Category: indie


Rise Against are not the first punk band to embrace the trappings of arena rock, but few of their forerunners can say they moved between those opposing states with the confidence and style displayed here. Having spent two decades retrofitting the breakneck melodic hardcore of their early work with rafter-shaking hooks and gleaming production, the Chicago veterans’ 10th album is a hulking thing, its bombast and righteous anger fed by vocalist Tim McIlrath, who finds the middle ground between Strike Anywhere and Creedence Clearwater Revival more often than you might think possible.
Working in tandem with producer Catherine Marks, fresh from Grammy wins for her work on Boygenius’s The Record, and…

You need to be logged in to view the rest of the content. Please .

Georgia Harmer’s sophomore album, Eye of the Storm, is an empathetic exchange between past and future selves, and a deep breath of life into the veins of relationships over time. Where Harmer’s 2022 debut, Stay In Touch, chronicled introspection and growth, the heart of Eye of the Storm lies in the deeper matter of self-realization and understanding. It seeks to answer questions of what to carry, what to leave behind, and what to follow forward.
Self-produced by Georgia’s steady hand, the songs of Eye of the Storm are raw, real, vulnerable and detailed. The title track joins the idyllic “Can We Be Still,” the delicate and tender “Little Light,” and the deeply introspective “Take it On” singles that subtly piece together the holistic vision…

You need to be logged in to view the rest of the content. Please .

For anyone familiar with Schitt’s Creek, the show’s stripped-back Tina Turner cover (and Patrick’s declaration of love for David) marked a wonderfully emotional moment – an opinion clearly shared by Canadian singer Billianne. What she likely didn’t expect, however, was that her tender 2022 take on that same ‘The Best’ would soon translate to over 70 million streams.
Now, three years on from that huge turn, she’s taking that same delicate warmth and channelling it into a debut album that’s evocative and moving, dealing with the upheaval and changes that surround early interior lives. From the finger-picked opening vignette of ‘Modes I’ through to the more breezy indie-pop of ‘Baby Blue’ – via the harmony-drenched ‘Cassiopeia’ – her…

You need to be logged in to view the rest of the content. Please .

Black Honey’s fourth continues on their well-travelled path of taking influence from the silver screen, following the Tarantino-inspired Written & Directed, and the hints of Wes Anderson that came sprinkled across A Fistful of Peaches.
This time, the artwork for Soak alludes to Stanley Kubrick’s A Clockwork Orange, while ‘Psycho’ name drops one of Alfred Hitchcock’s most famous pictures. The track itself is a fizzing, synth-laden number, buoyed by its huge hook and Izzy B. Phillips’ Gwen Stefani-esque intonations, before giving way to a spoken-word interlude in which she denounces “the big time producers who tear your scripts to shreds”.
Another recurring theme for the band is their blurring of the lines between tell-all and fantasy.

You need to be logged in to view the rest of the content. Please .

Before they had even settled on a name, Pool Kids stayed afloat by doing things themselves.
As a duo, vocalist/finger-tapping shredder Christine Goodwyne and drummer Caden Clinton entered Florida’s well-oiled emo pipeline by booking house shows while scouting for dive bars that would entertain their cold calls. Then, one fateful day in April 2019, Pool Kids’ collective fortune changed overnight when a ringing endorsement from Hayley Williams turned the tides of Twitter onto their spunky debut. Once bassist Nicolette Alvarez and axeman Andrew Anaya from You Blew It! fame climbed aboard, the band’s fleshed-out follow-up created an even bigger splash with critics and promoters.
But just because Pool Kids have risen atop…

You need to be logged in to view the rest of the content. Please .

Throughout the past 15 years, Pile has woven a web that ties the loose ends of post-punk, indie rock, and experimentation together in a knot that would make Henry Rollins proud. All the while, Pile never abandoned the DIY ethos that made them the band they are, keeping a prolific release schedule intact with six albums in the last decade alone, and embodying the spirit of road dogs from the past with a tireless touring schedule. The most miraculous aspect of Pile, though, is how they continually evolve with every release.
The band has released an album every two years starting in 2015, with two LPs being released in 2021 alone, and each one brings another dimension to the shining diamond that is Pile’s discography. This year, we hit…

You need to be logged in to view the rest of the content. Please .

