December 28th, 1990, at The Marquee was an interesting time and place for Phish. After making its NYC debut in the spring of 1988, the band bounced around various rooms — including eight shows at the legendary Wetlands Preserve — before making its debut at The Marquee for the band’s 13th career show in New York City. Phish would play The Marquee two more times in 1991, before continuing its climb up the ladder of NYC venues, to The Academy, Mariott Marquis, Roseland Ballroom, and Lonestar Roadhouse before making it to the Beacon Theatre in April ’94 and finally to Madison Square Garden later that year — almost four years exactly from the Marquee gig.
In extensive liner notes on LivePhish, an archivist writes that advanced tickets to…
You need to be logged in to view the rest of the content. Please Log In.
The 6th studio album by Florence + The Machine, 12 new songs + 4 exclusive Chamber Versions.
Following the release of his seventh studio album A Modern Day Distraction last year, Jake Bugg is back with a very special deluxe repack of the celebrated record. Following the release of the first single Never Said Goodbye Jake releases Oblivious previously unreleased and written during the spring 0f 2025 it’s an up tempo celebratory slice of British guitar pop which resonates perfectly for the sound of our post Oasis summer. British guitar music has never sounded so good. Jake headlined packed out UK dates across the summer and will be doing instores to support the album, whilst also headlining the RadioX event on Oct 3rd 13 years and seven albums into his career, 
These new ethnographic-oriented albums document recent Pacific projects initiated by Australian-based label Wantok Musik in the two formerly war-torn island nations of Bougainville and Timor-Leste (East Timor). Encouraging connections in both countries between younger up-and-coming musicians and their local community elders, the aim is to ensure the regions’ unique songs, languages and history are properly passed on, while the elders are still able to do so.
…After a decade of remarkable releases, 
Sébastien Betbeder’s comedy-drama L’Incroyable Femme Des Neige (The Incredible Snow Woman) looks like a lot of fun based on the trailer, but don’t judge the film score by the trailer music. What 
The Indonesian composer 
Living up to its titular promise, 
Howl for More is 
In the novel Barney’s Version, Mordecai Richler wrote of Montreal that “its salvation [is] the continuing devotion to pleasure by our movers and shakers.” The city exudes a self-assured, continental coolness, and its relative affordability makes it admirably hospitable to its artists. But Richler is right that this coolness takes effort; it’s an act of devotion rather than a natural endowment to the Québécois.
After spending 2024 wrestling with that classic second album syndrome, 
Boston-based Brendan Wright has been releasing music – first as Tiberius Wright and more recently just 
Over the years, West Virginian Charles Wesley Godwin has built up a reputation for delivering excellent live shows. He’s supported artists such as Luke Combs and Zach Bryan and is at present out on the road with Eric Church. Live from the Steel City is a 23-track album that displays Godwin’s expertise and showcases his expansive catalogue of road-tested material and the prowess of The Allegheny High. Godwin describes Live from the Steel City as a recording of “a live show the boys and I have curated in bars, clubs, theatres, amphitheatres, arenas and stadiums over the last several years”. The speakers sound stacked for this sold-out gig at the AE Outdoor stage in Pittsburgh. Recorded in September 2024, the day before the Pittsburgh Steelers played…
The Beggar had its genesis as a collection of “quite rough and raw” demo recordings, released in 2018 on Bandcamp. 
Detroit-based Ethan Daniel Davidson is nothing if not prolific. 