Years ago, we would record the soundtrack of our lives on cassette. A blank tape became filled with not only the music that we listened to but also what surrounded that music, the breadth of our experiences. As part of a limited edition, the Chicago-based clarinetist will release her debut album, The Oracle, on cassette tape. It evokes how the album itself was conceived — Angel Bat Dawid overdubbed, mixed, and performed almost all of the voices and instruments herself, and recorded and produced the album mainly on her cell phone as she trekked across the globe. The result is a spiritual opus of one’s refusal to accept the cards that life has dealt her.
After a brain tumor diagnosis halted her music studies at Roosevelt University, Dawid…
Category: *editions*
80s synth magic for the four-track mind. DIY outsider Rick Cuevas was a post-punk refugee on a vision quest for a hit. Tracked at home in 1984, “The Birds” is that 40-year-delayed viral smash, one of eight retro-futurist anthems that make up Cuevas’ debut album. Remastered from the analog masters, this 40th anniversary edition replicates the 200-copy original for max teleportation value.
Numero’s timeless pop antenna are practically bristling at this one; a fully formed but lost classic that has taken a lifetime to finally find its audience, received in fresh remaster that seals its charms for posterity. It’s not hard to hear precedents for Ariel Pink’s DIY lo-fi channelling of major AOR sounds and tekkerz inside, from the widescreen Fleetwood Mac-isms of his titular beauty…
The booklet coming with Just Like Gold: Live at The Matrix frequently refers to the band as “The Solution.” It will be the same here.
With respect to the name this pioneering San Francisco psychedelic outfit did choose, their drummer John Chance is quoted in the booklet as saying “My mother was really upset about it [the band’s name], and I knew why.”
Lead guitarist Ernie Fosselius adds “We knew vaguely somewhere back in history it was heavy. I’m embarrassed to admit I didn’t realise how much the name could mean to a Jew.” Or, Ernie, anyone else. One person who realised the resonance of the name was leading San Francisco concert promoter Bill Graham, a Jew who as a child had escaped Nazi Germany. Graham booked…
A new wind reaches the sails of one of yacht rock’s defining masterpieces, courtesy of Omnivore Recordings. The label offer an expanded reissue of the self-titled debut album from Christopher Cross, the unforgettable 1979 release that became a commercial juggernaut and propelled the unlikely star to the music business’ upper echelon. The CD release will feature 11 bonus tracks including the rare non-album single “Mary Ann” and a slew of demos, six of which are made available for the first time anywhere – including several songs never before issued by Cross. (The set uses Bernie Grundman’s impeccable original album master, with engineer Michael Graves restoring the bonus material to prime condition.)
The story of Christopher Cross’ breakthrough…
A beautifully curated collection of music, Pōpoloheno: Songs of Resilience & Joy doubles as a powerful moment of acknowledgement of a largely unknown part of African and Hawaiian history. The album addresses the presence and history of African people in Hawaii via traditional mele inoa (name songs), songs of love, songs of heritage and, perhaps most importantly, songs of tribute when it comes to the longevity of the African experience. Pōpoloheno, named after the pōpolo (a black-coloured berry found in Polynesia; also used as a pejorative term against people of African descent), is a compilation of songs and stories that reclaim the term, highlighting the vibrancy and legacy of this community.
Notable creative visionary Māhealani Uchiyama…
Remastered from the original tapes by Matt Colton.
After releasing Sabresonic, the Sabres of Paradise decided to give their sound a facelift. The trio of Andrew Weatherall, Jagz Kooner, and Gary Burns set aside the surprisingly straight-ahead techno sounds of their previous work and shot off into a variety of directions, adding trip-hop, speaker-rattling dub, spy themes, library music, and lopsided funk to the mix on Haunted Dancehall.
It’s a gritty, constantly surprising record that displays more of the genre-smashing appeal of Weatherall’s remix work and along the way invents noir techno. It started life as something of a concept album with liner notes by Irvine Welsh detailing the outlines of the story. Though the group replaced his work, the idea is still…
Remastered from the original tapes by Matt Colton.
Sabres of Paradise‘s debut album, Sabresonic, established the trio’s club bona fides in spades, whether that club was an all-night rave, a sweaty bar with crummy speakers, or a chill-out room. Andrew Weatherall, the most well known of the group, had already established himself as a trailblazing remixer, and this record felt like his calling card to be a dues-paying member of the techno club. He, Jagz Kooner, and Gary Burns whipped up numerous tracks that rolled well past the five-minute mark, underpinned by thumping drums, thunderous sequencers, and sleek synths. The opening “Still Fighting,” a reclaimed bit of club nirvana that was meant to be a remix of a Primal Scream track, sets the stage, and…
Few bands have gone to the heart of our country like Cold Chisel. Formed over 50 years ago in Adelaide, Cold Chisel found their audience their own way. Ultimately, the band’s early years of struggle gave way to their incredible songs, incendiary performances and legendary defiance – leading to them becoming one of the biggest and most lauded bands in Australian music history. Since then, their evocative lyrics and melodies on songs like Flame Trees, Khe Sanh, Bow River, You Got Nothing I Want, My Baby, Choirgirl, When The War Is Over, Standing on the Outside and more have become embedded in our national psyche.
In late 2024 and early 2025, Cold Chisel undertook their sold-out 50th anniversary tour, The Big Five-0, which was seen by over 250,000 people…
Out of all the former Beatles, Paul McCartney has had the most successful and diverse solo career, maintaining a constant presence in the British and American charts during the 1970s and ’80s and becoming a musical and cultural icon in the decades since.
