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Reconnection is one of the projects (and second quintet album) of violinist and composer Tuva Halse. Tuva who? OK, you are not in Norway (that is your right). The entire Norwegian music scene, from jazz to folk, rap and contemporary music, even Eurovision, knows Tuva Halse. She stopped critics in their tracks in a duo with Joshua Redman last summer, which they described as historic. Three years after graduation at the prestigious jazzlinja at the Norwegian University of Science and Technology, she is emerging on the international scene. Listen to this album today so you can look smug in a few years: “Tuva Halse? Yes, where have you been?”
Let us make introductions. Halse: baroque, occasionally carnatic-flavoured violin, voice,…

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With her latest album, Isaiah, the expansively creative Japanese violinist and composer Meg Okura proves once again that she stands among today’s most distinctive musical visionaries.
Rhythmically fluid and stylistically adventurous, the record represents contemporary world fusion at its most refined. A testament to her eclecticism and athletic command, the album showcases her acclaimed Pan Asian Chamber Jazz Ensemble in celebration of its 20th anniversary. The tentet’s unfettered explorations are amplified by a roster of distinguished guests who elevate the ensemble’s dynamics, arrangements, and interplay to a higher plane.
The exuberant fusion of “Sushi Gadol”, a tribute to Okura’s brother — who transitioned from…

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London-based, Wrexham-raised artist Art School Girlfriend releases her third studio album Lean In, via Fiction Records. Armed with the freedom and space to experiment, Lean In was self-produced in her own East London studio and sees Art School Girlfriend set to move from cult bedroom artist to one of the UK’s most vital artist/producers operating at the moment, tackling alternative rock, electronic pop and experimental ambient sounds in her most cohesive work to date.
Starting off with a looped beat, followed by some ambient sounding synthesiser, Doing Laps is an interesting track to start the album. It feels almost dreamlike with Art School Girlfriend’s whispery sounding vocals, with a backdrop of ambient synths, almost new age…

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Last year, Tobias Jesso Jr. made an album with his former gardener. Now, Juliana Hatfield is sharing a surprise record she made with her contractor. It’s called Bets, and it arrives on the heels of December’s Lightning Might Strike.
…The beginning of the project is as fascinating as its music. While Hatfield was renovating her home, she found out that her contractor also loved music. This shared interest turned into a creative partnership and they created Bets. They spent several months working together, combining Hatfield’s unique style with new ideas from her collaborator.
Bets mixes Hatfield’s indie rock background with a variety of other styles, creating music that feels both familiar and new. The album…

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…newly remastered and features six bonus tracks that were previously unreleased or hard to find.
The members of Vermont’s Guppyboy went on to form Ladybug Transistor and the Essex Green. With their 1997 debut on Sudden Shame Records, they experimented with their poppy variety of folk/country indie pop. The disc starts off with the slow and reflective “Washington Square,” which is followed by “Trouble,” which includes a healthy dose of banjo and could easily be mistaken for Wilco. “Avalon Ballroom” is a duet that has an awkward pause in the middle. Once the song finds its pace again, it’s an enjoyable and relaxed collaboration. “Affection” includes bittersweet and distant vocals, creating a haunting feeling throughout the track.

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Prince Edward Island, on Canada’s eastern seaboard, is a hotbed of musical talent, with a revolving community of extremely talented musicians who are helping to preserve the Celtic/folk traditions of the area while advancing the genre’s boundaries by infusing them with elements of pop, swing and country.
One such is the formidable group The East Pointers, formed in 2014 by Tim Chaisson (fiddle and vocal), Koady Chaisson (banjo), and their cousin Jake Charron (guitar/keyboards), one of the most exciting live bands in the genre.
Tim Chaisson had already made something of a name for himself as singer-songwriter of some ability, having been a member of the band Kindle in his early teens and joining with others…

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Cody Diekhoff (aka Chicago Farmer) grew up in an Illinois farming community in the tiny community of Delevan, and his grandparents were a pivotal part of his upbringing, with his grandfather being a master storyteller as well as a first-class farmer. Young Cody listened to these stories with fascination, and the effect they had on him has stayed with him all his life. Diekhoff has now recorded his debut album with the help of his recent touring band, The Fieldnotes. They are Charlie Harris on bass, Cody Jensen on keyboards and mandolin, Frank Kurtz on drums and Jaik Willis on guitar.
Listening to these songs, there’s a raw immediacy to them with Diekhoff’s vocals being delivered as though it’s his last day on earth.

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Magnus Granberg was born in Umea in northern Sweden in 1974. He studied saxophone and improvisation at the University of Gothenberg and in New York in his late teens and early twenties. He was self-taught as a composer.
In 2005, he formed his ensemble Skogen which on November 12th 2010 recorded his composition “Ist gefellen in den Schnee” at Atlantis, Stockholm. The nine members of Skogen included Granberg himself on piano, an instrument he had taught himself. The album was released on Another Timbre in February 2012. As with many of Granberg’s compositions, he used other music as inspiration for his own, without copying other composers’ work. As sources of inspiration for “Ist gefellen in den Schnee” he said he had referred to two…

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Sublimatio Mortis is a Canadian duo that, at least on this latest release, focuses on deep, slow drones with bassy throat singing and chant.
Over the course of three long tracks spanning 55 minutes, Ghur is an exercise in wall-shaking frequencies coupled with, electronics, static, and guttural vocalizations that provide a haunting yet modern atmosphere.
The sound palette on these tracks is often sparse – overlapping drones that buzz with dark energy, growls from the abyss, and perhaps a chromatic sweep from a synth. This is not ambient music in the usual sense, but an act of transforming raw emotion into tectonic vibrations that physically and psychically pummel the listener. As the album progresses, the palette expands…

