After a 2+-year break, Neil Young is continuing his Official Release Series with new box sets on both CD and LP rounding up another four albums from the 1990s. ORS Vol. 6 arrives on the Reprise label with newly remastered editions of Harvest Moon (1992, ORS Disc 26), Unplugged (1993, ORS Disc 27), Sleeps with Angels (1993, ORS Disc 28), and Mirror Ball (1995, ORS Disc 29).
…Following the heavy rock of the Crazy Horse collaborations Ragged Glory, Arc, and Weld – the latter an experimental sound collage – Young cooled down with a return to the mellow milieu of 1972’s chart-topping Harvest. Young picked up his acoustic guitar and reteamed with co-producer/guitarist Ben Keith for Harvest Moon. Though the songs had been written over…
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Dave’s Picks Vol. 56, the fourth and final Dave’s Pick of 2025, feature two nearly complete shows recorded March 20, 1981, and March, 21, 1981, at the Rainbow Theatre in London. The shows were the opening two nights of a four-night stand at the venue.
From the Garage fueled shadows of upstate New York, The Chesterfield Kings have returned this Halloween with Loose Ends: 1989–2004 Rare, B-Sides & Unreleased that is out via Wicked Cool Records. This anthology cracks open the vault to deliver a fuzz-drenched feast of rarities, forgotten gems, and unreleased recordings spanning the band’s wildest years. For the first time ever, these deep cuts and obscure one-offs, many previously scattered across hard-to-find vinyl and CD pressings, have been digitally remastered and compiled into one explosive release. It’s a time capsule of pure Rock swagger: stomping rhythms, snarling guitars, and that signature Chesterfield Kings attitude that has influenced generations of garage revivalists and true believers.
Recorded and filmed October 5, 2024, before a sold-out crowd at London, England’s historic Islington Assembly Hall, 
After a five-year break, Magic 8-Ball marks Gazpacho’s return with eight new tracks built around the idea of fate-how it moves without warning, and how the choices we make can slowly strip away who we thought we were.
Originally released in 1999, No Exit marked a bold and fearless reinvention — bridging Blondie’s punk roots with a contemporary pop sensibility that resonated across generations.
Keith Moon’s death three weeks after its release added a tragic coda to The Who’s eighth album. In truth, Pete Townshend had threatened to sack Moon during the protracted sessions for Who Are You, his booze-addled antics by then eclipsing his ability to actually do the job.
The second album from 
In 2017, Real Gone Music reissued guitarist Jesse Ed Davis’ first two albums — his eponymous debut and Ululu — as Red Dirt Boogie: The Atco Recordings 1970-1972. It drew press notice partly because Davis was so prominently featured in that year’s award-winning documentary Rumble: The Indians Who Rocked the World by directors Catherine Bainbridge and Alfonso Maiorana. It re-centered attention on his three fine studio albums, including 1973’s Keep Me Comin’ from Epic. Real Gone Music steps in again with this rarities collection. It contains 17 unissued performances including songs, alternates and outtakes recorded during sessions for his first two albums. It loosely coincides with the Liveright publication of Douglas K. Miller’s excellent biography…
Including alternate takes of every piece, this edition sheds new light on a truly unique album. One of the highlights of the King Crimson 50th anniversary CD/Blu-Ray editions to date has been King Crimson producer David Singleton’s series of 
The legendary Americana band’s 1983 album re-released with brand new liner notes and band interviews written by Chris Morris with rare photos and memorabilia images. The release recreates the band’s third studio album complete with a replica of the inner sleeve with songwriter Dave Alvin’s lyrics.
If great art, as many believe, is inherently polarizing, then the Stone Temple Pilots’ Tiny Music… Songs from the Vatican Gift Shop easily ranks as the California-based band’s finest album.
Deep Country is an anthology-like collection by 
In a recent thought piece on The A.V. Club, Josh Modell ruminated on the dilemma of bands touring endlessly around the hits that made them famous, even as they continue to record new material (or not). He rightfully noted everyone from The Pixies to Van Halen for their habits of living in the past on stage, writing, “I wonder if there’s not a bit of shame in strict nostalgia. Sure, Frank Black has made plenty of new music since the Pixies started playing again, but it hasn’t reached anywhere near the same audience. What does a once-and-maybe-current great songwriter do?”
Lê Almeida’s improvisational indie rock troupe 
After years of obscurity, Pulp shot to stardom in Britain with 1994’s His ‘n’ Hers. By the time Different Class was released at the end of October 1995, the band, particularly lead singer Jarvis Cocker, were genuine British superstars, with two number two singles and a triumphant last-minute performance at Glastonbury under their belts, as well as one tabloid scandal.