New Risen Throne (Gabriele Panci) does not release albums often, but when he does, it is an event. His work represents a quintessential sound in dark ambient music over the last two decades – the synths, the drones, and the atmosphere – that others have taken in new directions, such as leaning toward industrial or techno variations. But Panci continues to perfect his art, of which the double album Journey to Reach the Fathers is the latest instantiation.
Here, he combines sustained tonal layers, sweeping yet breathy effects, odd vocalizations (throat singing and chant), electroacoustic elements, and distant booming percussion to create echoing subterranean soundscapes. This produces a full, rich listening environment that…
Latest Entries »
Ukrainian composer Katarina Gryvul stunned us in 2022 with the indelible Tysha. This year, on the heels of an astonishing collaboration with The National Museum in Warsaw, she returns with a set that is even wilder and more intense.
SPOMYN means recollection, and the album delves into the manner in which memories are fragmented, disjointed and reassembled, a process Gryvul imitates with fragile electronics, eruptions of sonic power and layers of voice.
The artist calls each track “a flicker of something lost, distorted, or forgotten.” It’s impossible not to think of the ways in which entire cultures are under attack, their artifacts and collective memory threatened by invading forces; or the rewriting of narratives by the opposition.
Is Kōenjihyakkei’s Angherr Shisspa the greatest Zeuhl album ever made? It could be. …although it’s debatable how much that actually counts for. So, any noise created that helps celebrate this excellent 20th anniversary reissue is not just good for the stature of the album but also for Zeuhl in general, as it is itself a largely overlooked genre. ‘What is Zeuhl?’ you might feel justified in asking. Zeuhl is a moody and bass-driven hybrid of jazz fusion, prog rock and chamber music, typically featuring complex compositions which slough off conventional song structures and apply operatic vocals. This form requires a lot, even from virtuoso musicians. In reality though any definition of Zeuhl is a closed loop because this is music that sounds like Magma; and the term…
We were first drawn to frank dean and andrew by the fantastic art of Ez Goomi; as it turns out, all of Ebi Soda‘s covers are colorful and fun, a perfect reflection of the Brighton sextet. Then there was the title of early single “when pluto was a planet and everything was cool,” which joins track titles by Max Cooper and GoGo Penguin as our favorites of the year. And then of course the most important part, the music.
Listening to that single ~ the synth beginning, the howling Halloween sound, the keening calls, the deep bass, IDM drums and trip-hop horns, we started to think of Ebi Soda as one kind of band, when actually they are many. This particular piece, drawing on everything from early film scores to post-rock, is one of our…
Drummer and composer Tomas Fujiwara leads a powerful experimental quartet of kindred spirits, capable of propulsive rhythms and stunning textures. His Percussion Quartet features other three virtuosos: the widely praised vibraphonist Patricia Brennan and percussionists Tim Keiper and Kaoru Watanabe. Keiper also plays the African string instrument ngoni, while Watanabe brings the shinobue, a Japanese transversal bamboo flute. Fujiwara — who spent five years with the percussion collective Stomp — composed all the contagiously forward-reaching pieces, bridging drummer Max Roach’s percussion ensemble M’Boom with vibraphonist Bobby Hutcherson’s exquisite Blue Note gems of the ’60s and ’70s. Still, the music here extends far beyond…
2025 mix by Jon Altschiller.
As we enter 2026, who could have imagined the Bruce Springsteen Live Archive series would be entering its twelfth year? The first show in the series, Apollo Theater, March 9, 2012, was released in November 2014; remarkably, 100 more have followed, expanding Springsteen’s live recording canon into territory once exclusive to the Grateful Dead.
Tours from 1975 on are represented in that 100, with many covered in depth. Frustratingly to all, a few gaps remain, limited by technical challenges (#freetherisingtour) and tape availability. But the Archive series is open-ended: new sources and playback breakthroughs remain ever possible.
