Michael Dease, widely admired as one of the world’s foremost jazz trombonists but rather less-known as an educator, dons his professorial garb on Spartan Strong, supervising a splendid session by a special corps of undergrads (and students in his trombone studio) who together comprise the MSU (Michigan State University) Jazz Trombones, 23 members in all when one counts Dease and the group’s half-dozen bass trombones.
Dease lets the students have full rein, soloing only twice (on Steve Turre’s smoothly walking “Groove Blues” and Oscar Pettiford’s fast-paced and dazzling closing theme, “Blues in the Closet”). There are brief respites from the trombone avalanche courtesy of guest artists Benny Benack III (who sings on the standard…
Category: jazz
Hype’s a dangerous thing, especially for a new artist, but trumpeter Dave Adewumi doesn’t disappoint on his debut outing, captured live at Ornithology in Brooklyn in July 2024. Testifying to the glowing endorsements he’s received from Jason Moran, Mary Halvorson, and others are the musicians joining him on the set, vibraphonist Joel Ross, bassist Linda May Han Oh, and drummer Marcus Gilmore. Adewumi couldn’t have asked for better partners, all three first-call players with solid careers of their own. His horn’s all over the date, Adewumi’s assertive attack making good on Moran’s description of him as a player of “fearless charm and reckless rigour.”
It might appear as if Adewumi’s suddenly arrived, but in fact he’s been steadily…
waxing | waning is the third album release from the Glasgow based trio Taupe and follows Fill Up Your Lungs and Bellow (2017) and Not Blue Light (2020). The band also released the EP Get the Keys in 2019. Comprising Mike Parr-Burman (guitar, bass guitar, electronics), Jamie Stockbridge (alto and baritone saxophones) and Alex Palmer (drum kit, percussion), Taupe work up a storm of skronk, free jazz and harmolodic frenzy whose closest relations include Zu, Melt Banana and John Zorn.
…The interlude subtitled ‘Stride’ sounds like a sea returning to still. Stroked percussion alongside a silvery, droning undertow provides a respite following the almost-nauseating whirl of ‘Anti-Bird-Spike-Bird-Nest, which begins with droned notes interrupted by…
With Elephant, trumpeter and composer Adam O’Farrill reaches a new artistic peak in modern jazz. Leading an exceptional quartet of rising New York musicians — pianist Yvonne Rogers, bassist Walter Stinson, and drummer Russell Holzman — O’Farrill performs in top form throughout, drawing listeners into intricate rhythmic and harmonic frameworks shaped by remarkable breath control and unconventional phrasing.
The program unfolds imaginatively with “Curves and Convolutions”, whose initially mechanical yet fluid motion opens into a fearless, genre-blurring language that incorporates modern classical, new music, and avant-garde influences. O’Farrill delivers a striking solo over a septuple-meter passage before the piece resolves…
Luminosity is the latest addition to my evolving body of trio work.
As I continue to move forward as both a pianist and composer, I’m looking more and more for directness in my music. In keeping my material somewhat simple, there’s room for complexity to emerge through the trio’s improvisations. This might be the first recording of mine that fully embraces that idea.
The title Luminosity hints at a theme of illumination — clarity in both ideas and textures. It feels as though I’m shedding light on my musical concepts, making them more vivid and immediate for the listener. But I’m also interested in the common human element of one’s own inner light that we all share. This fascination with light…
Six years to the date of his last LP, Thundercat release his fifth studio album, Distracted, coming out via Brainfeeder. The new album features contributions from A$AP Rocky, WILLOW, Tame Impala, Channel Tres, Lil Yachty and a previously unreleased collaboration with the dearly departed Mac Miller.
Distracted was primarily created in close collaboration with a new creative partner for Thundercat – the superproducer Greg Kurstin, known for his work with some of the biggest names in pop like Adele, Paul McCartney, Sia, Beyoncé, Beck and more – with additional production turns on the record from Flying Lotus, Kenny Beats (Kenneth Blume), and The Lemon Twigs. Distracted vividly captures…
The Longest Way Round, New York City-based pianist, accordionist and composer Ben Rosenblum and his cutting-edge Nebula Project take listeners on a wild and exhilarating ride across musical boundaries, through multiple genres and around customary intersections to a destination that is as fresh and pleasing as it is creative and unique.
While contemporary jazz remains the core element, this is music whose broad framework flows beyond the confines of normal depiction to encompass a harmonic and rhythmic panorama that lends new meaning to the phrase ‘creative design.’ Rosenblum’s compositions (he wrote and arranged every number) are shrewd and inventive with nary a trace of dubiety or discord. Even when treading more moderate paths, as he does…
Arriving after Vision Is the Identity (2024) and Asp Nimbus (2021), REX is the third album cellist Christopher Hoffman‘s recorded for the avant-jazz label Out of Your Head Records and formally speaking his debut solo album. However, REX is hardly a jazz album in the traditional sense, as its methodically built-up pieces have as much to do with folk, rock, and ambient as they do jazz. The story behind the album’s fascinating. When the Brooklyn-ensconced Hoffman and his family itched for a change of scenery in 2023, a 116-acre property north of the city presented itself that turned out to be the former home to Rex Brasher (1869–1960), a celebrated self-taught painter who created more than 1200 watercolours of North American birds. How dedicated…
Rosendals Garden is yet another chapter in Yelena Eckemoff‘s ongoing historical narrative devoted to people and places both real and imagined. Recorded in 2024 at RMV Studio, Stockholm, Sweden, by engineer Linn Final, with mixing and mastering by Stefano Amerio, the audio is as colorful and detailed as the musicianship and the packaging.
