Category: rock


Singer/songwriting rocker Bones Owens likes to take control. From riding his motorcycle to each gig to playing nearly all the instruments on this, his third album, and producing it (for the first time), Owens grabs the reins of his own success on this collection. For Best Western, he wraps some glam (“In the Wind” could be a T. Rex B-side), harder-edged garage rock (“Talkin’ Loud”), blues (“Silver Spoon Blues”) and psychedelic folk (“Here Is Not My Home”), with convincing, soulful but never over-sung vocals for 50 minutes of gutsy, plugged-in Americana.
Owens doesn’t believe in excess; only one of these 15 tracks breaks the four-minute mark as he sticks with rugged guitar/drums/bass instrumentation and a few unobtrusive keyboards.

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50 years together. 20 million records sold. More than 15 albums of guitar-driven Southern rock stacked high with hits like “Hold On Loosely,” “Caught Up In You,” “If I’d Been the One,” and “Second Chance.”
Milestone marks 38 Special’s first studio album in over 20 years and showcases their platinum-selling blend of muscle and melody. Featuring snarling guitars, anthemic hooks, and fresh collaborations-including duets with Pat Monahan (Train) and co-writes with Jim Peterik (Survivor) and Randy Bachman (BTO, The Guess Who)-this album is a modern Southern rock statement from one of the genre’s enduring voices. Formed in 1974, the band toured tirelessly from the start, sharpening the explosive live show that’s been 38 Special’s…

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Lenny Kravitz celebrates the 30th anniversary of his seminal fourth full-length album, Circus, with the release of a new digital deluxe edition. This definitive version notably boasts 13 bonus tracks previously unavailable for streaming anywhere via Virgin Records/UMe.
The unreleased material spans a rare acoustic version of the title track “Circus” in addition to live recordings of such classics as “Are You Gonna Go My Way,” “Let Love Rule,” “Always on the Run,” and more. Additionally, it houses a trio of bonus sought-after studio tracks, namely “Another Life,” “Confused,” and “Is It Me, Is It You?,” which previously were available only in a limited edition ten-inch EP (and were included on a 2018 vinyl pressing of the album) but never…

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…This release of ‘Buckingham Nicks’ – mastered from the original analogue tapes by Chris Bellman – marks the first time the album has officially been available on CD or digitally.
Take it with a pinch of salt, but it’s a tough time to be a Fleetwood Mac fan.
Lindsey Buckingham and Stevie Nicks are still at loggerheads after the guitarist was turfed out of the band in 2018 – Nicks declared she was “no longer willing to work with him”; he suffered a heart attack soon after being fired – and the window has all but shut on what’s left of a Fleetwood Mac classic lineup reunion now that each member is pushing 80 and Christine McVie has gone. Holograms could be the answer.
But before the credits roll on this most…

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While The Third Mind may be a supergroup-the band consists of Grammy-winning singer/songwriter/guitarist Dave Alvin (The Blasters), bassist Victor Krummenacher (Camper Van Beethoven, Cracker), drummer Michael Jerome (Richard Thompson, John Cale), guitarist David Immergluck (Counting Crows, John Hiatt), and singer/songwriter Jesse Sykes-the quintet’s mesmerizing new album, Right Now!, is as ego-less a record as you’ll find. Captured over four days in LA, the collection is a masterclass in being present, in letting go of control and embracing the thrill of collaboration. The recordings represent a singular moment-completely unscripted, completely unrehearsed-and the performances are as unpredictable as they are engrossing…

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Primed by London Calling for the reluctant genre to open itself up to its place in the grand rock’n’roll lineage, the 1980s opened it up to folk traditions and fantastical lyricism, while punk opened up traditional music to the delight of slurred singing and unthinkable abrasions.
This was the time when Kathleen Brennan implored Tom Waits to dig a much deeper hole in Captain Beefheart’s quarry and Nick Cave to magnify the gothic elements of “Long Black Veil” and “Hey Joe” rather than the tunes. The richness of roughness was revitalizing tradition, and this trick still very much works; just check Lankum’s 2023 thrill-horror version of “Go Dig My Grave.” The rowdy speeds of traditional Irish folk and blistering punk proved to be indistinguishable from each…

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Festival-headlining favourites Biffy Clyro, with three UK #1 albums, make their highly anticipated return with Futique. The album’s first single, “A Little Love,” instantly showcased their enduring power, premiering as Radio 1’s Hottest Record, igniting Radio 1’s Big Weekend, and reaching #1 on the UK’s Official Vinyl Singles Chart.
Futique delves into our relationship with memory and what we cherish across time. As Simon Neil explains, it’s “an exploration of ideas, objects or relationships that exist across time – we are never aware when we do anything for the last time and there’s a beauty and sadness within that. What will be your Futique?”
Informed by reflections on the digital age’s impact on memory and the band’s own remarkable…

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There is a strange and special place in music where composition meets improvisation—where something magical appears in real time and disappears just as quickly. For over two and a half decades, Umphrey’s McGee has spent a lot of time in that in-between space, doing their best to capture those fleeting moments and shape them into something lasting. With Blueprints, the band took that process a step further—inviting their fans not just to listen, but to help create.
Rather than composing behind closed doors, Umphrey’s asked fans to vote on their favorite moments of live improvisation, identifying the spontaneous musical ideas that felt like songs waiting to be finished. Over the years, more than 20 compositions have been built this way…

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Two hugely collectable one-off cult prog rock albums, The Running Man’s self-titled debut from 1972 and Mouse’s Lady Killer from 1973. Both featuring guitarist and songwriter Ray Russell, singer and keyboardist Alan Greed aka Al Clare and drummer Alan Rushton (all ex Rock Workshop). A sought-after original pressing of The Running Man has fetched £950 on collectors’ website Discogs while an original of Mouse’s Lady Killer has sold for a whopping £1,110.
Ray Russell replaced Vic Flick in The John Barry Seven, toured with Georgie Fame and the Blue Flames, led his own jazz group The Ray Russell Quartet and then brought jazz style improvisation to rock music with Rock Workshop who pioneered an exciting and innovative jazz / funk / rock fusion.

