…deluxe digital version of the album featuring three new tracks.
When New Zealand’s The Circling Sun released Spirits, their 2023 debut on Soundway, jazz fans weren’t prepared. A celebratory, spiritual intersection of Afro-Latin and spiritual jazz, 21st electronic grooves, atmospheres, a choir, and souled out charts, resonated across the South Pacific; the album was greeted with praise across the global jazz community.
Orbits, their followup, draws on the experience of touring over two years, expanding their confidence and creativity. Further, their primary influences here – Alice Coltrane, Pharoah Sanders, Sun Ra and Yusef Lateef – inspire the band to explore the subtleties in their own dynamic sound.
Category: world
Le Collectif Tango Negro Ensemble honors the legacy of Juan Carlos Cáceres (1936–2015) with a double album, Tribute to Juan Carlos Cáceres, that reinterprets his most iconic works alongside previously unreleased compositions. A pioneer of what he called “tango negro” (black tango), Cáceres traced the African roots of Río de la Plata music, fusing jazz, candombe, milonga, and murga into a singular Afro-Argentine aesthetic.
The ensemble features a wide network of international artists from tango, jazz, and world music spheres. Guests include Horacio Burgos, Sedef Arçetin, Daniel Melingo, Chino Laborde, Olivier Manoury, Minino Garay, Natalio Mangalavite, Flaco Biondini, Paolo Fresu, Peppe Servillo, Fausto Beccalossi, and Javier Girotto.
Sometimes, when you mix several disparate flavors together, you get something that tastes like mud. Occasionally, though, you’ll stumble across something delightful that you never previously knew existed. Regarding music, it’s admittedly easier to lean toward the latter outcome. When you start mixing genres, it’s usually a safe bet that you’ll get something that’s at least listenable. When bands like Khruangbin started getting wider airplay, many labelled them “global party music” because they blended various sounds from different parts of the planet into a good time. This is also what German jazz act Muito Kaballa is doing on their fifth album, Tomorrow a Flower. It’s a sharply more pop-oriented affair than what they’ve previously done. However, by stepping in that…
These new ethnographic-oriented albums document recent Pacific projects initiated by Australian-based label Wantok Musik in the two formerly war-torn island nations of Bougainville and Timor-Leste (East Timor). Encouraging connections in both countries between younger up-and-coming musicians and their local community elders, the aim is to ensure the regions’ unique songs, languages and history are properly passed on, while the elders are still able to do so.
Lek Mak celebrates the distinctive Pacific culture of the Autonomous Region of Bougainville, which includes Buka and several smaller islands that lie between Papua New Guinea and the northern tip of the Solomon Islands archipelago. Previously considered part of PNG, there have…
Commissioned by the Skopje Jazz Festival and premiered at its 42nd edition in 2023, After the Wildfire was performed live in an evening marked by the dim glow of the stage, an orchestra breathing with the electronics, the wealth of sounds conjured by sampler Jan Bang, and Arve Henriksen’s trumpet cutting through the hall like a quiet flame. The premiere offered an immersion into a unique sonic world. Now released as a physical album, the recording feels both familiar and freshly transformed — like the same landscape viewed at a different hour.
The album is built around an eight-movement suite, a careful weaving of live performance and studio work, though it is hard to tell where one ends and the other begins.
A frequent collaborator of a diverse array of artists – including Laurie Anderson, Jessika Kenney, Bill Frisell and Sunn O))) – New York composer/violist Eyvind Kang presents his first solo recording on viola d’amore, an instrument he came to explore during the pandemic. An Italian bowed instrument used primarily in the Baroque period, the viola d’amore has a set of sympathetic strings that create a resonance not unlike that of Indian classical instruments.
Drawing upon his prior study in spiritual jazz and Indian raga, Riparian is Kang’s self-created means of improvising within modes of his own devising – one that alternates between arco and pizzicato (bowing and plucking), giving the impression of an organic dialogue between the two.