Bret McKenzie is a Grammy and Academy Award winning artist most well known for his band Flight of the Conchords and their eponymous television show. McKenzie is internationally renowned for singing and writing funny, strange, and unique songs primarily for film and television. Bret’s songs have been sung by Kermit the Frog, Celine Dion, Lizzo, Benedict Cumberbatch, Brittany Howard, Homer and Lisa Simpson, Fred Armisan, Miss Piggy, Amy Adams, Jason Segal, Ricky Gervais, Benee, Isabela Merced, Spongebob Squarepants, Tony Bennett, Mickey Rooney, and more.
As a young adult Bret was an active part of the Wellington music scene playing in multiple bands across multiple genres. He was a founding member of the popular band The Black Seeds…

You need to be logged in to view the rest of the content. Please .

When it comes to Cass McCombs, there’s a risk of complacency. Not on his side – on Interior Live Oak, the Californian singer-songwriter is as watchful as ever – but from that of the listener, who after 11 albums of cosmically questing music might simply expect nothing less than a line as richly allusive as, “I was working as a soda jerk/Listening to old Panthers’ stories/Over lime rickeys and tuna fish”, or a song that spins around 19th-century Irish-Bavarian proto-burlesque superstar Lola Montez.
Steadily, however, Interior Live Oak becomes the kind of record it’s impossible to be casual about. After releasing 2024’s Seed Cake On New Year, a collection of unreleased music from around 2000, McCombs was inspired to return to his formative San Francisco stamping ground…

You need to be logged in to view the rest of the content. Please .

Music for Writers is a wordless collection of pieces meant to accompany thought and inspire another way. It is music made in both stillness and motion, music that listens as much as it speaks. Each track offers a space—open, textured, often slow-moving—where ideas, images, and feelings drift in and out. It’s a record I’ve been thinking about and wanting to make for a long time – my first solo instrumental album.
The album was recorded across places—Brooklyn, Berlin, Latvia—using a minimal setup: guitar, synthesizers, field recordings, and the rooms themselves. The compositions are both structured and improvised, emerging from a process of close attention. Rather than telling a story, they respond to the light in a room…

You need to be logged in to view the rest of the content. Please .

“I will fly around the world just to forget you” are the opening words of “It Hits Harder,” the first track on New Radiations. The song is about a farewell. The album ends with “Sad Satellite,” where the titular heavenly object is used as a metaphor for distance, when the gap is increasing between the narrator and the subject: the latter a character who is “sucking me dry” and “took me for ride”.
It’s not hard, then, to construe the tenth album from the Nashville-based Marissa Nadler as one permeated with partings – cleavages which create distance. If analysed, detachment can bring perspective and understanding. But Nadler’s lyrics instead seem to be a form of reportage, oblique vignettes setting-up New Radiations as a commentary on disconnection.

You need to be logged in to view the rest of the content. Please .

1. Golomb – Staring
2. Mike Polizze – Is There Anybody Out There?
3. The New Eves – Cow Song
4. His Lordship – Marc-Andre Leclerc
5. Rebecca Schiffman – Before the Future
6. Minor Gold – Love Is A Killer
7. Charif Megarbane – The Invisible Cut
8. Alice Cooper – Black Mamba (Radio Edit)
9. Ryan Davis & The Roadhouse Band – Monte Carlo / No Limits
10. Mark Stewart – Blank Town
11. Gwenno – Y Gath
12. Murry Hammond – Long American Highway
13. Gina Birch – Doom Monger
14. U.S. Girls – No Fruit
15. Theon Cross – Wings (Live at Blue Note)

You need to be logged in to view the rest of the content. Please .

Rough Trade Exclusive CD comes with two bonus tracks from 2023: “Original Sin” and “Mother.”
Disclosure, self-affirmation and avowal may be the presentation currencies of our time – mystique now seems so very 20th century – but still, it takes courage and conviction for a young band to state their case from the get-go. All the more so if it’s a group of women, who risk accusations of bad faith and superficiality should they choose to develop their artistry or change their image.
If they’ve considered it at all, none of this bothers Brighton four-piece The New Eves, who came together via a regular meet-up of creative women held in the early days after lockdown. Their name is an unambiguous wresting of power from the most enduring of female archetypes,…

You need to be logged in to view the rest of the content. Please .