For this year’s holiday release, we revisit…
Kansas City, Missouri native, Matt Pryor, is a household name for anyone who was attuned to the second and third waves of emo. His genre-defining band, The Get Up Kids, were among a small and legendary group that has shaped the musical landscape for years.
…Most recently, on his latest album under his given name, Matt Pryor has presented the world with The Salton Sea, and it is abundantly clear that this is the continuation of a decades-long love affair with music and being outright obsessed with songwriting. Steadfast fans of Pryor’s prolific career will also find themselves treated to a style that is more reminiscent of the works of Paul Westerberg and Red House Painters, that is of course laden with Pryor’s signature style, whose…
…remastered & with 5 bonus tracks.
“Even a stopped clock gives the right time twice a day”, maintains Paul McGann’s character near the start of Withnail and I. He plays Marwood – the ‘I’ of the title – in a drunken and druggy but decidedly unpsychedelic cinematic glimpse into the late 1960s. The film initially flopped in cinemas at the height of 1980s yuppiedom, only to find cult adoration (and over quotation) via subsequent release on video. Everything has its right time in the end. And so it is with Henry Badowski’s one and only album Life Is a Grand, which is finally getting the reissue it justly deserves after all but disappearing, along with its creator, to near complete indifference following its release in 1981. Indeed Badowski himself seems more…
Over the past 15 years Devin McKnight has been building his musical path in bands like Grass Is Green, Speedy Ortiz, Philadelphia Collins, and his own three “solo” releases as Maneka, building quite an impressive resume. McKnight’s releases as Maneka have been increasingly varied as he’s melded jazz (check the Wes Montgomery smoothness in “Throwing Ax”) hip-hop, goth tinged post-punk, searing guitar, and maelstroms of distortion into his songs, sometimes all at once. McKnight has been probing different ways of manipulating sounds to create a very unique adventure in musical expression and his fourth Maneka release Bathes and Listens keeps pushing against the made up boundaries and limitations of “genre.” McKnight and associates…
Egyptian-born oud player and composer Mustafa Said is one of the most illustrious names in Arabic music today. Born blind, he learned music through Braille. He’s led the Asil Ensemble since 2003, a fine band of traditional players on various sizes of oud, qanun zither, nai flute, tanbur, violin, viola, cello and various percussion. Said was awarded an Aga Khan Music Award in 2019.
This is his first album since then, although his fifth with the group. It opens with a short solo performance of sung Sufi poetry, written by Maymunah al-Asheqah, an 11th-century female poet who is said to have been able to walk on water. It’s followed by a substantial instrumental suite for the whole orchestra in ‘Maqam Segah’, gradually increasing in tempo and…
When Eraserhead premiered in 1977, it didn’t just mark the beginning of David Lynch’s singular career — it rewired the language of underground cinema. A nightmarish journey through industrial decay, existential dread, and fractured identity, the film remains one of the most haunting works ever committed to celluloid. Shot in stark black and white, Eraserhead unfolds like a fever dream — where sound, space, and emotion bleed into one another in an uncanny, hypnotic dance. But what truly sets Eraserhead apart, even beyond its disquieting visuals, is its sound. David Lynch, working closely with sound designer and technician Alan Splet, constructed an aural landscape as vital and disturbing as any of the film’s images. The soundtrack is not built…
Twenty-five years is a geologic age in terms of pop culture. For electronic music, it’s an eon, with whole genres, subgenres and movements living and dying faster than mayflies. For an electronic label to simply exist for a quarter century is a major accomplishment, worthy of accolades and great celebration. For an electronic label to be releasing some of their best, most exciting so far along is nothing short of miraculous.
25 Years Cocoon Recordings deserves a medal and a victory lap for that reason alone, as its 15 tracks of driving, relentless, hooky techno feels entirely of-the-moment while simultaneously serving as a weathervane, offering a hint of where electronic music may be heading in the next decade.
