Category: reissue


Samia…includes three discs consisting of the original album, live tracks from Samia’s NPR Tiny Desk Concert, the band version of “Is There Something in the Movies?” and tracks from her cover/remix album project titled ‘The Baby Reimagined’.
A native New Yorker and daughter of professional performers, Samia Finnerty had acted off-Broadway and appeared on prime-time TV by the time she released her first angsty guitar and piano songs as a 20-year-old in 2017. After rising through the touring ranks with opening slots for the likes of Cold War Kids and Soccer Mommy on the strength of early songs, Samia makes her full-length and Grand Jury label debut with The Baby.
Recorded with a trio of producers, including members of Hippo Campus, the album…

You need to be logged in to view the rest of the content. Please .

… includes three previously unreleased covers, including her take on Otis Redding’s ‘The Happy Song (Dum Dum)’, recorded during the original sessions.
The second solo long-player from the Canadian folk-pop songstress and former Be Good Tanya, Indian Ocean finds Frazey Ford enlisting the help of the legendary Hi Rhythm Section, who were Al Green’s not-so-secret weapons and the prime architects of the Memphis soul sound during the Stax era, and kicking out a warm, breezy, and not surprisingly soulful set of R&B-kissed country-pop confections that sound as timeless as they do of a particular era. Falling somewhere between Cat Power, Carole King, and Linda Ronstadt, Ford’s sophomore outing dials back on…

You need to be logged in to view the rest of the content. Please .

“Forest and the Shore” by Keith Christmas is remarkable. In his essay for Gather in the Mushrooms, compiler, author and Saint Etienne member Bob Stanley says it is “as evocative as its title. The song has a deeply wooded sound, like a cross between Serge Gainsbourg’s “Ballade de Melody Nelson” and Ralph Vaughan Williams.” To this can be added the brooding, dramatic melancholy of Scott Walker’s “The Seventh Seal.”
Despite the grandeur of “Forest and the Shore” – and the astounding Richard Thompson-esque, Tom Verlaine-predicting guitar solo taking it to its close – Gather in the Mushrooms: The British Folk Underground 1969-1975 is ostensibly an 18-track collection of British folk recordings. Or, more accurately, folk-rooted or…

You need to be logged in to view the rest of the content. Please .

Suzanne Kraft…includes five bonus tracks – music made during the ‘Talk from Home’ sessions, alternative versions as well as a live version of Renee Sleeping, recorded at Japan’s FFTK festival in 2023.
In 2011, an L.A. producer blipped into view thanks to a well-received debut EP on Gerd Janson’s Running Back imprint. Credited to Suzanne Kraft, an alias of dublab DJ Diego Herrera, Green Flash did nu-disco infused with a low-slung pacing and a warmth not unlike a cassette tape left on the dashboard at midday. It was soon followed by the Horoscope EP and a handful of more Balearic cuts from Herrera’s other band, Pharaohs, suggesting that more floor-filling tracks lay ahead.
But when Missum, Kraft’s next release for Running Back, came out last year, it showed…

You need to be logged in to view the rest of the content. Please .

Let’s face it: even Richard D. James has probably lost track of all the aliases he’s forged during his decades-long career. There are the ones we are party to — Aphex Twin, Caustic Window, Polygon Window — and then there are the thousands about which we have undoubtedly been left in the dark.
…Apparently, the electronic music trickster dons his many hats “for a laugh,” as he told Pitchfork’s Philip Sherburne in a rare interview back in 2014, “And I might keep doing it, just keep being anonymous and doing different names.” You only need to glance at Aphex Twin’s ridiculous Warp Records bio for living proof that we will likely never know the truth about the smarty pants “fartist” with a silly sense of humor, and one of the most revered, peerless catalogues in the canon.

You need to be logged in to view the rest of the content. Please .

Skylar Spence…reissue add eight bonus tracks, including five previously unreleased songs, two demos, and one “single mix.”
“I was working, tried my hardest,” Ryan DeRobertis, aka Skylar Spence, sings on Prom King’s disco-tinged ode to self-love “Can’t You See”. “Slowed some music down and called myself an artist.”
The lyric is a recognizable jab at the musician’s own past, a career built on choppy dance remixes of pop songs labeled as “experimental” or “vaporwave,” collected and stacked up like bricks in a well-supported corner of Bandcamp.
But now DeRobertis has made moves to ground himself. He signed to Carpark Records, ditched his previous corporation-provoking moniker, Saint Pepsi, and started singing himself instead…

You need to be logged in to view the rest of the content. Please .

For over 20 years, Hayden Desser has been making music on his own terms and on his own schedule. The three-time JUNO nominee has produced, engineered and mixed most of his records at home, creating a world of his own, exploring themes ranging from love lost and found to bear maulings and home invasions.
Elk-Lake Serenade was originally released in 2004, so I’m a few months late putting out this 20th Anniversary edition. In early 2002, I had just completed a few tours supporting my Skyscraper National Park record, culminating with Toronto’s Convocation Hall performance which was released as a live record that year. I settled back at home and began writing and recording what would slowly become my 4th full length studio album.

You need to be logged in to view the rest of the content. Please .

Boundary-pushing electronic duo and technological pioneers the Future Sound of London have charted a magnificent, unpredictable course throughout their multi-decade career, ranging from early rave staples to ambitious excursions into ambient soundscapes, psychedelic rock, modern classical, and more. Prodigiously releasing club records under various pseudonyms since the late ’80s, Garry Cobain and Brian Dougans launched FSOL with the breakbeat house classic “Papua New Guinea” in 1991, following suit with the Accelerator full-length. After signing with Virgin Records in 1992, the duo began releasing more experimental, atmospheric material, including the highly regarded 1994 double album Lifeforms. They also sidestepped traditional methods of touring…

You need to be logged in to view the rest of the content. Please .

