In a world where the surface has become a trope for glistering repetitions of self, pompous explosions of short-reeled extremes, digital debris and its ephemeral, disconnecting and intoxicating comfort, a form of distanced, attentive and (perhaps hauntological) listening can serve as an antidote to the madness of “being connected”.
Somewhere between Derrida’s, Deleuze’s and Fisher’s (post-)nostalgic ruminations lies the solace of silence and remoteness as a way of connecting and belonging. Rafael Anton Irissari’s Points of Inaccessibility  is a line of flight towards this reconfiguration of reality and an exploration of the way the present is haunted by all the futures that never arrived.
The album’s core material was recorded as…

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