McCartney’s hot streak began in 1970, when he became the first Beatle to leave the group and quickly began accumulating hit singles and best-selling albums as a solo artist. Then, he formed Wings in late 1971 with his wife Linda and Moody Blues guitarist Denny Laine, and the group remained active for the next ten years, racking up a string of hit albums, singles, and tours in the meantime. Wings disbanded in 1980, but McCartney stayed near the top…
Rosali makes songs that take their time in revealing their full power. What might appear to be restrained, introspective compositions will stretch slowly outward, snagging your attention with a sideways guitar lead or an exceptionally raw lyric you didn’t catch the first time around. Her softly glowing music is deceptively fluid, able to appear patient and refined at the edge of unraveling.
Slow Pain: Live and Solo from Drop of Sun captures an intimate performance of eight tracks from Rosali’s acclaimed 2024 Merge debut Bite Down and standalone single “Hey Heron.”
Recorded April 23, 2025, at the vaunted Drop of Sun Studios in Asheville, NC, these recordings go beyond showing the bones of Bite Down. Pared down to Rosali’s voice and guitar and performed…
Doc Pomus was a songwriter’s songwriter, crafting lyrics that have stood the test of time. You Can’t Hip A Square: The Doc Pomus Songwriting Demos is a masterclass in songwriting through the lens of Doc Pomus’ career and via previously unheard demos largely sung by his writing partner, Mort Shuman. You Can’t Hip A Square traces Doc and his songwriting partners’ careers across the beloved rock, pop and R&B hits that became 20th century standards. Songs like, “A Teenager In Love,” “Viva Las Vegas,” “Lonely Avenue,” “Save The Last Dance For Me,” “This Magic Moment,” recorded by artists like Elvis Presley, Lou Reed, The Drifters, The Red Hot Chili Peppers, The Beach Boys, Ray Charles, The Coasters, Dionne Warwick, Dion, The Everly Brothers, Linda Ronstadt, and more!
Following last year’s deluxe expansion of 1974’s Apostrophe (‘) and the recent restoration of the same year’s concert film Cheaper Than Cheep, Frank Zappa’s archival team is turning the page to 1975 and expansively revisiting One Size Fits All in time for its 50th anniversary. The guitarist-songwriter-bandleader-producer’s twentieth album (and fourteenth with The Mothers of Invention), it featured the by-then-familiar lineup of keyboardist George Duke, drummer Chester Thompson, percussionist Ruth Underwood, bassist Tom Fowler, and saxophonist Napoleon Murphy Brock. One Size Fits All continued their jazz-rooted satirical explorations, and reached No. 26 on the Billboard 200. Zappa and the band decamped to Colorado’s Caribou Ranch – birthing ground for…
Lodestar is a reissue of the rare 1974 album by the American band Lodestar, released by Numero Group, renowned for its archival projects. The music blends elements of folk-rock, psychedelia, and country, creating an atmospheric sound emblematic of the 1970s underground scene.
Tracks like Who Are You stand out with melancholic acoustic melodies, delicate guitar arrangements, and introspective lyrics. The song “Who Are You” performed by Lodestar appears as Track 4 on the compilation album Cosmic American Music: Motel California, released in October 2024 by Numero Group. The album transports listeners to an era of independent musicians, reflecting a spirit of freedom and experimentation, making it a valuable discovery for fans of Cosmic American Music.
…Stax Revue: Live in ’65! expands a pivotal pair of concerts undertaken at the 5-4 Ballroom in Los Angeles 60 summers ago when the Memphis label – newly bolstered by a distribution deal with Atlantic Records – took several of its marquee acts to the West Coast (many for the first time) for a spirited club set packed with favorites by William Bell (“You Don’t Miss Your Water”), Rufus Thomas (“Walking the Dog”), his daughter Carla (“Every Ounce of Strength”) plus bands like Booker T. & The MG’s and Stax house band The Mar-Keys. What made the set’s timing truly striking was that, days after the shows went on from August 7 to 8, the L.A. neighborhood of Watts saw its population rise up to protest the racism and discrimination from the city towards its Black residents.
First released on cassette and then re-released in various guises since then, Live in America captures the mid-’80s incarnation of A Certain Ratio in compelling form. Those who felt that the band’s studio work tended towards the formal rather than the funky could easily find themselves changing their minds based on the ten-song selection here, showcasing the group both at their most murky and their most nervously tense.
The extended, doom-laden introduction to “Sounds Like Something Dirty” definitely meets the first description but when the song itself kicks in everything’s far more active. Full-on upbeatness (or near enough) occurs elsewhere on songs like “Wild Party,” where the seeming cool of the sung verses contrasts against one hell of a jam,…
In the shadow of the nuclear accident in Fukushima in 2011, Japanese musician Phew, artist Erika Kobayashi, and German electronic music pioneer Dieter Moebius (Cluster, Harmonia) came together for an extraordinary project. Together, they developed the concept album Radium Girls 2011, which they released in 2012 under the project name Project UNDARK-114 years after the discovery of radium by Marie and Pierre Curie.
The album is dedicated to the so-called Radium Girls, female factory workers in the United States during the 1920s who painted watch dials with radioactive luminous paint and suffered severe health consequences from radium poisoning. On the occasion of the 80th anniversary of the atomic bombings of Hiroshima and Nagasaki…
