Category: *editions*


John McLaughlin makes his return with Live at Montreux Jazz Festival 2022 through earMUSIC. This essential live album beautifully captures the seamless synergy between John and his longtime band The 4th Dimension.
On July 11th, 2022, John returned to the Montreux Jazz Festival with The 4th Dimension and award-winning special guest Jany McPherson on piano and vocals. Delivering a masterclass in fusion to the audience of Stravinski Auditorium. Performing favorites such as New Blues Old Bruise, El Hombre Que Sabia, as well as Pharoah Sanders The Creator Has a Master Plan. Johns history with the prestigious Montreux Jazz Festival spans 52 years as a headlining artist and sometime guest performer.

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It was a simple idea; to create a festival out of all the brilliant music and art made all over the world, stuff made outside of the mainstream – music that wasn’t getting on the radio and was even harder to find in record stores…
… the very first WOMAD Festival took place at the 240-acre Bath and West Showground, Somerset over the weekend of 16–18 July, 1982. With the dream ‘not to sprinkle world music around a rock festival, but to prove that these great artists could be headliners in their own right’, the three days and five stages played host to 60 bands from over 20 countries; a line-up that included The Drummers of Burundi, Pigbag, Salsa de Hoy, Simple Minds, Musicians of the Nile, Echo and the Bunnymen, Prince Nico Mbarga, Rip, Rig and Panic…

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…includes six previously unreleased songs from ‘The Well of Memory’ sessions and a handful of live versions of songs from the album.
The second PG Six album, following three years after Parlor Tricks and Porch Favorites, saw Pat Gubler continuing to explore his folk roots-via- avant-garde arrangements muse in entrancing ways, able to stake out a further space for his individual art post-Tower Recordings as well as from others working in the general vein of early 21st century sounds of that kind.
Something like the opening “Well of Memory, Pt. I,” with its collage of autoharp, drones, and plenty of reverb, not to mention an open-ended melody that never quite resolves, is miles away from the twee air of many acts, while everything…

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Chicago IX, originally released in time for the Christmas shopping season in 1975, was the band’s first greatest hits album. Originally released on the Columbia label in both stereo and quadraphonic formats, the collection brought together 11 songs spanning 1969’s Chicago Transit Authority through 1974’s Chicago VII. Rhino revisit Chicago IX: Chicago’s Greatest Hits in a gold-hued edition to mark its 50th anniversary. It’s been expanded from 11 to 21 songs, and its purview has been expanded, too: it now goes all the way through 1980’s Chicago XIV, and even stretches back to fill in some missed tracks from the period covered by the original compilation.
Rather than Robert Lamm’s Chicago (II) classic “25 or 6 to 4,” the new edition opens…

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This is the end — the final recording from arguably the greatest of genre-busting bands. A celebration, not only of Shakti‘s 50th anniversary tour in 2023 but of an entire career — one that began in 1973, when John McLaughlin and Ustad Zakir Hussain first jammed in New York’s Greenwich Village. By embracing Indian Carnatic and Hindustani traditions — fused with McLaughlin’s jazz DNA — Shakti broke down musical boundaries, and by extension, cultural and social boundaries as well.
Cherry-picked from multiple shows, these six tracks are also a tribute to tabla maestro Hussain, who passed away in December 2024. Shakti had survived loss before, when ‘Mandolin’ U. Shrinivas died prematurely in 2014, but Hussain and McLaughlin were the heart and soul…

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The album was originally recorded in 1979 with sessions taking place for an intended follow up album by Bill’s recently formed group Red Noise. However, EMI Records, Bill’s then record label, declined to release the recordings and the material remained unreleased. Four recordings appeared as the ‘Do You Dream in Colour’ EP on his Cocteau label in 1980. The following year Bill licensed the original stereo mixes of the album to Mercury Records who issued the album in the Spring of 1981. A ground-breaking record, Quit Dreaming and Get On the Beam reached a peak of number seven on the UK charts and is to date Bill’s most commercially successful album.
This limited and expanded edition boxed set features a newly remastered version of…

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You Got Me Hooked! is the latest instalment in Ace Records’ ongoing survey of British girl singers of the 1960s. Recent volumes in the series focused on the catalogues of Decca (Don’t Blow Your Cool!), Pye (She Wants You!) and Philips/ Fontana/ Mercury (Live It Up!). This new edition comprises a cherry-picked collection of cool she-pop from the EMI family of labels: Parlophone, Columbia and HMV. Most of the tracks were recorded at Abbey Road, a short tube ride from EMI HQ in Marylebone, hence the “Marylebone Beat Girls” subtitle.
Of the 26 tracks, a generous half are new to CD. These include ‘Too Late to Say You’re Sorry’ by the aptly named Soulmates featuring lead vocals by Liza Strike, which garnered a USA cover by Darlene Love, no less; Friday Browne’s fabulous…

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Music collectors have the chance to rediscover a lost gem from the golden age of psychedelic rock. Released exclusively for Record Store Day 2025, this Half-Speed Mastered Edition offers the ultimate listening experience of the Texan band’s legendary 1967 debut—and only—album.
Originally pressed by the International Artists label, Power Plant has gained mythic status among fans of the genre, often fetching up to $2,000 for an original pressing. But this exclusive reissue surpasses even the most sought-after versions, delivering a superlative experience that uncovers astonishing stereo details never before heard. Recorded at the height of the Texas psych-rock explosion, Power Plant stands as the only album on the International Artists label…