Friends for two decades, their creative partnership began when Philip Glass invited Tenzin Choegyal to perform at Carnegie Hall, igniting a dialogue between their two distinct yet deeply connected musical worlds. Choegyal is an acclaimed Tibetan artist whose music bridges ancestral tradition and contemporary expression. Raised in exile and now based in Australia, he channels his lineage through his art — shaping powerful compositions and serving as an ambassador for Tibetan culture and stories.
Be the Sky features original works from Choegyal and Glass’s two-decade collaboration, with Glass performing on the title track. The 7-track recording also spotlights performances by Scorchio Quartet, actress Saori Tsukada…
On their first album in five years, Antibalas return to the sound that launched their career back at the turn of the millennium. Hourglass is a straight-up slab of rich, punchy Afrobeat with a funk heartbeat, jazz lucidity, and no vocals. The Brooklyn band’s core foundation was built around their instrumental prowess, though surprisingly, this is their first all-instrumental set.
Over the years, they have paired elegant grooves with thoughtful lyrics about everything from late-stage capitalism and climate change to Native American genocide. Following 2020’s conceptual Fu Chronicles, Antibalas parted ways with singer Duke Amayo, who had been with them since their debut. Rather than seek a new vocalist, they decided to emphasize what has been their…
Bourj Hammoud Groove celebrates the music of Armenian-Lebanese artist Ara Kekedjian, a key figure in shaping Beirut’s distinctive Estradayin pop sound. Blending disco rhythms, synth-pop textures and Armenian melodic traditions, Kekedjian crafted a sound both rooted in community and universal in appeal.
…Born in 1946 in Bourj Hammoud, Lebanon, Ara became a central figure in the Armenian pop scene of the 1960s and 70s. With his mix of Armenian rhythms, hard-hitting drums, funky guitars, and charismatic stage presence, he carved out a bold sound in Estradayin (Armenian) pop rock.
In the 1970s, the Beirut suburb Bourj Hammoud became a hub of creativity and it was home to countless labels, record shops, and venues.
The fusion of jazz, baroque piano, vocals and traditional Central African and Middle Eastern rhythms might sound like an ambitious overreach, with too many influences competing for space. Yet Afro Baroque proves that what could have been a chaotic collision of styles instead shows how rhythm, melody and cultural expression can complement each other to produce an album of dynamic interplay that entertains throughout.
The driving force behind this cross-genre synthesis is the combination of Israeli-Italian pianist Yakir Arbib and Cameroonian drummer and vocalist Conti Bilong. Arbib has been blind since birth and suffers from synesthesia, which blends senses so that musical tones are seen as different colors. A Berklee graduate, he is equally…
This trio unites the Lebanese pianist Rami Khalifé, Albanian cellist Redi Hasa and Iranian-French percussionist, saz and zarb goblet drum player Bijan Chemirani to explore a domain of sensitive acoustic composition.
L’Antidote invest folk forms with a neo-classical air, playing with their surrounding space and savouring the creation of delightfully calming atmospheres. They make collective music that has room for individual expression.
Opener ‘Pomegranate’ matches nimble piano, softly droned cello (with what sounds like very light electronics) and flexible frame drum (daf) fluidly, while the standout ‘Dates, Figs And Nuts’ features Khalifé’s prepared piano percussiveness. There have been a few albums lately…
Réunion singer, percussionist and composer Luc Moindranzé Karioudja releases his debut album, Mon Balo, in homage to his island’s traditional maloya musical heritage. Situated around 800km east of Madagascar – an island whose cultural history is itself as proudly independent as it is African – Réunion offers a unique blend of African, Malagasy, Indian and French influences.