Primed by London Calling for the reluctant genre to open itself up to its place in the grand rock’n’roll lineage, the 1980s opened it up to folk traditions and fantastical lyricism, while punk opened up traditional music to the delight of slurred singing and unthinkable abrasions.
This was the time when Kathleen Brennan implored Tom Waits to dig a much deeper hole in Captain Beefheart’s quarry and Nick Cave to magnify the gothic elements of “Long Black Veil” and “Hey Joe” rather than the tunes. The richness of roughness was revitalizing tradition, and this trick still very much works; just check Lankum’s 2023 thrill-horror version of “Go Dig My Grave.” The rowdy speeds of traditional Irish folk and blistering punk proved to be indistinguishable from each…

You need to be logged in to view the rest of the content. Please .

…this expanded edition features five previously unreleased demos and alternate takes, along with the never-before-heard track “Hey Ah Nothin’”.
The other bonus material: alternate versions of “Ain’t Hurting Nobody” and “Quit Hollerin at Me,” acoustic versions of “All the Way with You” and “Humidity Built the Snowman,” and a demo version of “Lake Marie.” 

John Prine‘s follow-up to his comeback album, The Missing Years, is more of the same in terms of freeing up Prine’s idiosyncratic muse and marrying the result to Howie Epstein’s top-flight production sound. Fans of the early Prine may find that sound over-produced, but the songs never get lost, and with Prine’s typically humorous, off-center view of the world (song titles include…

You need to be logged in to view the rest of the content. Please .

Ryan Adams marks 25 years of his breakthrough solo debut with a reimagined take on ‘Heartbreaker’. Featuring eleven newly recorded versions of songs from the original 2000 album. With subtle string arrangements and a renewed emotional depth, these reworkings revisit the ache and vulnerability that made the original so enduring.
As Whiskeytown finally ground to a halt in the wake of an astonishing number of personal changes following Faithless Street (coupled with record company problems that kept their final album, Pneumonia, from reaching stores until two years after it was recorded), Ryan Adams ducked into a Nashville studio for two weeks of sessions with Gillian Welch and David Rawlings.

You need to be logged in to view the rest of the content. Please .

The eponymous debut of Oh Wonder came about in September 2014, when the songwriting team of Anthony West & Josephine Vander Gucht embarked on a goal to record and release a song per month for a year, culminating in a full-length album. What the duo didn’t foresee was accumulating millions of digital streams of their songs in the meantime, leading to a record deal with Republic Records and sold-out future tour dates before the album was completed or they’d ever set foot on a stage.
The resultant 15-track LP (including two previously unreleased tracks, “Without You” and “Plans”) is a unified-sounding, thoroughly mellow, wistful collection of bedroom keyboard-and-drum-machine tunes defined most prominently by West and Vander Gucht’s unison vocal delivery of…

You need to be logged in to view the rest of the content. Please .

…expanded release includes two extra tracks (‘Line Open’ and ‘Landscape’) released on a CD single promoting the soundtrack more than 30 years ago, but were not included on the original soundtrack album.
1492: Conquest of Paradise was the Greek musician’s second time scoring music for a Ridley Scott film, the pair having worked so effectively on 1982’s Blade Runner. The film celebrated the 500th anniversary commemoration of Columbus’ voyage to the New World.
The album, which won Vangelis an Echo Award for International Artist of the Year and an RTL Golden Lion Award for the Best Title Theme for a TV Film or Series in 1996, was nominated for Best Original Score – Motion Picture at the 50th…

You need to be logged in to view the rest of the content. Please .

Haruomi Hosono was obsessed with American music. Growing up in postwar Japan, he ignored domestic artists and listened to foreign sounds broadcast by the Far East Network, radio stations operated by the U.S. military. One of his childhood favorites can be considered the most consequential track of his early solo career: Martin Denny’s “Quiet Village.” The song, which nabbed the fourth spot on Billboard’s Hot 100 in 1959, brought exotica to the masses, ushering in new possibilities for sonic fantasy. “My music has always been fiction,” Denny said in 1998. “Everything comes from my imagination… it wasn’t about authenticity.” In the mid-’70s, Hosono was listening to Caribbean music but didn’t think he had the chops to make the real stuff. Exotica provided a way in…

You need to be logged in to view the rest of the content. Please .

In 2017, Los Angeles multi-instrumentalists Jeremiah Chiu and Marta Sofia Honer traveled to the Åland Islands, an archipelago of more than 6,000 islands in the Baltic Sea between Sweden and Finland. Their ostensible purpose was to help two friends rehab an old building in the tiny municipality of Kumlinge — population 320 — and convert it into a hotel. They brought more than just construction tools; they came prepared with a collection of instruments and electronics, and as they adjusted to their surroundings, they documented their time with musical improvisations and field recordings.
They found themselves profoundly moved by the experience, and they returned two years later to perform in a 14th century church on the island.

You need to be logged in to view the rest of the content. Please .

Pantsula dancing and kwaito go hand in hand. Both emerged from the townships of Johannesburg, and both were forces of joy and genius during desperate times. When kwaito landed on the global main stage around the turn of the millennium, star acts like TKZee, featured pantsula dancers in their hit music videos like the brilliantly upbeat “Dlala Mapantsula.”
Mahlubi “Shadow” Radebe and Zwelakhe “Malemon” Mtshali were two dancers from the township of Tembisa, in northeastern Johannesburg, who decided to transition from the shuffling and low movements of pantsula to singing over kwaito’s laidback hip-hop-meets-house swagger. But to do that, they would need to upgrade from their beat-up cassette player to an actual,…

You need to be logged in to view the rest of the content. Please .