Timothy McCormack, currently Assistant Professor of Composition at University of California San Diego, already had an impressive list of compositions and a significant discography before turning to the piano. Although that list included substantial solo pieces for other instruments, McCormack recounts that the piano had been avoided until the discovery of a ‘strange chord’ whose ‘intervention’ became more and more compelling and difficult to ignore. In the end it proved the eventual catalyst for mine but for its sublimation, a work which started as what the composer thought was going to be a ‘small side-project’ but which ended up being a year’s full on compositional effort. The pianist Jack Yarbrough was the intended performer from…

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