…features a brand-new song titled “Decoy” as well as demos of “Cosmic Joke” and “Truth.”
“Enter the room of nothing / Enter the room of me,” sings Haley Fohr on ‘Skeleton Key’, backed by the buzz of organ and electric guitar. She towers above, her voice theatrical and macabre, a quality that’s always been there in her contralto delivery, but never as bombastic.
That room could be the basement studio in Chicago where Halo On the Inside first took shape. For eight months, she locked herself away there, embarking on long, late-night writing sessions. Like the record’s cover, she existed in a vacuum, exploring new sounds, synths and parts of herself. Time and place get wobbly when you’re up all night on your own in a windowless room. Fohr found…

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