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Nashville producer username first heard footwork music when DJ Rashad’s “It’s Wack” played on a Grand Theft Auto V radio station. Bay Area producer Marsh crane’s introduction came when he stumbled onto Knxwledge’s VATOGATO tapes on Bandcamp. Their journeys to the Chicago dance genre reflect the stylistic approaches that set them apart from their Midwestern compatriots; where RP Boo and co.’s minimalism emphasizes the persistent rhythms that sustain a dancefloor, username and Marsh crane embrace a busier, Zoomer-inspired sound, hashing underground rap microgenres and recognizable samples into dreamy collagist fantasies.
After a slew of collaborative tracks in 2025, OVERTIME arrives as the friends’ first…

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“I became interested in the idea that recording is a bottomless medium,” explains multi-instrumentalist Gryphon Rue in the press notes of his new album. “You have a bag that can fit any sound; the room in the bag is limitless.” Indeed, the sounds conjured up by Rue on I Keep My Diamond Necklace in a Pond of Sparkling Water draw from a variety of sources and span multiple genres within the “experimental” umbrella. Rue plays bowed chimes, modular synthesizer, acoustic guitar, Mellotron, bells, and more, but also adds found sounds, animals, and even planetary signals to create a setting that is at once mysterious, soothing, complex, and quirky.
Coming off last year’s 4n_objx, which implemented a more electronic, processed aura,…

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Songs introduces Santiago Diez Fischer – a composer/performer with roots in Buenos Ares and branches in contemporary European institutes – poetically expressing a form of abstract electro-acoustic composition with an almost punkish approach not normally heard on explorative contemporary minimalist label Another Timbre, yet clearly resonating its tenets. An instrumentalist at heart, who turns to electro-acoustic forms for their immediacy and the limitations of playing with an ensemble back in Argentina, Diez Fischer can coincidentally be grouped with a number of other Argentine composers – Lucio Capece, Gabriel Paiuk, and Tomàs Cabado – who grew up with Argentine rock, tango, folk music, and make music that challenges perceptions of…

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Marty Ehrlich first encountered Julius Hemphill in the early 1970s when he was a high school student in St. Louis. Though Ehrlich performed and recorded with BAG (Black Artists’ Group), a community-based collective co-founded by Hemphill in 1968 to foster collaboration and present music, dance, theater, visual arts and creative writing, he didn’t get to know him well until the two were living in New York in the late 1970s. Ehrlich went on to collaborate with Hemphill, particularly as a member of Hemphill’s saxophone sextet, becoming musical director after the leader died in 1995. As chief researcher for Hemphill’s archive, Ehrlich has continued to unearth a trove of previously unreleased recordings, many documented on…

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When Souad Massi left Algeria for Paris in 1999, she carried with her a set of influences as eclectic as they were unlikely: Oum Kalthoum and Joan Baez, Bob Dylan and Led Zeppelin, classical guitar and Algerian folk poetry. Her debut solo album, Raoui (2001), went gold in France almost immediately, and the records that followed confirmed her reputation as a singular talent: a singer of rare emotional intelligence whose bittersweet voice seemed the perfect vessel for songs of exile, longing and survival.
More than two decades on, and four years since her last album Sequana, that voice remains unmistakable, but Zagate, her new album, finds Massi in a newly unguarded place. Recorded predominantly in the UK and produced…

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Dog Chocolate, from London, make a fractious, fragmented racket, swarms of stinging discordant guitar notes pinging over the thrash of indeterminate drums. The singing, or rather chanting, is likewise agitated, like Tyvek or, perhaps, Uranium Club.
Bands like Dog Chocolate can write songs about anything, from potatoes left to sprout in the basement to ill-advised bushwacking expeditions next to the highway. One cheery punk song is all about treatments for facial blemishes (“Fungal Free 2023”). But the thing is, you don’t really notice what these songs are about; you follow them breathlessly as they pogo around the room. The band, too, often seems enamored of their juddering stuttering grooves. “You can’t just be…

