Gazelle Twin has become a prolific scorer in the past few years; her latest project is written for the Welsh procedural drama Mudtown (Ar y Ffin). Viewing the trailer, one can tell that there’s a great deal of tension in the show; suffice it to say that the producers hired the right person for the job.
The title track, which we assume is played over the opening credits, is awash in bell-toned percussion, innocent at first, then savaged by a deep electronic drone. One can already sense the ways in which the plot may turn. Many of the pieces here are similarly short, but contain some segment of inner transition, refusing to be incidental music.
“Take the Hit” is the first piece to launch right into the listener. The drums are hard and harsh, the implication that something mean is…

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