Almost three years after the release of É Soul Cultura, Vol. 2, Luke Una harvests another unmixed crop of deep dancefloor truffles that spans decades, genres, and continents. The well-traveled U.K. underground club institution asserts his intent with track one, “Spread Love” – impelling disco-funk from Harris & Orr, a duo on the same wavelength as Gil Scott-Heron & Brian Jackson.
The ’90s and 2020s are each represented with two cuts, including DJ Harvey’s aloft and beatless mix of DJ Food’s “Peace” and a shadowy downtempo gem from Fatdog. All else dates from the latter half of the ’70s through the late ’80s, and though there’s wide variety even among what was made within close proximity, a dialogue of sorts occurs from track to track.
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On May 15 and 16 in 2025, the Immanuel Wilkins Quartet entered the Village Vanguard, New York City’s legendary jazz room, to record the saxophonist’s first ever live outing. It is the first of three volumes from those shows: Vol. 2 was released in April, and Vol. 3 in May. In addition to Wilkins’ alto horn, the quartet consists of pianist Micah Thomas, bassist Ryoma Takenaga, and drummer Kweku Sumbry. The entire project contains just 13 tracks: four lengthy tracks appear here. This music is wildly creative, making for intense listening as this group improvises in the moment and communicates seemingly instinctively.
John Zorn’s Sing Me Now Asleep captures The Gnostic Trio — Bill Frisell, Kenny Wollesen, and Carol Emanuel — at their most delicate and inward-looking. Drawing on minimalism, early music and jazz, the album unfolds with a quiet assurance that favours space, texture and restraint over virtuosity. Sing Me Now Asleep is their first CD in over five years and not surprisingly it explores some unexpected new directions — notably two ambient-influenced pieces in the spirit of Zorn’s Absinthe and Redbird, and a dramatic long form composition in the style of his cinematic file card works. Enhanced by the moody electronics of Ikue Mori on one hypnotic track, this ninth CD in the legacy of The Gnostic Trio is their most gentle and soothing to date, and heralds a striking…
US pianist Marilyn Crispell and Swedish bassist Anders Jormin filter their decades of musical experience and improvisational instinct into Memento, their debut duo recording. Combining original compositions with four freely created pieces, the album focuses on the universal themes of memory and loss.
As AI becomes an increasing threat to humans trying to make a living from creative activities, 
There are times when an album slips completely off the rails so abruptly and forcefully that it tarnishes what has come before it as well as what is to follow. Such is the case with Seatte-based saxophonist and composer 
When the London jazz festival ran online only in 2020, an enthralling livestreamed performance by Swiss harpist Julie Campiche’s avant-jazz ensemble was a startling highlight, introducing UK audiences to a virtuoso instrumentalist and composer who was already turning heads in Europe. Campiche plucked guitar, zither and east Asian-style sounds from the harp, mingled with vocal loops, classical music, Nordic ambient jazz and more. You might call her soundscape magical or otherworldly if it didn’t coexist with a campaigner’s political urgency on environmental and social issues. But Campiche is too much of a visionary to overwhelm the eloquence of pure sound with polemic, as her new album, the unaccompanied Unspoken, confirms more than ever.
Guitarist Derek Bailey, one of the first practitioners of non-idiomatic free improvisation, once opined that solo extemporization was an inferior activity. Since he played unaccompanied concerts quite often, Bailey might’ve been pulling the interviewer’s leg, but that doesn’t mean he didn’t mean it, since his preferred playing situation was one where the musicians hadn’t fixed on a vocabulary yet.
In a time when big name acts of previous decades fill stadiums with their comeback tours, relentless nostalgia has become an industry of its own. The familiarities of the past providing a sort of cultural comfort blanket. There’s nothing inherently wrong with a bit of nostalgia, but mining an earlier era as an artistic source, can quickly put an artist in a particular bracket.
Drummer Kate Gentile is a restlessly innovative improviser and composer who does not shy away from pushing boundaries. In the equally adventurous guitarist Marc Ducret and experimenting saxophonist Jeremy Viner, she has found kindred spirits. Together, they make up the collaborative 
Hailing from Côte d’Ivoire but now based in Berlin, we first came across the balafon player 
Legendary saxophonist Don Dietrich and his powerhouse cellist daughter Camille Dietrich collide in 
In the Unknown (I Will Find You) is drummer, composer, and bandleader 
Throughout his career, Chicago-based trumpeter 
A Portal to Here is the 4th long-player from U.K.- based spiritual jazz ensemble