Even though it’s ostensibly a retrospective,…
It’s been clear since she first emerged that German pianist Johanna Summer is an extraordinary soloist and virtuoso. But none of her work to date has really resonated beyond the ”wow what an incredible classical technique” dimension until this latest. Perhaps the classical strictness of her style took time to get used to. Her jazz affinity is clearest here. Perhaps she is more of a classical player than a jazz one. Perhaps, perhaps, a lot of these perhapses are still valid.
However there are fewer maybes about this well curated selection on a very still and gathered solo piano album that revels in simplicity.
…‘Giant Steps’ is done more as an étude and you could say that about a lot of what’s here. Its extreme slowness is in a way a statement.
Composer and arranger Ines Velasco showcases her deeply thoughtful and harmonically sophisticated big-band jazz on 2025’s A Flash of Cobalt Blue. Born in Guadalajara, Mexico, Velasco honed her skills at Berklee in Boston before branching out on projects with National Jazz Orchestra of México, the New York Philharmonic, the Metropole Orkest, Snarky Puppy, and others.
She brings all of this experience to bear on A Flash of Cobalt Blue, collaborating with award-winning Mexican writer Jorge Esquinca, whose poetry book of the same name is Velasco’s inspiration. An elegy for Esquinca’s late father, the book is a narrative biographical poem detailing a trip his family took to the Pacific Coast of Mexico in their titular “cobalt blue” Vauxhall car. It’s a deeply felt…
Smoke Shifter leans toward tradition, which is perhaps a bit surprising given the exploratory, cutting-edge music previously produced by everyone in this quintet. Led by master percussionist Chad Taylor, the album is a diverse program of well-crafted, contemporary songs performed by an egalitarian collective.
Taylor co-founded the Chicago Underground bands with Rob Mazurek, celebrated Albert Ayler with Marc Ribot and performs with the Exploding Star Orchestra. Prominent amongst his numerous collaborations is his essential work in James Brandon Lewis’ quartet. In another vein, he joined Kevin Diehl and his mentor Joe Chambers on the all-percussion album Onilu (2025). A Philadelphian since 2017, he performs…
It takes a lot of time, money, and dedication, to restore anything of historical importance. And the Plaza Theatre in Palm Springs, California was just the type of venue that required these three key ingredients. Opened to the public for the first time in 1936, this classic Art Deco building was the site of many grand events over the past 100 years.
And so it was on November 11, 2022, spearheaded by Brian Ray (Sir Paul McCartney’s guitar gunslinger for the past 20+ years), a gala fundraiser was held to restore one of Palm Springs’ most treasured landmarks, the historic Plaza Theatre.
Ray and his co-musical director Spike Edney (Queen, Clapton, Elton, Aretha) put together an all-star band to back the four headliners for the evening’s show. And what headliners…
Nashville bluegrass banjo stalwart Wes Corbett’s new album, Drift, is surprisingly spectacular. A member of the Sam Bush Band, Corbett realised that recording an all-instrumental album of original bluegrass tunes in Nashville meant he had access to some of the best players in the world.
Naturally Sam Bush joins, but the album is also graced by mega names like Sierra Hull, Bryan Sutton, Bronwyn Keith-Hynes, members of the Punch Brothers, Darol Anger, and more.
Of course, this virtuosity is for nought without great tunes, and Corbett delivers here. The arrangements are shaped for each mini ensemble, so ‘Crane Island’, with Darol Anger, spins into experimental fiddling, while ‘Riptide’ with Hull, Sutton and Keith-Hynes powers through…
Steve Hammond stayed plenty busy in 2025. First, he released an album with his thrash metal band Ice Queen. Last, he put out an album of charming lo-fi recordings under his own name. And in between, he and his country band The AM’s rolled out Here Comes That Broken Heart, a set of 12 tunes that would sound great coming out of an old wobbly phonograph or perhaps off the corner stage in some not-that-cool dive bar. Hammond and “Pony Dan” Prockup split the writing duties, and both steer their songs into interesting places by incorporating pop, psych, punk spirit, and especially snappy ‘60s soul into their malleable honky-tonk.
…The music of The AM’s sounds like something you’d hear creaking out of an old console…