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“Feels like all I ever do is try / And try again,” Kerrin Connolly sings on “Try”, the first track on her latest album, Simpleton. While the song seems like a monument to self-doubt, the album by the Boston-based singer-songwriter and multi-instrumentalist shows an artist overflowing with chops and dedication. While there are plenty of similarities between Simpleton and previous albums like Almost (2020) and Transitions (2024), Connolly has stepped up her game on her latest record, with smart, sophisticated arrangements and an arsenal of pop songs that are a quantum leap from those already-great earlier works.
Connolly describes Simpleton as “a concept album which explores the themes of a hero’s journey – some classic, others modern and…

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…’Power to the People’ features 9CD, 123 tracks (90 of which are previously unreleased) to chronicle the story of Lennon and Ono’s political activism, spanning the prolific period between 1969’s anthem “Give Peace a Chance” and 1972’s controversial live album ‘Sometime in New York City’ as well as that year’s One to One concerts at Madison Square Garden.
The most challenging of John Lennon’s post-Beatles albums, there was latterly an additional barrier to Some Time in New York City being afforded the lavish box set treatment: namely that opening track, the still contentious, ‘Woman Is the N***** of the World’.
With said song now removed, a newly remixed version of the album – retitled New York City…

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For a band that has always cultivated a unique and idiosyncratic sound, New Age Doom appears to have fully mastered their craft on Angels Against Angels. The album demonstrates a confident command of arrangement and atmosphere, tactically marshalling diverse musical elements while seamlessly integrating multiple genres. At the same time, it advances a spiritual message rooted in equality, love and truth.
Sparkling with elements of jazz, experimental, electronic, progressive rock and dub, the record is elevated further by the unmistakable vocals and lyricism of H.R. (Human Rights), frontman of the legendary band Bad Brains. Angels Against Angels uproots disparate sonic textures and intricately fuses them with both playfulness…

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Not everything is Twin Peaks, but Rockie does kinda feel like the album Donna Hayward would make if she could pursue her musical ambitions: She’d be influenced by Julee Cruise, for sure, and probably Chromatics, and Sky Ferreira, and what could be more Badalamentian than the cloudburst of synth that opens “On Our Knees”? Maybe you feel like you’ve seen this show before, but it’s actually the spooky and charming debut from New York songwriter Cate Osborne, aka Rockie Rode, an unassuming indie-pop record with the aura of a vintage cult classic.
In Rockie’s New York, there is no traffic, every jukebox is stocked with Sharon Van Etten records, and the road to heaven begins with a U-turn to Queens. Osborne produces on…

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Jenn Grant is a multi-award-winning Canadian singer-songwriter with eight albums to date. Queen of the Strait is, however, by far the most personal. It covers many deeply private subjects, including escaping from a dark physical attack when she was 18 and living briefly in London, to the heartbreak of going on a local TV show when she was a child to give her dog away as her mother was unable to pay for needed heart surgery.
‘Daddy and his Shotgun’ reveals her memories of being taken Goose hunting by her father and how she would become somehow attached and name the birds before they were shot down. She is now a vegetarian. The bravery she has shown to write about these and other events that have shaped her life and beliefs is quite extraordinary.

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Welsh instrumentalist Huw Marc Bennett’s new album, Heol Las, cuts a refreshingly fine dash. Taking traditional melodies from South Wales – notably the Morgannwg/Glamorgan region – and reimagining them through a lens of folk jazz and psychedelic roots, Bennett paints a beguiling vision. Cerddoriaeth werin, the folk music of Morgannwg, is vividly brought to modern life here.
‘Carol Haf’ (Summer Carol) opens the proceedings with a ceremonial feel – a bright, sparkling hope for the future – rooted in Bro Morgannwg’s (Vale of Glamorgan region) seasonal rituals. ‘Cân Gwasael’ (Wassail Song) dips down into a darker mood, playing tentatively with the winter tradition of the Mari Lwyd (Welsh midwinter horse-skull folk ritual) – spindly, brooding, haunting…

