By this point, Loraine James needs little introduction. For much of the last decade, she has been one of London’s most consistently innovative and emotionally expressive club producers, building a reputation over a series of albums of questioning electronica, expert sound design, and shapeshifting beats, whether it’s the watercolour techno of records like For You and I (2019) and Reflection (2021), the Julius Eastman-homage Building Something Beautiful for Me (2022), or her extraordinary ambient work under the name Whatever the Weather.
…Exactly why this might be, it’s hard to say. How much it matters, even more so, as James does have a significant and committed audience; it’s just that her body of work so far commands…

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