Does 50 minutes of heady and chaotic free jazz appeal to you? Good. James McKain, Damon Smith, and Weasel Walter are here to help.
Recorded late last year, …seeing the way the mole tunnels… consists of wailing and screeching sax from McKain, scrapes, harmonics, and percussive strikes on the double bass from Smith, and Walter’s signature punk / prog improv. The trio moves at such a frenetic pace that even the downtempo passages are restless, textural, and full of ideas.
McKain extracts gritty textures and flutters from the lower register saxes, which couples well with Walter’s mix of blast beats, rolls, and fills. Indeed, all three musicians could be thought of as soloing collectively in a fashion that is curiously complementary. Harmonic and melodic…

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