Radiohead have surprise-released an album of live recordings drawn from their 2003 album, Hail to the Thief. Recorded between the year of its release and the end of the In Rainbows tours in 2009, the 12-track album is newly mixed and mastered by Ben Baptie and Matt Colton, respectively.
In a statement explaining how the record came about, Yorke said, “In the process of thinking how to build arrangements for the Shakespeare Hamlet/Hail to the Thief theatre production I asked to hear some archive live recordings of the songs. I was shocked by the kind of energy behind the way we played and it really helped me find a way forward. For us, back in the day, the finishing of this record was particularly messy and fraught, we were very proud of it but there was a taste…

You need to be logged in to view the rest of the content. Please .

Unavailable for almost 30 years in its own right, this collection from the Cold Spring archive has been repackaged and remastered with new art. This classic album exists as a document of the soundtrack work Psychic TV created for the many films and videos of Derek Jarman.
A Prayer for Derek Jarman is a contemporary revision and recollected edition of unreleased material intended for use on a series by Psychick Television titled Themes. In this original form, Themes 2, intended ”to be used as a facilitator of internal psychic states and cataylse an integration of the conscious and subconscious minds,’’ is an extension of the ideas interrogated on Themes 1 (later Cold Dark Matter), ‘’primarily assembled to be used as a facilitator of internal psychic…

You need to be logged in to view the rest of the content. Please .

A companion album to 2024’s critically acclaimed My Light, My Destroyer, on My Light, My Massage Parlor Cassandra Jenkins conjures a wonderfully calming set of instrumental music/field recordings.
…For the insatiably curious songwriter, the world-building exercise of creating an album implies the existence of infinite wormholes that lie within. Quietly accompanying her primary releases, Cassandra Jenkins crafted companion albums — (An Overview on) An Overview on Phenomenal Nature (2022), and the soon-to-be-released My Light, My Massage Parlor. Listeners are invited to follow along on her side quests as she deepens her investigation of the paths not taken in her initial artistic statements. While her last follow-up revealed extended voice notes and songs from…

You need to be logged in to view the rest of the content. Please .

For a young (or at least inexperienced) Western gay man, few places hold the combination of loaded history, excitement, and terror like the bathhouse. These hallowed public sex spaces have survived decades of on-and-off-again state targeting, and are often associated with a previous generation of gay men but always fetishized by an underdog contingent of the next. They’re places where people explicitly go to have sex while coyly pretending that’s not why they’re there — maybe they sit on gym equipment covered in cobwebs, or halfheartedly take a shower even though they did all their preparation beforehand. The lines of consent can become blurred, so you might have one of the best hookups of your life, or maybe get chased around and cornered by…

You need to be logged in to view the rest of the content. Please .

Sitting On the Moon is a low-key statement of purpose for the longrunning, Brooklyn-based independent label Mexican Summer. Fresh off of the imprint’s 15th anniversary in 2024, the largely instrumental compilation asks “where to next?”
Label luminaries like Connan Mockasin and Dungen make eagerly anticipated appearances, while the new school, Zsela and Natural Wonder Beauty Concept, present standout tracks — the former written with Daniel Aged and Casey MQ during a recording retreat in Hawaii, the latter a cover of Chris Isaak’s eternal “Wicked Game” that’s become a live favorite for DJ Python and Ana Roxanne. Fresh off the release of his acclaimed album Gift Songs, label mainstay Jefre Cantu-Ledesma also returns with a sprawling, ten-minute…

You need to be logged in to view the rest of the content. Please .

80s synth magic for the four-track mind. DIY outsider Rick Cuevas was a post-punk refugee on a vision quest for a hit. Tracked at home in 1984, “The Birds” is that 40-year-delayed viral smash, one of eight retro-futurist anthems that make up Cuevas’ debut album. Remastered from the analog masters, this 40th anniversary edition replicates the 200-copy original for max teleportation value.
Numero’s timeless pop antenna are practically bristling at this one; a fully formed but lost classic that has taken a lifetime to finally find its audience, received in fresh remaster that seals its charms for posterity. It’s not hard to hear precedents for Ariel Pink’s DIY lo-fi channelling of major AOR sounds and tekkerz inside, from the widescreen Fleetwood Mac-isms of his titular beauty…

You need to be logged in to view the rest of the content. Please .