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Charles “Poppy Bob” Walker’s guitar compositions have a liquid, expansive cosmic Americana scope. The notes linger in pellucid backwashes and slide eerily between the known tones. Not much is known about the Yuma-based outsider artist, now apparently deceased, but his work on DOUBLE-WIDE —and on the earlier Dirt Bike Vacation — is a far cry from the usual pickin’ and grinnin’ proficiencies of blues-folk old-timers.
The guitarist and song-hunter Cameron Knowler stumbled on Walker’s work at, of all places, a Texas local library branch. Intrigued enough to track down a sample, Knowler immediately became obsessed with the music, which evokes ambient kosmische players like Chuck Johnson, Luke Schneider, and in some moods, William Tyler.

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We always want life to make sense, yet despite our best efforts, it does not. This is the starting point for Asymmetry, which distills a lifetime of thoughts and emotions into 88 keys. Alex Kozobolisis no stranger to such efforts; his seasonal quadrilogy, The Seasons Are Not Four, swept 14 tracks into four quadrants, a tidy project, although as the title indicates, the “real” seasons seep into their neighbors’ yards.
Asymmetry includes wholly original tracks, plus a couple reimaginings; the slightly jazzy tone represents a shift from the composer’s prior works, but a holiday spirit bubbles below; at times the tender notes call to mind Vince Guardini’s classic Peanuts score. As early as opening track “Lost Hours,” one can hear the snow…

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…Close to a century ago Virginia Woolf captured duration and sensation in flux in her 1928 novel Orlando in a line Sunik Kim quotes in an essay accompanying her new album, Formenverwandler: “An hour, once it lodges in the queer element of the human spirit, may be stretched to fifty or a hundred times its clock length; on the other hand, an hour may be accurately represented on the timepiece of the mind by one second”.
As Kim’s essay explains, Formenverwandler seeks to explore perceptions of time and memory. Spread across two CDs and close to two hours, the album sees dazzling irruptions of electronics test the limits of how much information and variation can be stretched across or condensed into units of time. Where long-form compositions…

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Setting aside initial plans for a second chapter of THE HARP, Kety Fusco has forged forward with the full-length BOHÈME. In a remarkable confluence, Iggy Pop (who appears on early single “SHE”) is having a moment, coming off the wild success of Teddybears’ “Punkrocker” from the Superman soundtrack. “SHE” underlines both Fusco’s gothic sensibilities and her efforts to bring the harp into what one might call an alternative mainstream. “The harp is not heard as much,” says Iggy, but one wants it to be; or at least, one wants the harp to be heard in surprising fashion, no longer relegated to the upscale and staid. One can also glean the shift in the video for “BLOW,” which references films such as Friday the 13th and The Blair Witch Project, albeit in…

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Milwaukee’s Altered Five Blues Band is nearing the quarter-century mark and returns with their eighth studio album, Hammer & Chisel. The multiple BMA nominees are one of the most dependable, hard-driving blues units on the scene. Once again, Tom Hambridge is in the producer’s chair for the sixth consecutive time. As such, the album was recorded in Nashville. Principal songwriter and guitarist Jeff Schroedl is now the head of Blind Pig Records, the band’s label for nearly the past decade.
Schroedl is one of four original members who have been on board since the inception. The others include vocalist Jeff Taylor, bassist Mark Solveson, and drummer Alan Arber. New member Steve Huebler is on keyboards, replacing original member Raymond Tevich, to whom they…

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There are several artists, it seems, who go by the name of Sam Lewis. So, just to be clear, this release, Everything’s Fine, is from the Nashville musician of that name, and it’s his 7th release, following on from 2024’s Superposition. In terms of intention, Lewis, in discussion with studio engineer Joe McMahan, wanted to deliver a sparse recording, in places that might be seen as the case, but there’s still a full sound across this album.
The spirit of John Prine floats above the opener and single ‘Chase the Moon’, rhyming couplets and a narrative melodic bounce push along picked and strummed guitar. The song was created around the time of Prine’s passing, so it’s fitting that his influence lives on through this.
…Title track ‘Everything’s Fine’ appears at…

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