“We shall ask you to forget our former pranks and playfulness. We ask you, in the name of dignity and art, to put yourselves in a receptive frame of mind.” That sampled dialogue appears at the midpoint of Zeds Dead’s recently released third album, Return to the Return (of the Spectrum of Intergalactic Happiness), but it stands out as its core message. For 15 years, the Toronto-bred electronic music duo has been branded a bass act, known for lush production and explosive headbanger drops, but it’s never been truly fair to categorize Zeds Dead by any one genre.
Marking 10 years of its record label Deadbeats, Return to the Return (of the Spectrum of Intergalactic Happiness) feels as much a reflection point as a reinstatement of…

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