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Foreigner is bringing 4 to the fore with a new deluxe box set devoted to their blockbuster fourth album.
This new edition of 4 include a new remix of the original 1981 album and three discs of unreleased material, including studio outtakes, unheard songs from the recording sessions, instrumental mixes and selections from the band’s world tour of 1981-1982.
The intercontinental group was no stranger to success from their inception; their previous three albums were all Top 5s in America, with hits like “Feels Like the First Time,” “Cold As Ice,” “Hot Blooded” and “Double Vision.” But 4 had an unusually complex birth. After three straight years of releases, the group released…

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Tim Smith formed Cardiacs, with his brother, Jim, as a teenager in the late 1970s. Over the next forty years they would become one of the most distinctive and adored cult groups in the UK.
Noted for their complex, varied and intense compositional style, as well as their theatrical stage shows, they have been hailed as an influence by bands as diverse as Blur, Faith No More, and Radiohead.
Once again sweet listener it falls upon The Alphabet Business Concern to magnanimously spurn all praise and self-congratulation for bringing into existence yet another wondrous creation such as this splendid recording that you hold in your sweating, clasping hands and indeed, to mete out both thanks and appreciation…

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4CD anthology comprising all of Skin Alley’s recordings for CBS and Transatlantic Records between 1969-1973. Includes all the tracks from the albums ‘Skin Alley’, ‘To Pagham & Beyond’, ‘Two Quid Deal’ and ‘Skintight’, along with all tracks from ‘Stop Verushka!’, the band’s ‘lost’ 1970 soundtrack album and rare singles.
Formed in 1968, Skin Alley were part of the infamous Clearwater stable that included fellow acts such as Hawkwind, High Tide, Trees and Cochise. The band’s infectious fusion of jazz and rock was suited to the time and the band became a regular attraction on the underground festival and concert circuit. Skin Alley recorded their self-titled debut album for CBS Records in November 1969 with former Pretty Things…

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As the late ’60s rolled unsteadily into the early ’70s, the U.K. music scene was in understandable flux. The last stages of psychedelia were burning out, and musicians were looking for new sounds to fill the void. Some turned to the freedoms of jazz, others looked to the countryside for laid-back vibes, while some rocked up the blues or started heading in the direction of prog. A few intrepid explorers even tried to meld it all together into something new and magical, though most bands just seemed happy to be free of the influence of the Beatles and Carnaby Street.
Strawberry’s 2025 collection Feelin’ Alright: Mod Rock, Funky Prog & Heavy Jazz 1967-1972 is a fun and educational survey of groups and artists who tried one or more of these paths.

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After 29 months, 6 distinct legs, and 130 concerts across practically every corner of Europe and North America, Bruce Springsteen and the E Street Band finally wrapped up their world tour Thursday evening at Stadio Giuseppe Meazza in Milan, Italy.
The setlist was largely standard for this final leg of the tour until the very end when Springsteen strapped his guitar back on after typical show closer “Chimes of Freedom,” and called out, “Key of B, boys. Key of B.” He was instructing them to break into John Fogerty’s 1975 rock anthem “Rockin’ All Over the World,” which is known to most European audiences thanks to Status Quo’s 1977 cover.
“Rockin’ All Over the World” has been in Springsteen’s live repertoire with the E Street Band going all the way back to the 1981 River…

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This September 2015 concert was legendary even before a note was played. There was no better act to reproduce the Joe Cocker/Leon Russell led infamous Mad Dogs & Englishmen ensemble than the Tedeschi Trucks Band. Like the lineup that crisscrossed the county in Spring of 1970 with Russell as the captain that organized and steered this hulking ship, TTB’s sprawling outfit taps into soul, blues, rock and roll and gospel with a mindset comparable to the initial one-off aggregation of musicians, singers, pets, friends, relatives and hangers on.
But distinct that ragtag gathering, TTB are organized, professional and above all structured, words that could not consistently be claimed about the 1970 MD&E concept.

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…contains 3 CDs: the remastered album, rehearsals/soundcheck from their Aug. 12, 1975, show at San Francisco’s Great American Music Hall, and performances from their June 21, 1976, concert at Pennsylvania’s historic Tower Theatre.
Blues for Allah came on the heels of the Dead’s self-imposed (and ultimately) brief hiatus which began in October 1974 following a run of five shows at San Francisco’s Winterland. After recharging in November and December, the band began thinking about a new album in January. Jerry Garcia, Phil Lesh, Bob Weir, Mickey Hart, Bill Kreutzmann, Donna Jean Godchaux, and Keith Godchaux would set up camp at Weir’s home studio in Mill Valley, California. Rather than perfecting songs in the studio which had been…

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