On Middle of Nowhere, Kacey Musgraves doesn’t so much return to her roots as redraw the map entirely — one where solitude isn’t a pit stop between relationships but the destination itself. Written in the aftermath of a breakup and shaped by long stretches of intentional aloneness, her seventh LP and debut for Lost Highway finds her toggling between self-sufficiency, mischief and the occasional bout of well-earned chaos.
The opening title track sets the tone within seconds: sunlit acoustic strums, a low-end thump and Musgraves calmly declaring, “It’s just me and me and that’s all I need.” It’s both a mission statement and, as the record unfolds, a thesis she keeps testing. Because even in the wide-open emotional space she’s carved out, desire…

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