Kosmiche krautrock mainstay Harald Grosskopf operates at full wingspan on a new raft of astral-planing arps and motorik pulses laced with wistful extended melodies and atmospheric sleaze, together with a titular nod to Miles Davis’hinting at the album’s underlying theme: the productive friction between man and machine.
“For the uninitiated, Grosskopf’s career spans six decades of German music history. From early beat groups in Hildesheim, through Krautrock propulsion with Wallenstein, cosmic explorations alongside Ashra, and defining work with Klaus Schulze, he has consistently pushed rhythm into evolving technological contexts. His 1980 solo debut Synthesist, previously reissued on Bureau B, helped establish a sequencer-driven…

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