This year, 2025, marks the 40th anniversary of the Millennium Jazz Orchestra (MJO). Conductor Joan Reinders was one of the original band members and founders.
Ever since, Millennium Jazz Orchestra recorded 14 albums, and performed with artists like Benny Golson, Kenny Wheeler, Toots Thielemans, New York Voices, Philip Catherin and Ack van Rooyen, including shows at North Sea Jazz and Amsterdam Concertgebouw. 2025 marks the 40th anniversary of the Millennium Jazz Orchestra. This is being celebrated with the release of a ‘double digital’ album: Chronology Vol.1 & Chronology Vol.2. In total 20 tracks adding up to almost 140 minutes of big band delight. It comes with a full color booklet containing full track information and inside stories.
Category: jazz
…Upon the release of Kaleidoscopic Visions, the second album that Tom Skinner has made under his own name, the drummer-composer will be 45 years-old. Skinner is already in possession of an incredible career — two decades as a key member of London’s jazz community, including co-founding the mighty Sons of Kemet; in-demand collaborator to a who’s-who of famed electronic producers and noted rhythmalists; purveyor of his own left-of-center musical pursuits (see: Hello Skinny); and, most recently, a budding experimental-rock star (see: The Smile).
Off-the-clock, Skinner is a life-long Londoner, husband and father, keeper of poly-generational sonic memories, a soulful creature attuned to old and new relationships.
This CD is about quality not quantity – less than thirty minutes in total, but absolutely some of the most incredible music Zorn has ever composed. Dramatic, intense, mercurial, challenging, and endlessly virtuosic, Zorn’s writing for strings is amongst the most exciting ever achieved in the classical world.
Here he expands the fabulous Jack Quartet to a quintet and sextet with the addition of two of the most accomplished musicians in the New York scene: Yura Lee and Michael Nicolas. Composed in 2020, during the initial months of the Covid-19 lockdown, these are two of Zorn’s greatest masterpieces, beautifully recorded at Oktaven by Ryan Streber, and passionately performed by six members of Zorn’s inner circle.
Lumen is the deeply personal and introspective new solo album by pianist and composer Bill Laurance. Recorded in the stillness of night inside an empty church, the album captures a rare and intimate moment of communion between artist, instrument, and space. Though not religious, Laurance describes the experience as almost spiritual—guided more by the music itself than by his own intention, as if he were merely a vessel.
At its heart, Lumen explores the delicate balance between composition and improvisation. Some pieces follow meticulously crafted scores, while others are entirely spontaneous, born in the moment. It’s in the space between these two worlds, Bill Laurance suggests, that the true magic of music lies.
As a member of the hardcore outfit the Armed and the atmospheric jazz collective Fuubutsushi, Patrick Shiroishi has proven that he can handle both aggressive thrash and evocative ambience with finesse. For his latest solo project, he balances both, and creates something fraught and angry, yet strangely serene.
Forgetting Is Violent begins with a voice speaking in Japanese. Other voices join the speaker, forming an overlapping chorus. “To protect our family names,” at first reflective, grows more urgent and insistent, one narrative turning into a litany of laments. Shiroishi enters with a rapid-fire series of chromatic high notes, all texture and tension, highlighting the rising tide of distress. Shiroishi’s sax increases with the number of voices, his…
For Johnathan Blake, music has always been a family affair. The drummer and bandleader’s previous Blue Note album, Passage (2023), was an homage to his father and chief mentor, the late jazz violinist John Blake Jr. The album cover features a sepia-toned snapshot of father and son, taken by his godfather, Eugene Wood. On his label debut Homeward Bound (2021), Blake honored the memory of Ana Grace, daughter of his longtime friends, saxophonist Jimmy Greene and flautist Nelba Marquez-Greene, on the eponymous track, who succumbed during the Sandy Hook massacre.
Now, with My Life Matters, Blake delivers what may be his most personal effort yet. For his third Blue Note album, Blake assembled a group comprising his frequent collaborators…
When the US-raised French-Haitian singer Cécile McLorin Salvant played Ronnie Scott’s for the first time as a 25-year-old in 2014, the awestruck atmosphere recognised a young multilingual jazz artist of rare gifts – but it was soon apparent that her sublime technical skill as a singer wasn’t the half of it.
Salvant had all the jazz tools: coolly hip timing, improv quick-wittedness, the crystalline sonic clarity of her early model, Sarah Vaughan. But she could also conjure up a dream world of her own that listeners would willingly follow her into. Her new album, Oh Snap, is a set of 12 originals and one cover that she created on her own over four years, before adding her band. She experimented for the first time with…
Strut Records proudly presents the official reissue of Hidden Fire Volumes 1 & 2, the final album released by Sun Ra on his El Saturn label in 1988.
Captured live over three nights at the Knitting Factory in New York City, these performances mark the closing chapter of a 33-year odyssey of radical, independent music-making. Originally issued in tiny quantities with minimal packaging and cryptic artwork—often featuring hand-written labels or Ra’s own handmade designs—Hidden Fire was among the most elusive entries in Sun Ra’s vast discography.
