The Big Moon‘s music has always been a personal, introspective affair. The London four-piece’s last album, 2022’s Here Is Everything, concerned lead singer Juliette Jackson’s pregnancy and how she’s negotiating the early days of motherhood. Four years later, Forever has a very different backstory. In 2024, Jackson discovered, during a routine check, that she’d developed a benign cyst in her ear – one that, although not cancerous, would kill her if not removed. The resulting surgery also meant that Jackson would permanently lose some of her hearing. It’s the sort of life-changing diagnosis that could push someone into the depths of despair. However, Jackson was determined to make her band’s next album a joyous affair – imagining a hopeful…
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Halloween and 
The Snuts’ new record Joy in Short Moments marks the Scottish band’s fourth studio album, and it follows the huge commercial success of their opening trilogy, all of which peaked in the UK Top 10. It’s easy to see why; the band are constantly catchy and often relatable.
Daughter’s Elena Tonra originally released the 2018 eponymous album Ex:Re (pronounced “ex ray” and derived from “Regarding Ex”) as a one-time outlet for feelings following a difficult breakup. The solo project’s whispery, melancholic vocals and gloomy, often eerie acoustic-electronic textures connected with certain listeners, and it became something of a cult favorite in the years to follow. Tonra eventually went back to the studio with engineer/producer Fabian Prynn and cellist Josephine Stephenson from the debut to record a follow-up. Joining them was Ben Reed (bass), Jethro Fox (electric guitar), and experimental musician Hinako Omori (synthesizers). The resulting Save As picks up where 
Radio Free Alice’s debut album What’s in Between has the most surprising of starts. It kicks off with ‘Crying with You’ which initially tinkers experimentally with sound before the fierce drum beats of Lochie Dowd and vocals of Noah Learmonth jump in and effortlessly pull the whole together. And what a whole it is. The track encapsulates everything about this Australian band who have seen a meteoric rise in the last couple of years. The vocals dance all over the track as it soars, creating such an expansive soundscape.
There are few more distinctive artists in contemporary music than 
The templates and aesthetic he draws from on his third album are about as old as the concept of popular music itself, channelling the canyons around Los Angeles, top pickers in 1960s Nashville studios, and smoke-filled Greenwich Village folk clubs. Assisted on some tracks by co-producer Jonathan Wilson, who knows a thing or two himself about reviving the glory days of West Coast swoon, the LA-based Palestinian–American musician reaches for new levels of emotional resonance with an authority that instantly shuts down claims of derivative recycling.
The year is 2008. Steve Gunn was experiencing the itch to start working on material under his own name after having spent the last several years playing in and around Philadelphia and Brooklyn in collaborative projects such as GHQ. He had recorded some experimental CDRs on his own under the moniker Moongang before branching out in 2007 to placing the name “Steve Gunn” on titles for the first time. The first couple of releases displayed an immediate leap in his songwriting and confidence. His growth as a solo artist seemed to meet the use of his name head on with a burst of creativity. Nowhere was this growth more visible than with the 2008 title “Sundowner”. The album’s first iteration was released on CD by Digitalis Recordings.
The first indication that 
Prolific musical collaborator and tireless rhythm generator 
By the early 1980s, the electric organ had started to infiltrate the iconic hotel bands that defined the Addis Ababa music scene of the previous decade. And so keys player, arranger and producer 
South London-based multidisciplinary artist 
Both an example and an explanation of a blending of two words, the fact that the name of 
For much of their career, 
A project built around lead singer/songwriter/guitarist Bobby Townson and his sister, singer and miscellaneous instrumentalist Emma Townson, who also does the band’s artwork, 
…In a way, the 