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This is FB’s second album after Old Codes, New Chaos and for me, it is one of the most beautifully crafted albums I have ever experienced. From the very start the sounds cocoon you in their warmth and take you on a journey. Jazzy cords reverberate and repeat creating a slow trance-like effect as soothing “dubby” basslines perfectly complemented by ingenius percussion drive the tunes along. The late great Bill Hicks’s tirade against the advertising world is used to great effect in the middle of the album just before Fila Brazilia kick in with a folk-trance barnstormer. Starsky and Hutch era pure funk pumps up in later tunes, bubbling beneath the surface of exotica. Don’t expect anything fast, hard or intricate-just look forward to the fact that their brilliance lies in an uncomplicated…

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Of all the early Van Halen records, Fair Warning often gets overlooked — partially because it’s a dark, strange beast, partially because it lacks any song as purely fun as the hits from the first three records. Because of that, there were no hits from Fair Warning that turned into radio anthems; only “Unchained” and, to a lesser extent, the grinding opener, “Mean Street,” rank among the group’s best-known songs, and they’re not as monumental as “And the Cradle Will Rock,” from the preceding album, Women and Children First. There’s a reason for that: this album ain’t a whole lotta fun. Fair Warning is the first Van Halen album that doesn’t feel like a party. This may be a reflection of the band’s relentless work schedule, it may be a reflection of the increasing…

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…remastered by Kevin Gray from original analog masters recorded by Rudy Van Gelder. 
On View at the Five Spot Café: The Complete Masters collects the original 1960 album, recorded in New York City with a killer quintet line-up, along with nine additional tracks from the same club dates – six of which are being released for the first time. Burrell, a classically-trained guitarist who’d logged time with giants like Dizzy Gillespie (his first professional gig), Oscar Peterson, Billie Holiday and Tony Bennett, made his debut as a bandleader on Blue Note’s 1956 release Introducing Kenny Burrell. He’d cut two more LPs for the label by the start of the decade and several more for Prestige, but Blue Note was behind his first live recording as a bandleader. Working with hard bop…

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Starting with 2017’s Follow the Sun, Total Control’s Mikey Young and Anthology Recordings label head Keith Abrahamsson began compiling obscure tunes from various cultural avenues of the ’70s and ’80s. These compilations moved through different geographies and focal themes, with Follow the Sun centered on unheard Australian psychedelic soft rock, while 2019’s Sad About the Times and its unofficial second volume, 2021’s …Still Sad, compiled bummer songs from U.S. artists that could have been hits if circumstances or the singers’ dispositions were just a little bit different. Maybe I’m Dreaming is the fourth volume in this run of compilations, gathering even more obscure artifacts from low-budget private press releases. The songs here are a little…

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Corb Lund is a Canadian roots-country singer/songwriter whose third album, Five Dollar Bill (2002), established him as a favorite among critics and Americana music enthusiasts in his home country, the U.S., and in Europe. His idiosyncratic take on the genre is deeply inspired by the Western Canadian frontier and the lives of its cowboys and ranch hands.
…Born in Alberta where he grew up on his family’s farm in the small town of Taber, Lund moved to Edmonton to study music at Grant MacEwan Community College. In 1990 he co-founded the Smalls with a few college friends. Comprising Mike Caldwell (vocals), Dug Bevans (guitar), Terry Johnson (drums), and Lund (bass), the band made its full-length debut in 1990 with…

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For a number of years after the turn of the millennium, you need only say one word to invoke the spirit of Berlin’s thriving, techno-led electronic scene: Berghain.
Founded in the wake of Ostgut’s closing in 2003, Europe’s most famous power plant this side of Chernobyl cultivated a clique of influential DJs and dedicated partiers, as well as a record label and mix series named in honor of the original club, to the point that a German court officially designated the place a cultural institution in 2016.
Like a lot of other venues, however, the pandemic forced a rethink, and the label was temporarily shuttered following the 2021 compilation Fünfzehn + 1. Four years on, Klubnacht 01 attempts to regain some footing amid an evolved…

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Born in Istanbul, Turkish ud virtuoso Baha Yetkin has cultivated a busy career as a performer and composer over the course of 25 years, with London eventually becoming his adopted home. Yetkin’s dedication to his instrument has also led to his reputation as an educator, with countless students, popular workshops and a plethora of educational content shared on his social media.
Recorded in single unedited takes, The Makam: Oud presents six taksim improvisations exploring different makam (modes): Hüseyni, Nihavend, Hüzzam, Kürdilihicazkâr, Hicaz and Kürdi. Each performance beautifully extrapolates the character of its respective makam, while also showcasing Yetkin’s flawless phrasing and technical versatility. Yetkin also uses three uds in…

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Freshly remastered as part of Lo Recordings’ long overdue campaign to reissue all the releases on Susumu Yokota‘s Skintone label, Magic Thread is the first in a series of 14 individual albums. And honestly, we’d forgotten exactly how this one sounded. Yokota was a great producer – maybe one of THE greats – but he released a lot and it’s been easy to fixate on the biggies. But listening back now, it’s fair to say that Magic Thread has been overlooked for too long. It’s not as immediately satisfying as ‘Grinning Cat’, but its textures and techniques are just as impressive. Just check the pitch-bent loops on opening track ‘Weave’, or ‘Unravel’ with its layers of crunchy, evocative noise.
And Yokota isn’t completely operating in the ambient zone. On ‘Circular’, he drowns out…

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