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Connor Armbruster excels at reinvention. The multi-instrumentalist based in Troy, New York, has released numerous albums over the past several years that tackle a wealth of styles and themes. Phonehenge (2019) was a folk concept album about technology. Masses (2022) consisted of a solo violin recorded in the sanctuary of an empty church. Can I Sit Here (2024) tackled distortion and noise rock. He even released an EP last year, Bednight Snack, consisting entirely of traditional songs he regularly sang to his daughter.
Now, with Half My House, Armbruster tackles traditional Irish music, a somewhat more conventional release, but still imbued with the grace and skill he’s known for.
Joining Armbruster (who sings, plays violin,…

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A companion piece to the album, Right Now!, this collection contains additional recordings from those sessions, as well as Tchad Blake remixes and reworkings of songs from Right Now! All recordings, except for “Reap What You Sow,” have never been released. The psychedelic supergroup featuring Dave Alvin, Victor Krummenacher, David Immerglück, Michael Jerome, and Jesse Sykes continues to defy expectations and genre.
The album opens with an instrumental reinterpretation of Spellbinder inspired by Hungarian jazz guitarist Gabor Szabo, whose work has long influenced guitarist David Immerglück. “I’ve been a huge fan of Gabor Szabo my whole life,” Immerglück says. “When the idea came up to record Spellbinder, it felt like a no-brainer.”

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Since the release of his ACT debut Letter to the Universe (2023) and its follow-up Highlife (2024), Ghanaian-born trumpeter Peter Somuah, now based in Rotterdam, has established himself as a bridge-builder between cultures and continents. “An excellent musician and jazz at its most international,” notes the BBC. For the globetrotting Peter Somuah, musical influences from geographically distant cultures are always just a step away. This is precisely what his new album Walking Distance is about.
Walking Distance is an exploration of musical unity — a journey through diverse genres that, despite their differences, remain deeply interconnected. The album blends elements of post-bop jazz, Arab music, Latin grooves, blues,…

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This is pianist Shai Maestro’s second release since signing for Naive in 2025. The first, Solo: Miniatures & Tales (2025), was a personal exploration; in deliberate contrast, The Guesthouse is expansive, open and collaborative. Maestro describes the album as “my attempt to turn the creative chaos that lives in mind into one coherent artistic statement, always having a simple melody as a thread that tells the story of this collective.” Inspired by Rumi’s poem The Guesthouse, Maestro uses the idea of a guesthouse as a framework — a place with an open door where musical guests are welcome to enter and collaborate freely. The result is an album markedly different from his previous work, with a far broader musical palette. It has also pushed Maestro in new…

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Owelu Dreamhouse (pronounced Oh-WAY-lew) is a collaborative project masterminded by vocalist Nkechi Anele and multi-instrumentalist and arranger Nic Ryan-Glenie, both formerly of the band Saskwatch, with whom the pair helped shape the Melbourne soul renaissance. They now return with their new band, focused on a contemporary take on cinematic soul, supported by a myriad of musicians from their local scene.
Opener ‘Kellen’ sets their stall with its crisp percussion, sweeping strings, funk guitar licks and a searing trumpet solo in the track’s last leg. Anele lights up the record with her commanding vocals that vary from subtle and nuanced on ‘Tourist’ to searing intensity on the Afro-funk meets disco stomper ‘Struggle for Kasawa’.

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How do you become considered a classic in any music genre or sub-genre? Is it how long you’ve been on the scene, how many fans or just cult fans you have, how many records you have come up with, have you been recognised by other artists, something else or all of the above?
the black watch could boast with probably all of the above as one of the psych rock stalwarts still around and still recording (16 albums and EP’s, maybe more, under their belt), including that recognition from other artists, in their case specifically another psych rock stalwart Nick Saloman of the Bevis Frond Fame, who just released their lates album Varied Superstitions on his Blue Matter Records.
So, more specifically, what kind of psych rock…

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Fair Warning was such a dark, intense record that Van Halen almost had no choice but to lighten up on their next album, and 1982’s Diver Down is indeed much lighter than its predecessor. In many ways, it’s a return to the early albums, heavy on covers and party anthems, but where those records were rough and exuberant — they felt like the work of the world’s best bar band just made good, which is, of course, kind of what they were — this is undoubtedly the work of a finely honed band who has only grown tighter and heavier since their debut. As a band, they might be tight, but Diver Down is anything but tight. It’s a downright mess, barely clocking in at 31 minutes, cobbled together out of five covers, two minute-long instrumentals, and five new songs.

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Some artists turn up on the music scene as rough diamonds, so to say, with talent showing, but with some edges that need to be finely honed through time to make their music sound great and probability of that happening always somewhere in the middle.
On the other hand, there are artists that appear suddenly as a full-fledged, well, artists with their talent up to the fore and their music presenting itself as fully rounded pieces of art. You can count Eliza Noxon and her debut album Good Monsters with Bad Habits in the latter group for sure.
With only two sole singles officially released, Noxon’s music sounds fully complete, with all the elements in their rightful place and no hiccups. Whether it is just pure talent or…

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The expanded release includes two additional songs: A cover of the Jason Isbell track “Good While It Lasted” and “Stopover”.
Listening to current Nashville resident Imogen Clark’s latest, Choking On Fuel, you’d swear she was a native who got her start playing dive bars around town before finally getting booked at The Bluebird Café or The Basement East.
Surprisingly, Clark got her start as a teen playing bars in Sydney, Australia, not exactly the most obvious jumping off spot for a rising country/Americana star. Regardless, Choking On Fuel is an impressive collection.
Clark has spent the past few years on the road, headlining as well as opening for a slew of disparate musicians ranging from…

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