Remarkably, there has never been a sense of hurry in the playing of keyboardist Eckemoff and her two bandmates. During the luxuriously slow build-up of “ABBA Museum,” for instance, there is every indication all three musicians trust their instincts, individually and collectively. The shared intuition is even more apparent on the title song: the structure of the composition is mirrored…
Since forming in 2015, jazz collective Irreversible Entanglements have charted a singular musical course. Their sound marries the fiery liberation poetry of Camae Ayewa (better known as Moor Mother), with exploratory and often improvisational brass from trumpeter Aquiles Navarro and saxophonist Keir Neuringer. Grounding their experimental style are double bassist Luke Stewart and drummer Tcheser Holmes.
The band’s music exists in a space between wild artistic freedom and the righteous anger that defines the lyrics of Moor Mother. Their focus on social and racial justice is written into their DNA. They did after all first come together as part of a Musicians Against Police Brutality event, organised in the wake of the killing of Akai Gurley.
Sometimes to find your inner self, you have to take respite from the outside world. That’s what alto saxophonist and bandleader Caroline Davis did when she spent a four-week artist residency in northern Wyoming, where she recorded set of tracks in a cabin there, on the fallows. Fallows is unlike anything Davis has ever done before, stepping mostly outside the jazz genre and her jazz persona to follow a muse that’s looks at art and the world it inhabits on natural, spiritual terms.
A rare record made in Ucross, Wyoming, Fallows takes advantage of the serenity offered there to create music with a mind freed of clutter. Accordingly, it’s an un-self-conscious set of recordings, made without any consideration of how the public might receive it. Davis comes…
Ulysses Owens Jr. takes the classic hard bop sound and makes it pop with a youthful urgency on 2026’s Around the World with U. The album, which follows 2024’s New Beat, is the New York drummer and Julliard professor’s second with his Generation Y ensemble; a group who takes direct inspiration from the hard-driving style of Art Blakey’s Jazz Messengers. Made up of some former students and up-and-coming players, the group here features alto saxophonist Erena Terakubo, trumpeter Anthony Hervey, pianist Tyler Bullock, and bassist Yasushi Nakamura. Pushed ever forward by Owens’ muscular, hard-swinging grooves, they conjure a robust, live-in-studio sound that crackles with the burn-out intensity of a club gig. It’s a vibe they capture from the start on…
Reverence for the organ trio tradition of 1970s soul jazz remains Parlor Greens’ guiding light on sophomore album Emeralds. The trio was founded when Tim Carman-whose heavy blues rock trio, GA-20, releases music through Colemine’s catch-all subsidiary Karma Chief-told Colemine founder Terry Cole about his aspirations for an organ trio after which Cole called up guitarist Jimmy James and organ player Adam Scone. James did a seven-year stint in the Delvon Lamarr Organ Trio, while Scone played an integral role in the late ’90s soul revival as a member of The Sugarman 3 and as a session player with Daptone. Not only had James and Scone played in organ trios in the past, but they’d previously collaborated on Brooklyn to Brooklin, the 2022 full-length…
Mixed and mastered by Jim O’Rourke from unheard tapes recorded in the ’70s, Echo Park is a snapshot of Los Angeles life from helium-voiced mainstay Tommy Peltier that foreshadows the blue-eyed soul that would emerge just a few years later.
Now 90 years old, Peltier is still playing relatively regularly for a nonagenarian, but he cut his teeth as a jazzman – he’d never really intended to make pop music.
Born in New Orleans, Peltier relocated to Los Angeles as a teen and quickly established himself on the jazz circuit, playing cornet in his band the Jazz Corps and even recording an album with Roland Kirk. But it wasn’t to be; Peltier suffered an injury in 1970 that ended his horn playing career so he retrained as a singer-songwriter…
Harriet Tubman is a vanguard electric jazz-funk trio composed of guitarist Brandon Ross, bassist Melvin Gibbs, and drummer J.T. Lewis. Together since 1997, Electrical Field of Love is only their sixth album and debut for Pi Recordings. It’s their second co-billed collaborative outing (their first was 2017’s Araminta with Wadada Leo Smith), this time with keyboardist, composer, and singer Georgia Anne Muldrow. She encountered them decades ago as a jazz studies major at New York’s New School; they were performing at a now-defunct arts space. She claims: “It was like the juke joint of my dreams. I heard everything in that music. And I was never the same after that.” Since then, Muldrow has released more than 20 albums. Harriet Tubman has always explored Black…
Dr. John – Live at Rockpalast 1999 is a powerful live document capturing one of New Orleans’ most iconic musical voices in full command of his craft. Recorded on July 9, 1999, at the legendary Loreley open-air stage in Germany.
Known worldwide as The Nighttripper, Dr. John—born Malcolm “Mac” John Rebennack Jr.—was far more than a performer. He was a musical high priest of New Orleans culture, blending blues, funk, R&B, Creole traditions, and voodoo mysticism into a sound that was entirely his own. A six-time Grammy Award winner and Rock and Roll Hall of Fame member, his influence reaches far beyond genre boundaries.
Dr. John’s recording career began in 1968 with the haunting debut album Gris-Gris, a spellbinding…
