Jane Inc. began as both a product of lockdowns and a statement of liberation. The pandemic-spawned project has allowed its CEO — Toronto-based artist Carlyn Bezic — to present a more stylistically promiscuous, lyrically provocative identity separate from her collaborative pursuits in the U.S. Girls universe, reinventing this seasoned indie axe-slinger as an all-seeing art-pop auteur equally enamored with electro-disco and bossa nova, like a DIY Madonna who never left the Danceteria. But the euphoric feeling of self-discovery captured on Jane Inc.’s first two albums —  2021’s Number One and 2022’s Faster Than I Can Take — was offset by anxieties over the horrors outside her window and life in their aftermath. “I can’t square the calm/And the eerie…

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