… includes three previously unreleased covers, including her take on Otis Redding’s ‘The Happy Song (Dum Dum)’, recorded during the original sessions.
The second solo long-player from the Canadian folk-pop songstress and former Be Good Tanya, Indian Ocean finds Frazey Ford enlisting the help of the legendary Hi Rhythm Section, who were Al Green’s not-so-secret weapons and the prime architects of the Memphis soul sound during the Stax era, and kicking out a warm, breezy, and not surprisingly soulful set of R&B-kissed country-pop confections that sound as timeless as they do of a particular era. Falling somewhere between Cat Power, Carole King, and Linda Ronstadt, Ford’s sophomore outing dials back on…