A quick trip down the streaming rabbit hole to discover that Nathan Fake’s most popular track – by far – is the James Holden remix of “The Sky Was Pink”, which was a ground-shaking banger back in 2004 and remains so to this day. But it seems to have overshadowed Fake’s own output – the original version “The Sky Was Pink” is a distant #2, and after that, there seems to be a drop off. It’s as if people who were expecting more progressive house epics have found the warm and fuzzy electronica of the original version and impulsively decided it’s not for them. Which is a shame because that means the parent album – Drowning in a Sea of Love – remains a hidden gem rather than being heralded from the rooftops for its combination of woozy shoegaze, fizzing…

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