Over the course of the year, Manja Ristić has been releasing a triptych of intertwined albums, starting with Purpurna vresišta on wabi-sabi tapes, followed by Sargassum aeterna on Rakem Records and ending with Into Your Eyes on LINE.
The first addresses “the trauma imprinted on landscapes,” while the second imagines a dystopian future in which every social and environmental catastrophe has come to pass. The third is divided into three pieces: the warning, the potential horror, and – although the dream seems unattainable – an alternate, peaceful future in which (depending on one’s interpretation) either humanity has come to its senses or has destroyed itself, leaving infinite space in which the rest of the world might recover and regrow.

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