Musically, these recordings stand apart from Ra’s other ’80s compositions. Here, Hidden Fire plunges into darker, more dissonant territory. Ra performs exclusively onn the Yamaha DX7…
Seattle-based Polyrhythmics are celebrating 15 years of sonic exploration with the release of their highly anticipated new album, Life from Below. Since forming in 2010, this seven-piece powerhouse has redefined instrumental music with a sound that blends funk, soul, psychedelic rock, R&B, and Afrobeat into a kaleidoscope of rhythm and groove. Known for their dynamic live performances and innovative compositions, the band has earned a reputation as one of the most captivating acts on the contemporary music scene.
Polyrhythmics emerged from the rich creative soil of Seattle’s eclectic music community, releasing their self-titled debut album in 2011. Since then, their discography has grown to include fan-favorite albums such as Octagon (2015)…
“We may sound angry, but our message is one of peace,” is a line that you’ll regularly hear from Harry Wilkinson, Maruja’s magnetic frontman – and it’s an effective microcosm for their sound. The Manchester jazz-punk quartet create tense, improvised anthems of rage with extended passages of introspection, and caught the attention of Sony-backed label Music for Nations.
…Narrated through their bombastic stage presence, Maruja cover every corner of the vast spectrum of human emotion, whether they’re slamming the negligent, exploitative rich through noise-punk (‘Look Down On Us’) or urging you to open up about your feelings over humming jazz rhythms (‘The Invisible Man’).
Pain to Power, the title of their debut album,…
Waiting at a stoplight, there’s sometimes a brief instant when all the turn signals of the cars in front of you sync together. Maybe you were zoning out, watching your windshield wipers, listening to the soft murmur of the radio, but in that moment, you snap to attention. What might be even more satisfying is when they begin to pull apart from each other again, creating an increasingly complex sequence. It feels magical: Each signal drifts into its own zone before gradually locking back together for another few beats of synchronicity.
The members of Flur, the London-based jazz trio of harpist Miriam Adefris, saxophonist Isaac Robertson, and percussionist Dillon Harrison, understand this dance. Throughout Plunge, their spellbinding debut, there are stretches…
Blue Earth Sound is a Chicago jazz project led by composer and multi-instrumentalist James Weir. Cicero Nights is his debut leader date after playing in many bands on the Windy City scene.
His accompanists include drummer Patch Romanowski and flutist/saxophonist Eamonn Prizy, with Will Miller playing trumpet, Michael Wells on guitar, Jackson Ramsey on strings, and percussionists Alex Aguero and Joshua Wells. Weir plays piano, Rhodes organ, Wurlitzer, guitar, and bass. He wrote and arranged this intimate brew of lyric, contemporary jazz, psychedelic soul, club, and library music with slinky funk and hip-hop grooves. Recording and mixing engineer Dave Vettraino housed the band at International Anthem’s Warehouse studio,…
Hot on the heels of winning the Doris Duke Artist Award, drummer, composer, producer, and rapper Kassa Overall delivers CREAM, his fourth long-player and second album on Warp. While jazz and hip-hop have been bound together since Guru released Jazzmatazz in 1993, this set turns that notion on its head. CREAM, named after Wu-Tang Clan’s “Cash Rules Everything Around Me,” offers hip instrumental versions of seven rap classics and a cover of “Freedom Jazz Dance,” an Eddie Harris tune immortalized by Miles Davis. Overall reimagines hip-hop classics as jazz standards, exploring compositional architectures and subtle harmonies, and nearly discovering hidden rhythmic complexities. The music was recorded live in studio and released without overdubs,…
In a way, Rafiq Bhatia‘s improvisational second album for Anti- is an extension of his interpretive work. The musician paid tribute to Flying Lotus and Sam Cooke in 2012 with versions that bore strong rhythmic and melodic likenesses to the originals. Crepuscular and turbulent 2020 renderings of classics by Duke Ellington, Ornette Coleman, and Ewan MacColl, as heard on Standards, Vol. 1, were more unorthodox, far less likely to be heard on a “coffee house vibes” playlist than in a dim bohemian cafe or den where scuffed copies of David Lynch soundtracks, Ambient 4: Isolationism, and Ben Frost’s By the Throat are in rotation. With his guitar and laptop and other gear at his feet, Bhatia takes inspiration this time from the elements, but we’re not talking…
Pianist Jim Watson’s wide-ranging career has seen him collaborate with an amazing array of artists across the jazz and pop genres, including Manu Katche, Kurt Elling, Sting, Richard Bona, Chrissie Hynde and MeShell NdegeOcello, to name just a few. This versatility bears fruit in both his compositions and choice of covers on his solo album Calling You Home.
A graduate of Leeds College of Music (now Leeds Conservatoire) and London’s Guildhall School of Music and Drama, Watson is also known for his skill on the Hammond organ, but it is his piano work that is the focus here as he brings together six original compositions alongside jazz standards and some unusual rock/pop choices.
The album opens with the rolling rhythms of…

Recorded live in Birmingham during a Contemporary Music Network tour in 2002,