “Reissue” LP1 is a reissue of the original record. “Remix” LP2 contains 8 unheard remixes created in 2010-2011, around the original release.“Re surface” LP3 contains 8 unsung Baths songs.
It’s fitting that Baths’ debut album Cerulean is on Anticon, as Will Wiesenfeld’s music blends glitchy, hip-hop-tinged beats with delicate atmospheres. Cerulean sounds like the missing link between Bibio, Flying Lotus, Toro y Moi, and Dilla, to name a few, but Wiesenfeld has his own sound within that realm. He keeps his intricate…