Tropical birdsong, wind chime-style percussion and rich a cappella vocals set the vibe from the opening moments, with Karioudja leading an overdubbed male choir in a mix of French and traditional languages. What sounds like ‘amour’ is whispered and echoed out. Barely audible hand drums and an accommodating trumpet backing hint towards Karioidja’s Afro-Cuban…
By any measure, Dhafer Youssef is a rare figure in modern music, a Tunisian-born oud virtuoso who has built bridges between Arabic traditions and global jazz, between spiritual contemplation and contemporary sound. Yet even for longtime followers of his work, his new release comes as a surprise. For the first time, Youssef has joined the acclaimed German label ACT, a move that feels both inevitable and long overdue.
Artists from ACT’s roster, bassist Chris Jennings and guitarist Nguyên Lê among them, have been close collaborators for years. Hearing Lê’s lyrical, electric phrasing entwine once again with Youssef’s haunting voice feels like a reunion of kindred spirits rather than a mere session partnership. Their interplay brings depth to…
North London Line continues Jah Wobble’s fascination with London’s hidden currents and forgotten spaces, inviting listeners to experience familiar territory through fresh ears. It’s a meditative ride through neighborhoods constantly in flux, powered by a bass that resonates with the rumble of passing trains and centuries of stories beneath the tracks.
The album North London Line (Mildmay) is an interesting concept to me, with the spoken word poetry it has a John Cooper Clarke feel to it, it’s almost a love letter to that area of North to West London. Where did this idea come from what drew you to writing about that and how did you come up with it? John: Well, I’m used to North London over the years, I call it the old North London Line…
…This new remaster, lovingly rendered from an almost impeccable source, is a revelation for anyone who wished to hear more of how this music was meant to sound. Our longtime collaborator Jessica Thompson carefully restored it with updated tools in her state-of-the-art studio.
Struggling artists looking for a break can take comfort in knowing that today it’s not just hard work and dedication that can get you heard. You might need a little patience though: over twenty years in the case of Yaw Atta-Owusu aka Ata Kak. He joins the ranks of the “Sugarmen”, among them Detroit proto-punkers Death, soft-pop balladeer Lewis, and the original Sugarman, Sixto Rodriguez, who remained oblivious for many years to the roaring success of his ‘flop’…
There’s a well-known line, originating with Brian Eno, that although the first Velvet Underground album only sold 30,000 copies, everyone who bought one formed a band. Ghana-born musician Ata Kak, real name Yaw Atta-Owusu, allegedly only sold three copies of his debut album Obaa Sima in 1994; not everyone who bought it formed a band, but one person who did buy it from a roadside vendor while visiting Ghana started a blog in 2006. That blog became big enough to turn into one of the most beloved labels for African music of all time: Awesome Tapes from Africa.
When his music career failed to take flight, Ata Kak was ready to quit. He was living in Toronto, just north of its notorious Jane and Finch area, with his wife Mary and their children…
Swiss label Bongo Joe has been an unstoppable force of cosmopolitan post-punk gems this year, and perhaps no single-artist release encapsulates their 2025 sound more cleanly than 2, the trilingual sophomore release from Yalla Miku.
The lineup has shifted since their first album. However, the sonic scope remains very similar, as the group trace their roots to the Horn of Africa, the Middle East, and North Africa, as well as the Genevan scenes that the group’s members curate and populate regularly.
What they do within that scope, though, has more complexity and texture than the debut. As with so many of Bongo Joe’s recent releases, 2 gives the distinct impression of being the audio equivalent of a zine: it’s multivocal, unpredictable,…
Fast strumming on the ardine, the multi-stringed lute of Mauritania specifically played by women. Noura Mint Seymali singing as if from a long way off. “What Aicha Fall did could never be called brotherhood… She flew off with my heart and cast it into the abyss.” After a minute the music pauses. This is a traditional wedding song, but in this version it jolts into sharp focus, the ardine bolstered by tightly torqued electric guitar — in Bob Dylan’s words, it used to go like that, now it goes like this. The singer’s voice is now right up close. Matthew Tinari’s drums buck and pound, before the vocals retreat behind a veil of echo and harp. This is Mauritanian blues for the 21st century.
Seymali is a hereditary musician — her stepmother was the fabled singer Dimi Mint Abba…
